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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone standox Autolacke - HONDA YR538M desert mist it is the complementary color standox Autolacke - HONDA PB72P quasar gray. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color standox Autolacke - HONDA YR538M desert mist. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the standox Autolacke - HONDA YR538M desert mist shade: standox Autolacke - SUZUKI 1AL safari beige, standox Autolacke - TOYOTA 4P7 beige, standox Autolacke - SUZUKI ZG1 vanilla beige, standox Autolacke - DAIHATSU W07 white and standox Autolacke - MAZDA UA cameo white
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color standox Autolacke - HONDA YR538M desert mist. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the standox Autolacke - HONDA YR538M desert mist shade: standox Autolacke - HONDA YR538M desert mist, standox Autolacke - TOYOTA 4S2 bronze, standox Autolacke - ALFA ROMEO 668 grigio martora, standox Autolacke - NISSAN EX1 bronze and standox Autolacke - TOYOTA 4Q7 brown
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the standox Autolacke - HONDA YR538M desert mist shade: standox Autolacke - HONDA YR538M desert mist, standox Autolacke - MITSUBISHI S57, AC11157 carmel beige, standox Autolacke - MITSUBISHI S57, AC11157 carmel beige and standox Autolacke - MITSUBISHI S57, AC11157 carmel beige
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the standox Autolacke - HONDA YR538M desert mist shade: standox Autolacke - HONDA YR538M desert mist, standox Autolacke - RENAULT D13 nuage, standox Autolacke - LAND ROVER 635 richmond green, standox Autolacke - ROVER HQJ, C0005 GM cimarron green and standox Autolacke - FIAT-LANCIA 359A verde lichene
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The standox Autolacke - HONDA YR538M desert mist shade matches the following richer shades: standox Autolacke - HONDA YR538M desert mist, standox Autolacke - BMW S01, 644 aurum, standox Autolacke - NISSAN A18 orange, standox Autolacke - NISSAN EX7 yellow and standox Autolacke - VW LT1C inkagelb
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the standox Autolacke - HONDA YR538M desert mist shade: standox Autolacke - HONDA YR538M desert mist, standox Autolacke - SSANGYONG ABF grey 2 OEM 2005, standox Autolacke - FIAT-LANCIA 792A azzurro lagoon/ de chirico, standox Autolacke - LADA 416 reddish blue and standox Autolacke - HONDA PB79M purplish blue
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the standox Autolacke - HONDA YR538M desert mist shade: standox Autolacke - MITSUBISHI S57, AC11157 carmel beige, standox Autolacke - MITSUBISHI S57, AC11157 carmel beige, standox Autolacke - HONDA YR538M desert mist, standox Autolacke - RENAULT D13 nuage and standox Autolacke - LAND ROVER 635 richmond green
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the standox Autolacke - HONDA YR538M desert mist shade: standox Autolacke - BMW A23, WA23 sonora, standox Autolacke - SUZUKI 68U melange beige OEM 2005, standox Autolacke - HONDA YR538M desert mist, standox Autolacke - NISSAN EV0 beige and standox Autolacke - TATA TAT106 pearl white
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the standox Autolacke - HONDA YR538M desert mist shade: standox Autolacke - HONDA YR538M desert mist, standox Autolacke - BMW 319 palmettogruen and standox Autolacke - SUBARU 154 pale purple
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the standox Autolacke - HONDA YR538M desert mist shade: standox Autolacke - HONDA YR538M desert mist, standox Autolacke - FORD EUROPE 6809, D9 lt.pine green and standox Autolacke - SUBARU 154 pale purple
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the standox Autolacke - HONDA YR538M desert mist shade: standox Autolacke - HONDA YR538M desert mist, standox Autolacke - BMW 319 palmettogruen, standox Autolacke - ISUZU 642, N314-P901-0 light quarts gray and standox Autolacke - FIAT-LANCIA 817A grigio titanio
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the standox Autolacke - HONDA YR538M desert mist shade: standox Autolacke - HONDA YR538M desert mist, standox Autolacke - TOYOTA 6P9 green, standox Autolacke - ISUZU 642, N314-P901-0 light quarts gray and standox Autolacke - MAZDA 27H lavender OEM2005
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 37.5, 0.13%, 0.63%
LAB 67.73, 0.64, 8.94
Complementary color
HSL 225, 0.11%, 0.36%
LAB 37.48, 1.58, -9.27
Lighter colors
HSL 40, 0.17%, 0.63%
LAB 68.48, 0.27, 12.83
HSL 38.71, 0.2%, 0.7%
LAB 74.81, 0.54, 11.57
HSL 42, 0.25%, 0.77%
LAB 81.53, -0.39, 11.6
HSL 50.77, 0.31%, 0.84%
LAB 88.25, -2.35, 11.27
HSL 49.41, 0.35%, 0.9%
LAB 93.28, -1.38, 7.13
Darker colors
HSL 37.5, 0.13%, 0.63%
