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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 98 190 28 0.95 it is the complementary color RGBA 157 65 227 0.95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 98 190 28 0.95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 98 190 28 0.95: RGBA 103 190 23 0.95, RGBA 120 208 42 0.95, RGBA 137 226 61 0.95, RGBA 154 244 80 0.95 and RGBA 171 255 99 0.95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 98 190 28 0.95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 98 190 28 0.95: RGBA 98 190 28 0.95, RGBA 81 172 9 0.95, RGBA 64 154 0 0.95, RGBA 47 136 0 0.95 and RGBA 30 118 0 0.95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 81 / 24

HEX #62BE1CF2

RGBA 98 190 28 0.95

HSLA 94.07, 0.74%, 0.43%, 0.95

LABA 69.12, -52.35, 64.85, 0.95

 

Complementary color

CMYK 29 / 68 / 0 / 10

HEX #9D41E3F2

RGBA 157 65 227 0.95

HSLA 274.07, 0.74%, 0.57%, 0.95

LABA 47.62, 64.93, -66.39, 0.95

 

CMYK 44 / 0 / 84 / 24

HEX #67BE17F2

RGBA 103 190 23 0.95

HSLA 91.26, 0.78%, 0.42%, 0.95

LABA 69.31, -50.97, 66.15, 0.95

 

CMYK 40 / 0 / 76 / 18

HEX #78D02AF2

RGBA 120 208 42 0.95

HSLA 91.81, 0.66%, 0.49%, 0.95

LABA 75.62, -51.78, 67.49, 0.95

 

CMYK 37 / 0 / 69 / 11

HEX #89E23DF2

RGBA 137 226 61 0.95

HSLA 92.36, 0.74%, 0.56%, 0.95

LABA 81.86, -52.34, 67.83, 0.95

 

CMYK 35 / 0 / 64 / 4

HEX #9AF450F2

RGBA 154 244 80 0.95

HSLA 92.93, 0.88%, 0.64%, 0.95

LABA 88.04, -52.71, 67.56, 0.95

 

CMYK 31 / 0 / 58 / 0

HEX #ABFF63F2

RGBA 171 255 99 0.95

HSLA 92.31, 1%, 0.69%, 0.95

LABA 92.17, -50.07, 64.74, 0.95

 

CMYK 46 / 0 / 81 / 24

HEX #62BE1CF2

RGBA 98 190 28 0.95

HSLA 94.07, 0.74%, 0.43%, 0.95

LABA 69.12, -52.35, 64.85, 0.95

 

CMYK 50 / 0 / 90 / 31

HEX #51AC09F2

RGBA 81 172 9 0.95

HSLA 93.5, 0.9%, 0.35%, 0.95

LABA 62.74, -51.22, 62.57, 0.95

 

CMYK 56 / 0 / 95 / 38

HEX #409A00F2

RGBA 64 154 0 0.95

HSLA 95.06, 1%, 0.3%, 0.95

LABA 56.29, -49.62, 58.42, 0.95

 

CMYK 62 / 0 / 95 / 44

HEX #2F8800F2

RGBA 47 136 0 0.95

HSLA 99.26, 1%, 0.27%, 0.95

LABA 49.75, -47.56, 53.03, 0.95

 

CMYK 71 / 0 / 95 / 51

HEX #1E7600F2

RGBA 30 118 0 0.95

HSLA 104.75, 1%, 0.23%, 0.95

LABA 43.11, -45.07, 47.57, 0.95

 

CMYK 46 / 0 / 81 / 24

HEX #62BE1CF2

RGBA 98 190 28 0.95

HSLA 94.07, 0.74%, 0.43%, 0.95

LABA 69.12, -52.35, 64.85, 0.95

 

CMYK 60 / 0 / 81 / 24

HEX #47BE1CF2

RGBA 71 190 28 0.95

HSLA 104.07, 0.74%, 0.43%, 0.95

LABA 68.2, -59.62, 63.7, 0.95

 

CMYK 73 / 0 / 81 / 24

HEX #2CBE1CF2

RGBA 44 190 28 0.95

HSLA 114.07, 0.74%, 0.43%, 0.95

LABA 67.61, -64.68, 62.94, 0.95

 

CMYK 81 / 0 / 76 / 24

HEX #1CBE27F2

RGBA 28 190 39 0.95

HSLA 124.07, 0.74%, 0.43%, 0.95

LABA 67.44, -65.99, 59.79, 0.95

 

CMYK 81 / 0 / 62 / 24

HEX #1CBE42F2

RGBA 28 190 66 0.95

HSLA 134.07, 0.74%, 0.43%, 0.95

LABA 67.63, -63.68, 50.09, 0.95

 

