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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 97 55 250 0.25 it is the complementary color RGBA 158 200 5 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 97 55 250 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 97 55 250 0.25: RGBA 102 55 245 0.25, RGBA 119 73 255 0.25, RGBA 136 91 255 0.25, RGBA 153 109 255 0.25 and RGBA 170 127 255 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 97 55 250 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 97 55 250 0.25: RGBA 97 55 250 0.25, RGBA 80 37 231 0.25, RGBA 63 19 212 0.25, RGBA 46 1 193 0.25 and RGBA 29 0 174 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 20 / 0 / 0

HEX #6137FA3F

RGBA 97 55 250 0.25

HSLA 252.92, 0.95%, 0.6%, 0.25

LABA 41.49, 66.23, -89.64, 0.25

 

Complementary color

CMYK 5 / 0 / 24 / 5

HEX #9EC8053F

RGBA 158 200 5 0.25

HSLA 72.92, 0.95%, 0.4%, 0.25

LABA 75.19, -35.44, 74.57, 0.25

 

CMYK 15 / 19 / 0 / 1

HEX #6637F53F

RGBA 102 55 245 0.25

HSLA 254.84, 0.9%, 0.59%, 0.25

LABA 41.45, 65.41, -86.89, 0.25

 

CMYK 13 / 18 / 0 / 0

HEX #7749FF3F

RGBA 119 73 255 0.25

HSLA 255.16, 1%, 0.64%, 0.25

LABA 46.85, 61.94, -83.55, 0.25

 

CMYK 12 / 16 / 0 / 0

HEX #885BFF3F

RGBA 136 91 255 0.25

HSLA 256.46, 1%, 0.68%, 0.25

LABA 51.77, 55.54, -75.45, 0.25

 

CMYK 10 / 14 / 0 / 0

HEX #996DFF3F

RGBA 153 109 255 0.25

HSLA 258.08, 1%, 0.71%, 0.25

LABA 57.01, 49.26, -66.89, 0.25

 

CMYK 8 / 13 / 0 / 0

HEX #AA7FFF3F

RGBA 170 127 255 0.25

HSLA 260.16, 1%, 0.75%, 0.25

LABA 62.46, 43.3, -58.06, 0.25

 

CMYK 15 / 20 / 0 / 0

HEX #6137FA3F

RGBA 97 55 250 0.25

HSLA 252.92, 0.95%, 0.6%, 0.25

LABA 41.49, 66.23, -89.64, 0.25

 

CMYK 16 / 21 / 0 / 2

HEX #5025E73F

RGBA 80 37 231 0.25

HSLA 253.3, 0.8%, 0.53%, 0.25

LABA 35.59, 66.83, -88.71, 0.25

 

CMYK 18 / 23 / 0 / 4

HEX #3F13D43F

RGBA 63 19 212 0.25

HSLA 253.68, 0.84%, 0.45%, 0.25

LABA 30.1, 66.4, -86.96, 0.25

 

CMYK 19 / 25 / 0 / 6

HEX #2E01C13F

RGBA 46 1 193 0.25

HSLA 254.06, 0.99%, 0.38%, 0.25

LABA 25.12, 64.68, -84.17, 0.25

 

CMYK 21 / 25 / 0 / 8

HEX #1D00AE3F

RGBA 29 0 174 0.25

HSLA 250, 1%, 0.34%, 0.25

LABA 21.27, 59.8, -79.28, 0.25

 

CMYK 15 / 20 / 0 / 0

HEX #6137FA3F

RGBA 97 55 250 0.25

HSLA 252.92, 0.95%, 0.6%, 0.25

LABA 41.49, 66.23, -89.64, 0.25

 

CMYK 12 / 19 / 0 / 1

HEX #7F38F93F

RGBA 127 56 249 0.25

HSLA 262.07, 0.94%, 0.6%, 0.25

LABA 44.49, 69.03, -84.04, 0.25

 

CMYK 9 / 19 / 0 / 1

HEX #9F38F93F

RGBA 159 56 249 0.25

HSLA 272.02, 0.94%, 0.6%, 0.25

LABA 48.31, 73.56, -77.64, 0.25

 

CMYK 6 / 19 / 0 / 1

HEX #BF38F93F

RGBA 191 56 249 0.25

HSLA 281.97, 0.94%, 0.6%, 0.25

LABA 52.67, 78.71, -70.35, 0.25

 

CMYK 3 / 19 / 0 / 1

HEX #E038F93F

RGBA 224 56 249 0.25

HSLA 292.23, 0.94%, 0.6%, 0.25

LABA 57.57, 84.48, -62.19, 0.25

 