LAB 67.73, 0.64, 8.94
HSL 38.18, 0.1%, 0.56%
LAB 60.86, 0.47, 8.47
HSL 33.33, 0.11%, 0.48%
LAB 53.07, 1.96, 9.84
HSL 41.74, 0.11%, 0.43%
LAB 47.84, -0.19, 9.86
HSL 31.03, 0.16%, 0.36%
LAB 40.01, 3.07, 10.72
Warmer colors
HSL 37.5, 0.13%, 0.63%
LAB 67.73, 0.64, 8.94
HSL 20, 0.14%, 0.63%
LAB 65.66, 5.08, 7.11
HSL 20, 0.14%, 0.63%
LAB 65.66, 5.08, 7.11
HSL 20, 0.14%, 0.63%
LAB 65.66, 5.08, 7.11
Colder colors
HSL 37.5, 0.13%, 0.63%
LAB 67.73, 0.64, 8.94
HSL 51.43, 0.11%, 0.63%
LAB 69.03, -2.11, 9.67
HSL 65, 0.12%, 0.62%
LAB 68.86, -4.98, 12.15
HSL 87.27, 0.12%, 0.63%
LAB 68.66, -7.6, 10.13
HSL 95.17, 0.15%, 0.62%
LAB 68.36, -11.37, 12.94
Richer colors
HSL 37.5, 0.13%, 0.63%
LAB 67.73, 0.64, 8.94
HSL 36.61, 0.31%, 0.62%
LAB 68.89, 2.96, 21.77
HSL 31.72, 0.46%, 0.63%
LAB 69.33, 9.09, 29.65
HSL 43.3, 0.59%, 0.62%
LAB 75.6, 1.3, 46.03
HSL 38.48, 0.74%, 0.61%
LAB 75.29, 9.15, 53.69
Paler colors
HSL 37.5, 0.13%, 0.63%
LAB 67.73, 0.64, 8.94
HSL 192, 0.03%, 0.63%
LAB 65.96, -1.23, -1.03
HSL 210.86, 0.18%, 0.62%
LAB 63.99, -2.04, -11.37
standox Autolacke
FIAT-LANCIA 792A azzurro lagoon/ de chirico
HSL 220, 0.29%, 0.64%
LAB 63.4, 1.97, -20.71
HSL 217.3, 0.35%, 0.58%
LAB 57.41, 1.97, -27.21
Analogue colors
HSL 20, 0.14%, 0.63%
LAB 65.66, 5.08, 7.11
HSL 20, 0.14%, 0.63%
LAB 65.66, 5.08, 7.11
HSL 37.5, 0.13%, 0.63%
LAB 67.73, 0.64, 8.94
HSL 51.43, 0.11%, 0.63%
LAB 69.03, -2.11, 9.67
HSL 65, 0.12%, 0.62%
LAB 68.86, -4.98, 12.15
Monochromatic colors
HSL 37.24, 0.12%, 0.46%
LAB 51.73, 1.09, 11.39
HSL 33.33, 0.12%, 0.54%
LAB 58.89, 1.88, 9.63
HSL 37.5, 0.13%, 0.63%
LAB 67.73, 0.64, 8.94
HSL 39, 0.13%, 0.71%
LAB 74.65, 0.2, 7.48
HSL 50, 0.11%, 0.79%
LAB 82.31, -1.08, 5.21
Partial complementary colors
HSL 37.5, 0.13%, 0.63%
LAB 67.73, 0.64, 8.94
HSL 98, 0.15%, 0.62%
LAB 68.19, -12.28, 13.24
HSL 228.75, 0.09%, 0.63%
LAB 64.49, 1.55, -7.14
Triadic colors
HSL 37.5, 0.13%, 0.63%
LAB 67.73, 0.64, 8.94
HSL 148.8, 0.13%, 0.63%
LAB 68.18, -11.25, 3.78
HSL 228.75, 0.09%, 0.63%
LAB 64.49, 1.55, -7.14
Rectangular (tetradic) colors
HSL 37.5, 0.13%, 0.63%
LAB 67.73, 0.64, 8.94
HSL 98, 0.15%, 0.62%
LAB 68.19, -12.28, 13.24
HSL 215.45, 0.12%, 0.63%
LAB 65.17, -0.5, -7.84
HSL 280, 0.03%, 0.66%
LAB 68.23, 2.57, -2.59
Square colors
HSL 37.5, 0.13%, 0.63%
LAB 67.73, 0.64, 8.94
HSL 132.63, 0.1%, 0.63%
LAB 67.42, -9.59, 5.49
HSL 215.45, 0.12%, 0.63%
LAB 65.17, -0.5, -7.84
HSL 320, 0.07%, 0.66%
LAB 67.83, 5.81, -2.58
Description
Since the color values are relatively high compared to others, this hue appears lighter to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 164 green and 149 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 14 yellow and 32 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Brands
This color is used by at least one manufactures. Here you can see which:
18% - とんとんとん。／ ふきのとう
Link: http://nekineki22.web.fc2.com
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
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RAL® to HKS®
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RAL® to PANTONE®
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RAL® to Sherwin Williams®
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HKS® to RAL®
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HKS® to PANTONE®
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HKS® to Sherwin Williams®
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HKS® to NCS®
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PANTONE® to RGB
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PANTONE® to CMYK
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PANTONE® to HEX
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PANTONE® to RAL®
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PANTONE® to HKS®
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PANTONE® to Sherwin Williams®
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PANTONE® to NCS®
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Sherwin Williams® to RGB
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Sherwin Williams® to CMYK
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Sherwin Williams® to HEX
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Sherwin Williams® to RAL®
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Sherwin Williams® to HKS®
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Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
convert from NCS-number (S0000-X00X) to #RRGGBB
NCS® to RAL®
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NCS® to HKS®
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NCS® to PANTONE®
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NCS® to Sherwin Williams®
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