CMYK 46 / 0 / 81 / 24

HEX #62BE1CF2

RGBA 98 190 28 0.95

HSLA 94.07, 0.74%, 0.43%, 0.95

LABA 69.12, -52.35, 64.85, 0.95

 

CMYK 46 / 0 / 81 / 5

HEX #7CF124F2

RGBA 124 241 36 0.95

HSLA 94.24, 0.88%, 0.54%, 0.95

LABA 85.67, -63.26, 77.95, 0.95

 

CMYK 46 / 0 / 82 / 81

HEX #132505F2

RGBA 19 37 5 0.95

HSLA 93.75, 0.76%, 0.08%, 0.95

LABA 12.43, -14.57, 16.04, 0.95

 

CMYK 46 / 0 / 81 / 62

HEX #2D580DF2

RGBA 45 88 13 0.95

HSLA 94.4, 0.74%, 0.2%, 0.95

LABA 33.06, -28.68, 35.64, 0.95

 

CMYK 46 / 0 / 81 / 43

HEX #488B14F2

RGBA 72 139 20 0.95

HSLA 93.78, 0.75%, 0.31%, 0.95

LABA 51.72, -40.83, 51.01, 0.95

 

CMYK 46 / 0 / 81 / 24

HEX #62BE1CF2

RGBA 98 190 28 0.95

HSLA 94.07, 0.74%, 0.43%, 0.95

LABA 69.12, -52.35, 64.85, 0.95

 

CMYK 81 / 0 / 19 / 24

HEX #1CBE98F2

RGBA 28 190 152 0.95

HSLA 165.93, 0.74%, 0.43%, 0.95

LABA 69, -47.9, 8.24, 0.95

 

CMYK 0 / 81 / 14 / 24

HEX #BE1CA3F2

RGBA 190 28 163 0.95

HSLA 310, 0.74%, 0.43%, 0.95

LABA 44.83, 71.52, -33.34, 0.95

 

CMYK 46 / 0 / 81 / 24

HEX #62BE1CF2

RGBA 98 190 28 0.95

HSLA 94.07, 0.74%, 0.43%, 0.95

LABA 69.12, -52.35, 64.85, 0.95

 

CMYK 81 / 46 / 0 / 24

HEX #1C62BEF2

RGBA 28 98 190 0.95

HSLA 214.07, 0.74%, 0.43%, 0.95

LABA 42.31, 13.61, -54.2, 0.95

 

CMYK 0 / 81 / 46 / 24

HEX #BE1C62F2

RGBA 190 28 98 0.95

HSLA 334.07, 0.74%, 0.43%, 0.95

LABA 42.25, 64.33, 2.6, 0.95

 

CMYK 46 / 0 / 81 / 24

HEX #62BE1CF2

RGBA 98 190 28 0.95

HSLA 94.07, 0.74%, 0.43%, 0.95

LABA 69.12, -52.35, 64.85, 0.95

 

CMYK 81 / 0 / 19 / 24

HEX #1CBE98F2

RGBA 28 190 152 0.95

HSLA 165.93, 0.74%, 0.43%, 0.95

LABA 69, -47.9, 8.24, 0.95

 

CMYK 35 / 81 / 0 / 24

HEX #781CBEF2

RGBA 120 28 190 0.95

HSLA 274.07, 0.74%, 0.43%, 0.95

LABA 35.09, 64.01, -65.65, 0.95

 

CMYK 0 / 81 / 62 / 24

HEX #BE1C42F2

RGBA 190 28 66 0.95

HSLA 345.93, 0.74%, 0.43%, 0.95

LABA 41.49, 62.13, 21.72, 0.95

 

CMYK 46 / 0 / 81 / 24

HEX #62BE1CF2

RGBA 98 190 28 0.95

HSLA 94.07, 0.74%, 0.43%, 0.95

LABA 69.12, -52.35, 64.85, 0.95

 

CMYK 81 / 6 / 0 / 24

HEX #1CB3BEF2

RGBA 28 179 190 0.95

HSLA 184.07, 0.74%, 0.43%, 0.95

LABA 66.68, -32.23, -16.1, 0.95

 

CMYK 35 / 81 / 0 / 24

HEX #781CBEF2

RGBA 120 28 190 0.95

HSLA 274.07, 0.74%, 0.43%, 0.95

LABA 35.09, 64.01, -65.65, 0.95

 

CMYK 0 / 76 / 81 / 24

HEX #BE271CF2

RGBA 190 39 28 0.95

HSLA 4.07, 0.74%, 0.43%, 0.95

LABA 41.97, 57.91, 44.35, 0.95

 

Description

Color code: RGBA 98 190 28 0.95 | qconv.com Color code: RGBA 98 190 28 0.95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 190 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 190 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 81 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 81% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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