CMYK 15 / 20 / 0 / 0

HEX #6137FA3F

RGBA 97 55 250 0.25

HSLA 252.92, 0.95%, 0.6%, 0.25

LABA 41.49, 66.23, -89.64, 0.25

 

CMYK 15 / 20 / 0 / 20

HEX #120A2E3F

RGBA 18 10 46 0.25

HSLA 253.33, 0.64%, 0.11%, 0.25

LABA 4.9, 13.73, -21.88, 0.25

 

CMYK 15 / 20 / 0 / 15

HEX #2615613F

RGBA 38 21 97 0.25

HSLA 253.42, 0.64%, 0.23%, 0.25

LABA 14.47, 30.56, -41.98, 0.25

 

CMYK 15 / 19 / 0 / 10

HEX #3921943F

RGBA 57 33 148 0.25

HSLA 252.52, 0.64%, 0.35%, 0.25

LABA 23.99, 42.84, -58.86, 0.25

 

CMYK 15 / 19 / 0 / 5

HEX #4D2CC73F

RGBA 77 44 199 0.25

HSLA 252.77, 0.64%, 0.48%, 0.25

LABA 32.92, 54.86, -74.67, 0.25

 

CMYK 15 / 20 / 0 / 0

HEX #6137FA3F

RGBA 97 55 250 0.25

HSLA 252.92, 0.95%, 0.6%, 0.25

LABA 41.49, 66.23, -89.64, 0.25

 

CMYK 0 / 19 / 8 / 1

HEX #F938AC3F

RGBA 249 56 172 0.25

HSLA 323.94, 0.94%, 0.6%, 0.25

LABA 57.99, 79.06, -17.46, 0.25

 

CMYK 16 / 0 / 19 / 1

HEX #5EF9383F

RGBA 94 249 56 0.25

HSLA 108.19, 0.94%, 0.6%, 0.25

LABA 87.2, -72.63, 74.03, 0.25

 

CMYK 15 / 20 / 0 / 0

HEX #6137FA3F

RGBA 97 55 250 0.25

HSLA 252.92, 0.95%, 0.6%, 0.25

LABA 41.49, 66.23, -89.64, 0.25

 

CMYK 0 / 16 / 19 / 1

HEX #F95E383F

RGBA 249 94 56 0.25

HSLA 11.81, 0.94%, 0.6%, 0.25

LABA 60.28, 57.38, 51.69, 0.25

 

CMYK 19 / 0 / 16 / 1

HEX #38F95E3F

RGBA 56 249 94 0.25

HSLA 131.81, 0.94%, 0.6%, 0.25

LABA 86.7, -75.87, 59.7, 0.25

 

CMYK 15 / 20 / 0 / 0

HEX #6137FA3F

RGBA 97 55 250 0.25

HSLA 252.92, 0.95%, 0.6%, 0.25

LABA 41.49, 66.23, -89.64, 0.25

 

CMYK 0 / 19 / 8 / 1

HEX #F938AC3F

RGBA 249 56 172 0.25

HSLA 323.94, 0.94%, 0.6%, 0.25

LABA 57.99, 79.06, -17.46, 0.25

 

CMYK 4 / 0 / 19 / 1

HEX #D3F9383F

RGBA 211 249 56 0.25

HSLA 71.81, 0.94%, 0.6%, 0.25

LABA 92.52, -35.42, 80.9, 0.25

 

CMYK 19 / 0 / 12 / 1

HEX #38F9853F

RGBA 56 249 133 0.25

HSLA 143.94, 0.94%, 0.6%, 0.25

LABA 87.14, -70.67, 42.59, 0.25

 

CMYK 15 / 20 / 0 / 0

HEX #6137FA3F

RGBA 97 55 250 0.25

HSLA 252.92, 0.95%, 0.6%, 0.25

LABA 41.49, 66.23, -89.64, 0.25

 

CMYK 0 / 19 / 14 / 1

HEX #F938723F

RGBA 249 56 114 0.25

HSLA 341.97, 0.94%, 0.6%, 0.25

LABA 56.27, 73.86, 14.24, 0.25

 

CMYK 4 / 0 / 19 / 1

HEX #D3F9383F

RGBA 211 249 56 0.25

HSLA 71.81, 0.94%, 0.6%, 0.25

LABA 92.52, -35.42, 80.9, 0.25

 

CMYK 19 / 0 / 6 / 1

HEX #38F9BF3F

RGBA 56 249 191 0.25

HSLA 161.97, 0.94%, 0.6%, 0.25

LABA 88.14, -59.43, 14.78, 0.25

 

Description

Color code: RGBA 97 55 250 0.25 | qconv.com Color code: RGBA 97 55 250 0.25 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 55 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 55 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 20 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 20% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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