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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 95 63 53 0.25 it is the complementary color RGBA 160 192 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 95 63 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 95 63 53 0.25 shade: RGBA 100 63 48 0.25, RGBA 117 81 67 0.25, RGBA 134 99 86 0.25, RGBA 151 117 105 0.25 and RGBA 168 135 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 95 63 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 95 63 53 0.25 shade: RGBA 95 63 53 0.25, RGBA 78 45 34 0.25, RGBA 61 27 15 0.25, RGBA 44 9 0 0.25 and RGBA 27 0 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 95 63 53 0.25 shade: RGB 95 63 53 and RGB 95 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 95 63 53 0.25 shade: RGB 95 63 53, RGB 95 74 53, RGB 95 85 53, RGB 93 95 53 and RGB 82 95 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 95 63 53 0.25 shade matches the following richer shades: RGB 95 63 53, RGB 107 57 41, RGB 119 51 29, RGB 131 44 17 and RGB 143 38 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 95 63 53 0.25 shade: RGB 95 63 53, RGB 83 69 65, RGB 71 76 77, RGB 59 82 89 and RGB 47 88 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 95 63 53 0.25 shade: RGB 95 53 66, RGB 95 53 55, RGB 95 63 53, RGB 95 74 53 and RGB 95 85 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 95 63 53 0.25 shade: RGB 42 28 24, RGB 68 46 38, RGB 95 63 53, RGB 121 81 68 and RGB 147 98 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 95 63 53 0.25 shade: RGB 95 63 53, RGB 77 95 53 and RGB 53 60 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 95 63 53 0.25 shade: RGB 95 63 53, RGB 53 95 63 and RGB 63 53 95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 95 63 53 0.25 shade: RGB 95 63 53, RGB 77 95 53, RGB 53 85 95 and RGB 71 53 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 95 63 53 0.25 shade: RGB 95 63 53, RGB 64 95 53, RGB 53 85 95 and RGB 84 53 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 11 / 16

HEX #5F3F353F

RGBA 95 63 53 0.25

HSLA 14.29, 0.28%, 0.29%, 0.25

LABA 30.02, 12.59, 11.79, 0.25

 

Complementary color

CMYK 5 / 1 / 0 / 5

HEX #A0C0CA3F

RGBA 160 192 202 0.25

HSLA 194.29, 0.28%, 0.71%, 0.25

LABA 75.72, -8.54, -8.6, 0.25

 

CMYK 0 / 9 / 13 / 15

HEX #643F303F

RGBA 100 63 48 0.25

HSLA 17.31, 0.35%, 0.29%, 0.25

LABA 30.59, 14.28, 15.85, 0.25

 

CMYK 0 / 8 / 11 / 14

HEX #7551433F

RGBA 117 81 67 0.25

HSLA 16.8, 0.27%, 0.36%, 0.25

LABA 37.97, 13.16, 14.26, 0.25

 

CMYK 0 / 7 / 9 / 12

HEX #8663563F

RGBA 134 99 86 0.25

HSLA 16.25, 0.22%, 0.43%, 0.25

LABA 45.17, 12.26, 12.91, 0.25

 

CMYK 0 / 6 / 8 / 10

HEX #9775693F

RGBA 151 117 105 0.25

HSLA 15.65, 0.18%, 0.5%, 0.25

LABA 52.2, 11.51, 11.73, 0.25

 

CMYK 0 / 5 / 7 / 9

HEX #A8877C3F

RGBA 168 135 124 0.25

HSLA 15, 0.2%, 0.57%, 0.25

LABA 59.07, 10.87, 10.67, 0.25

 

CMYK 0 / 8 / 11 / 16

HEX #5F3F353F

RGBA 95 63 53 0.25

HSLA 14.29, 0.28%, 0.29%, 0.25

LABA 30.02, 12.59, 11.79, 0.25

 

CMYK 0 / 11 / 14 / 17

HEX #4E2D223F

RGBA 78 45 34 0.25

HSLA 15, 0.39%, 0.22%, 0.25

LABA 22.34, 13.83, 13.52, 0.25

 

CMYK 0 / 14 / 19 / 19

HEX #3D1B0F3F

RGBA 61 27 15 0.25

HSLA 15.65, 0.61%, 0.15%, 0.25

LABA 14.46, 15.45, 15.28, 0.25

 

