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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 13 / 8 / 0 / 33 it is the complementary color CMYK 0 / 8 / 21 / 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 13 / 8 / 0 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 13 / 8 / 0 / 33: CMYK 7 / 5 / 0 / 35, CMYK 8 / 5 / 0 / 27, CMYK 8 / 5 / 0 / 20, CMYK 8 / 5 / 0 / 13 and CMYK 8 / 5 / 0 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 13 / 8 / 0 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 13 / 8 / 0 / 33: CMYK 13 / 8 / 0 / 33, CMYK 13 / 9 / 0 / 40, CMYK 14 / 9 / 0 / 48, CMYK 14 / 10 / 0 / 55 and CMYK 15 / 11 / 0 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 8 / 0 / 33

HEX #959DAB

RGB 149 157 171

HSL 218.18, 0.12%, 0.63%

LAB 64.52, 0.05, -8.26

 

Complementary color

CMYK 0 / 8 / 21 / 58

HEX #6A6254

RGB 106 98 84

HSL 38.18, 0.12%, 0.37%

LAB 41.91, 0.62, 9.12

 

CMYK 7 / 5 / 0 / 35

HEX #9A9DA6

RGB 154 157 166

HSL 225, 0.06%, 0.63%

LAB 64.75, 0.72, -5.06

 

CMYK 8 / 5 / 0 / 27

HEX #ABAFB9

RGB 171 175 185

HSL 222.86, 0.09%, 0.7%

LAB 71.43, 0.56, -5.59

 

CMYK 8 / 5 / 0 / 20

HEX #BCC1CC

RGB 188 193 204

HSL 221.25, 0.14%, 0.77%

LAB 77.99, 0.4, -6.11

 

CMYK 8 / 5 / 0 / 13

HEX #CDD3DF

RGB 205 211 223

HSL 220, 0.22%, 0.84%

LAB 84.43, 0.26, -6.62

 

CMYK 8 / 5 / 0 / 5

HEX #DEE5F2

RGB 222 229 242

HSL 219, 0.43%, 0.91%

LAB 90.77, 0.11, -7.12

 

CMYK 13 / 8 / 0 / 33

HEX #959DAB

RGB 149 157 171

HSL 218.18, 0.12%, 0.63%

LAB 64.52, 0.05, -8.26

 

CMYK 13 / 9 / 0 / 40

HEX #848B98

RGB 132 139 152

HSL 219, 0.09%, 0.56%

LAB 57.69, 0.21, -7.79

 

CMYK 14 / 9 / 0 / 48

HEX #737985

RGB 115 121 133

HSL 220, 0.07%, 0.49%

LAB 50.7, 0.37, -7.31

 

CMYK 14 / 10 / 0 / 55

HEX #626772

RGB 98 103 114

HSL 221.25, 0.08%, 0.42%

LAB 43.52, 0.54, -6.82

 

CMYK 15 / 11 / 0 / 63

HEX #51555F

RGB 81 85 95

HSL 222.86, 0.08%, 0.35%

LAB 36.12, 0.73, -6.34

 

CMYK 13 / 8 / 0 / 33

HEX #959DAB

RGB 149 157 171

HSL 218.18, 0.12%, 0.63%

LAB 64.52, 0.05, -8.26

 

CMYK 13 / 11 / 0 / 33

HEX #9599AB

RGB 149 153 171

HSL 229.09, 0.12%, 0.63%

LAB 63.44, 2.28, -9.87

 

CMYK 13 / 12 / 0 / 33

HEX #9596AB

RGB 149 150 171

HSL 237.27, 0.12%, 0.63%

LAB 62.63, 3.97, -11.08

 

CMYK 11 / 13 / 0 / 33

HEX #9895AB

RGB 152 149 171

HSL 248.18, 0.12%, 0.63%

LAB 62.6, 5.55, -11.1

 

CMYK 9 / 13 / 0 / 33

HEX #9C95AB

RGB 156 149 171

HSL 259.09, 0.12%, 0.63%

LAB 62.93, 6.92, -10.57

 

