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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D5F35 it is the complementary color #B2A0CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D5F35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D5F35 shade: #525F30, #637143, #748356, #859569 and #96A77C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D5F35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D5F35 shade: #4D5F35, #3C4D22, #2B3B0F, #1A2900 and #091700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D5F35 shade: #4D5F35, #585F35, #5F5A35, #5F4F35 and #5F4435

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D5F35 shade: #4D5F35, #425F35, #375F35, #355F3F and #355F4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D5F35 shade matches the following richer shades: #4D5F35, #4F6B29, #50771D, #528311 and #548F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D5F35 shade: #4D5F35, #4B5341, #49474D, #483B59 and #462F65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D5F35 shade: #5F5A35, #585F35, #4D5F35, #425F35 and #375F35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D5F35 shade: #222A18, #374426, #4D5F35, #627944 and #789353

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D5F35 shade: #4D5F35, #355F4F and #5F355E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D5F35 shade: #4D5F35, #354D5F and #5F354D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D5F35 shade: #4D5F35, #355F4F, #46355F and #5F3545

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D5F35 shade: #4D5F35, #355F5B, #46355F and #5F3539

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 44 / 63

HEX #4D5F35

RGB 77 95 53

HSL 85.71, 0.28%, 0.29%

LAB 37.88, -14.99, 21.79

 

Complementary color

CMYK 12 / 21 / 0 / 21

HEX #B2A0CA

RGB 178 160 202

HSL 265.71, 0.28%, 0.71%

LAB 68.66, 14.7, -19.08

 

CMYK 14 / 0 / 49 / 63

HEX #525F30

RGB 82 95 48

HSL 76.6, 0.33%, 0.28%

LAB 38.18, -13.47, 25.12

 

CMYK 12 / 0 / 41 / 56

HEX #637143

RGB 99 113 67

HSL 78.26, 0.26%, 0.35%

LAB 45.45, -13.61, 23.81

 

CMYK 11 / 0 / 34 / 49

HEX #748356

RGB 116 131 86

HSL 80, 0.21%, 0.43%

LAB 52.53, -13.68, 22.56

 

CMYK 11 / 0 / 30 / 42

HEX #859569

RGB 133 149 105

HSL 81.82, 0.17%, 0.5%

LAB 59.44, -13.71, 21.4

 

CMYK 10 / 0 / 26 / 35

HEX #96A77C

RGB 150 167 124

HSL 83.72, 0.2%, 0.57%

LAB 66.2, -13.73, 20.31

 

CMYK 19 / 0 / 44 / 63

HEX #4D5F35

RGB 77 95 53

HSL 85.71, 0.28%, 0.29%

LAB 37.88, -14.99, 21.79

 

CMYK 22 / 0 / 56 / 70

HEX #3C4D22

RGB 60 77 34

HSL 83.72, 0.39%, 0.22%

LAB 30.36, -14.94, 23.15

 

CMYK 27 / 0 / 75 / 77

HEX #2B3B0F

RGB 43 59 15

HSL 81.82, 0.59%, 0.15%

LAB 22.57, -14.7, 24.31

 

CMYK 37 / 0 / 100 / 84

HEX #1A2900

RGB 26 41 0

HSL 81.95, 1%, 0.08%

LAB 14.43, -14.13, 20.82

 

CMYK 61 / 0 / 100 / 91

HEX #091700

RGB 9 23 0

HSL 96.52, 1%, 0.05%

LAB 6.06, -8.95, 8.91

 

CMYK 19 / 0 / 44 / 63

HEX #4D5F35

RGB 77 95 53

HSL 85.71, 0.28%, 0.29%

LAB 37.88, -14.99, 21.79

 

CMYK 7 / 0 / 44 / 63

HEX #585F35

RGB 88 95 53

HSL 70, 0.28%, 0.29%

LAB 38.75, -10.16, 23.09

 

CMYK 0 / 5 / 44 / 63

HEX #5F5A35

RGB 95 90 53

HSL 52.86, 0.28%, 0.29%

LAB 37.85, -4.05, 22.07

 

CMYK 0 / 17 / 44 / 63

HEX #5F4F35

RGB 95 79 53

HSL 37.14, 0.28%, 0.29%

LAB 34.56, 2.61, 17.84

 