CMYK 0 / 20 / 25 / 21

HEX #2C09003F

RGBA 44 9 0 0.25

HSLA 12.27, 1%, 0.09%, 0.25

LABA 6.6, 16.91, 10.22, 0.25

 

CMYK 0 / 25 / 25 / 22

HEX #1B00003F

RGBA 27 0 0 0.25

HSLA 0, 1%, 0.05%, 0.25

LABA 2.1, 9.44, 3.33, 0.25

 

CMYK 0 / 34 / 44 / 63

HEX #5F3F35

RGB 95 63 53

HSL 14.29, 0.28%, 0.29%

LAB 30.02, 12.59, 11.79

 

CMYK 0 / 44 / 44 / 63

HEX #5F3535

RGB 95 53 53

HSL 0, 0.28%, 0.29%

LAB 27.4, 18.82, 8.18

 

CMYK 0 / 34 / 44 / 63

HEX #5F3F35

RGB 95 63 53

HSL 14.29, 0.28%, 0.29%

LAB 30.02, 12.59, 11.79

 

CMYK 0 / 22 / 44 / 63

HEX #5F4A35

RGB 95 74 53

HSL 30, 0.28%, 0.29%

LAB 33.11, 5.71, 15.93

 

CMYK 0 / 11 / 44 / 63

HEX #5F5535

RGB 95 85 53

HSL 45.71, 0.28%, 0.29%

LAB 36.34, -1.05, 20.15

 

CMYK 2 / 0 / 44 / 63

HEX #5D5F35

RGB 93 95 53

HSL 62.86, 0.28%, 0.29%

LAB 39.19, -7.9, 23.73

 

CMYK 14 / 0 / 44 / 63

HEX #525F35

RGB 82 95 53

HSL 78.57, 0.28%, 0.29%

LAB 38.26, -12.82, 22.36

 

CMYK 0 / 34 / 44 / 63

HEX #5F3F35

RGB 95 63 53

HSL 14.29, 0.28%, 0.29%

LAB 30.02, 12.59, 11.79

 

CMYK 0 / 47 / 62 / 58

HEX #6B3929

RGB 107 57 41

HSL 14.55, 0.45%, 0.29%

LAB 29.94, 20.43, 19.63

 

CMYK 0 / 57 / 76 / 53

HEX #77331D

RGB 119 51 29

HSL 14.67, 0.61%, 0.29%

LAB 30.35, 28.24, 27.87

 

CMYK 0 / 66 / 87 / 49

HEX #832C11

RGB 131 44 17

HSL 14.21, 0.77%, 0.29%

LAB 31.04, 36.11, 35.73

 

CMYK 0 / 73 / 97 / 44

HEX #8F2605

RGB 143 38 5

HSL 14.35, 0.93%, 0.29%

LAB 32.34, 42.81, 42.81

 

CMYK 0 / 34 / 44 / 63

HEX #5F3F35

RGB 95 63 53

HSL 14.29, 0.28%, 0.29%

LAB 30.02, 12.59, 11.79

 

CMYK 0 / 17 / 22 / 67

HEX #534541

RGB 83 69 65

HSL 13.33, 0.12%, 0.29%

LAB 30.59, 5.23, 4.63

 

CMYK 8 / 1 / 0 / 70

HEX #474C4D

RGB 71 76 77

HSL 190, 0.04%, 0.29%

LAB 31.91, -1.79, -1.3

 

CMYK 34 / 8 / 0 / 65

HEX #3B5259

RGB 59 82 89

HSL 194, 0.2%, 0.29%

LAB 33.32, -6.82, -6.93

 

CMYK 53 / 13 / 0 / 60

HEX #2F5865

RGB 47 88 101

HSL 194.44, 0.36%, 0.29%

LAB 35.05, -10.35, -11.93

 

CMYK 0 / 44 / 31 / 63

HEX #5F3542

RGB 95 53 66

HSL 341.43, 0.28%, 0.29%

LAB 27.77, 20.68, 0.11

 

CMYK 0 / 44 / 42 / 63

HEX #5F3537

RGB 95 53 55

HSL 357.14, 0.28%, 0.29%

LAB 27.45, 19.08, 6.93

 

CMYK 0 / 34 / 44 / 63

HEX #5F3F35

RGB 95 63 53

HSL 14.29, 0.28%, 0.29%

LAB 30.02, 12.59, 11.79

 