CMYK 13 / 8 / 0 / 33

HEX #959DAB

RGB 149 157 171

HSL 218.18, 0.12%, 0.63%

LAB 64.52, 0.05, -8.26

 

CMYK 13 / 8 / 0 / 13

HEX #C1CCDE

RGB 193 204 222

HSL 217.24, 0.31%, 0.81%

LAB 81.73, -0.16, -10.2

 

CMYK 11 / 6 / 0 / 93

HEX #101112

RGB 16 17 18

HSL 210, 0.06%, 0.07%

LAB 5.01, -0.16, -0.68

 

CMYK 13 / 9 / 0 / 73

HEX #3C3F45

RGB 60 63 69

HSL 220, 0.07%, 0.25%

LAB 26.58, 0.19, -4.09

 

CMYK 13 / 8 / 0 / 53

HEX #696E78

RGB 105 110 120

HSL 220, 0.07%, 0.44%

LAB 46.33, 0.3, -6.2

 

CMYK 13 / 8 / 0 / 33

HEX #959DAB

RGB 149 157 171

HSL 218.18, 0.12%, 0.63%

LAB 64.52, 0.05, -8.26

 

CMYK 2 / 13 / 0 / 33

HEX #A895AB

RGB 168 149 171

HSL 291.82, 0.12%, 0.63%

LAB 63.97, 11.11, -8.91

 

CMYK 3 / 0 / 13 / 33

HEX #A6AB95

RGB 166 171 149

HSL 73.64, 0.12%, 0.63%

LAB 69.04, -5.76, 10.73

 

CMYK 13 / 8 / 0 / 33

HEX #959DAB

RGB 149 157 171

HSL 218.18, 0.12%, 0.63%

LAB 64.52, 0.05, -8.26

 

CMYK 0 / 13 / 8 / 33

HEX #AB959D

RGB 171 149 157

HSL 338.18, 0.12%, 0.63%

LAB 63.83, 9.56, -1.2

 

CMYK 8 / 0 / 13 / 33

HEX #9DAB95

RGB 157 171 149

HSL 98.18, 0.12%, 0.63%

LAB 68.36, -9.06, 9.67

 

CMYK 13 / 8 / 0 / 33

HEX #959DAB

RGB 149 157 171

HSL 218.18, 0.12%, 0.63%

LAB 64.52, 0.05, -8.26

 

CMYK 2 / 13 / 0 / 33

HEX #A895AB

RGB 168 149 171

HSL 291.82, 0.12%, 0.63%

LAB 63.97, 11.11, -8.91

 

CMYK 0 / 5 / 13 / 33

HEX #ABA395

RGB 171 163 149

HSL 38.18, 0.12%, 0.63%

LAB 67.29, 0.44, 8.3

 

CMYK 11 / 0 / 13 / 33

HEX #99AB95

RGB 153 171 149

HSL 109.09, 0.12%, 0.63%

LAB 68.07, -10.51, 9.22

 

CMYK 13 / 8 / 0 / 33

HEX #959DAB

RGB 149 157 171

HSL 218.18, 0.12%, 0.63%

LAB 64.52, 0.05, -8.26

 

CMYK 0 / 13 / 2 / 33

HEX #AB95A8

RGB 171 149 168

HSL 308.18, 0.12%, 0.63%

LAB 64.14, 11.59, -6.93

 

CMYK 0 / 5 / 13 / 33

HEX #ABA395

RGB 171 163 149

HSL 38.18, 0.12%, 0.63%

LAB 67.29, 0.44, 8.3

 

CMYK 13 / 0 / 11 / 33

HEX #95AB98

RGB 149 171 152

HSL 128.18, 0.12%, 0.63%

LAB 67.86, -11.38, 7.22

 

Description

Color code: CMYK 13 / 8 / 0 / 33 | qconv.com Color code: CMYK 13 / 8 / 0 / 33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 157 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 157 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 8 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 8% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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