CMYK 0 / 22 / 44 / 63

HEX #5F4A35

RGB 95 74 53

HSL 30, 0.28%, 0.29%

LAB 33.11, 5.71, 15.93

 

CMYK 0 / 11 / 44 / 63

HEX #5F5535

RGB 95 85 53

HSL 45.71, 0.28%, 0.29%

LAB 36.34, -1.05, 20.15

 

CMYK 0 / 33 / 43 / 84

HEX #2A1C18

RGB 42 28 24

HSL 13.33, 0.27%, 0.13%

LAB 11.88, 6.2, 5.48

 

CMYK 0 / 32 / 44 / 73

HEX #442E26

RGB 68 46 38

HSL 16, 0.28%, 0.21%

LAB 21.29, 8.87, 9.18

 

CMYK 0 / 34 / 44 / 63

HEX #5F3F35

RGB 95 63 53

HSL 14.29, 0.28%, 0.29%

LAB 30.02, 12.59, 11.79

 

CMYK 0 / 33 / 44 / 53

HEX #795144

RGB 121 81 68

HSL 14.72, 0.28%, 0.37%

LAB 38.49, 15.04, 14.43

 

CMYK 0 / 33 / 44 / 42

HEX #936253

RGB 147 98 83

HSL 14.06, 0.28%, 0.45%

LAB 46.4, 17.98, 16.62

 

CMYK 0 / 34 / 44 / 63

HEX #5F3F35

RGB 95 63 53

HSL 14.29, 0.28%, 0.29%

LAB 30.02, 12.59, 11.79

 

CMYK 19 / 0 / 44 / 63

HEX #4D5F35

RGB 77 95 53

HSL 85.71, 0.28%, 0.29%

LAB 37.88, -14.99, 21.79

 

CMYK 44 / 37 / 0 / 63

HEX #353C5F

RGB 53 60 95

HSL 230, 0.28%, 0.29%

LAB 26.2, 7.3, -21.74

 

CMYK 0 / 34 / 44 / 63

HEX #5F3F35

RGB 95 63 53

HSL 14.29, 0.28%, 0.29%

LAB 30.02, 12.59, 11.79

 

CMYK 44 / 0 / 34 / 63

HEX #355F3F

RGB 53 95 63

HSL 134.29, 0.28%, 0.29%

LAB 36.56, -22.51, 13.85

 

CMYK 34 / 44 / 0 / 63

HEX #3F355F

RGB 63 53 95

HSL 254.29, 0.28%, 0.29%

LAB 25.04, 15.17, -23.49

 

CMYK 0 / 34 / 44 / 63

HEX #5F3F35

RGB 95 63 53

HSL 14.29, 0.28%, 0.29%

LAB 30.02, 12.59, 11.79

 

CMYK 19 / 0 / 44 / 63

HEX #4D5F35

RGB 77 95 53

HSL 85.71, 0.28%, 0.29%

LAB 37.88, -14.99, 21.79

 

CMYK 44 / 11 / 0 / 63

HEX #35555F

RGB 53 85 95

HSL 194.29, 0.28%, 0.29%

LAB 34.15, -8.77, -9.5

 

CMYK 25 / 44 / 0 / 63

HEX #47355F

RGB 71 53 95

HSL 265.71, 0.28%, 0.29%

LAB 25.9, 17.79, -22.09

 

CMYK 0 / 34 / 44 / 63

HEX #5F3F35

RGB 95 63 53

HSL 14.29, 0.28%, 0.29%

LAB 30.02, 12.59, 11.79

 

CMYK 33 / 0 / 44 / 63

HEX #405F35

RGB 64 95 53

HSL 104.29, 0.28%, 0.29%

LAB 36.99, -20.33, 20.48

 

CMYK 44 / 11 / 0 / 63

HEX #35555F

RGB 53 85 95

HSL 194.29, 0.28%, 0.29%

LAB 34.15, -8.77, -9.5

 

CMYK 12 / 44 / 0 / 63

HEX #54355F

RGB 84 53 95

HSL 284.29, 0.28%, 0.29%

LAB 27.46, 22.22, -19.54

 

Description

Color code: RGBA 95 63 53 0.25 | qconv.com Color code: RGBA 95 63 53 0.25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 63 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 63 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 11 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 11% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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