CMYK 0 / 28 / 44 / 63

HEX #5F4435

RGB 95 68 53

HSL 21.43, 0.28%, 0.29%

LAB 31.4, 9.46, 13.65

 

CMYK 19 / 0 / 44 / 63

HEX #4D5F35

RGB 77 95 53

HSL 85.71, 0.28%, 0.29%

LAB 37.88, -14.99, 21.79

 

CMYK 31 / 0 / 44 / 63

HEX #425F35

RGB 66 95 53

HSL 101.43, 0.28%, 0.29%

LAB 37.11, -19.54, 20.66

 

CMYK 42 / 0 / 44 / 63

HEX #375F35

RGB 55 95 53

HSL 117.14, 0.28%, 0.29%

LAB 36.47, -23.69, 19.7

 

CMYK 44 / 0 / 34 / 63

HEX #355F3F

RGB 53 95 63

HSL 134.29, 0.28%, 0.29%

LAB 36.56, -22.51, 13.85

 

CMYK 44 / 0 / 22 / 63

HEX #355F4A

RGB 53 95 74

HSL 150, 0.28%, 0.29%

LAB 36.81, -20.1, 7.49

 

CMYK 19 / 0 / 44 / 63

HEX #4D5F35

RGB 77 95 53

HSL 85.71, 0.28%, 0.29%

LAB 37.88, -14.99, 21.79

 

CMYK 26 / 0 / 62 / 58

HEX #4F6B29

RGB 79 107 41

HSL 85.45, 0.45%, 0.29%

LAB 41.75, -22.01, 33.02

 

CMYK 33 / 0 / 76 / 53

HEX #50771D

RGB 80 119 29

HSL 86, 0.61%, 0.29%

LAB 45.62, -28.56, 42.52

 

CMYK 37 / 0 / 87 / 49

HEX #528311

RGB 82 131 17

HSL 85.79, 0.77%, 0.29%

LAB 49.58, -33.96, 50.08

 

CMYK 41 / 0 / 97 / 44

HEX #548F05

RGB 84 143 5

HSL 85.65, 0.93%, 0.29%

LAB 53.54, -38.81, 55.76

 

CMYK 19 / 0 / 44 / 63

HEX #4D5F35

RGB 77 95 53

HSL 85.71, 0.28%, 0.29%

LAB 37.88, -14.99, 21.79

 

CMYK 10 / 0 / 22 / 67

HEX #4B5341

RGB 75 83 65

HSL 86.67, 0.12%, 0.29%

LAB 34.12, -6.94, 9.5

 

CMYK 5 / 8 / 0 / 70

HEX #49474D

RGB 73 71 77

HSL 260, 0.04%, 0.29%

LAB 30.54, 2.17, -3.29

 

CMYK 19 / 34 / 0 / 65

HEX #483B59

RGB 72 59 89

HSL 266, 0.2%, 0.29%

LAB 27.37, 12.58, -15.88

 

CMYK 31 / 53 / 0 / 60

HEX #462F65

RGB 70 47 101

HSL 265.56, 0.36%, 0.29%

LAB 24.56, 23.05, -28.11

 

CMYK 0 / 5 / 44 / 63

HEX #5F5A35

RGB 95 90 53

HSL 52.86, 0.28%, 0.29%

LAB 37.85, -4.05, 22.07

 

CMYK 7 / 0 / 44 / 63

HEX #585F35

RGB 88 95 53

HSL 70, 0.28%, 0.29%

LAB 38.75, -10.16, 23.09

 

CMYK 19 / 0 / 44 / 63

HEX #4D5F35

RGB 77 95 53

HSL 85.71, 0.28%, 0.29%

LAB 37.88, -14.99, 21.79

 

CMYK 31 / 0 / 44 / 63

HEX #425F35

RGB 66 95 53

HSL 101.43, 0.28%, 0.29%

LAB 37.11, -19.54, 20.66

 

CMYK 42 / 0 / 44 / 63

HEX #375F35

RGB 55 95 53

HSL 117.14, 0.28%, 0.29%

LAB 36.47, -23.69, 19.7

 

CMYK 19 / 0 / 43 / 84

HEX #222A18

RGB 34 42 24

HSL 86.67, 0.27%, 0.13%

LAB 15.81, -7.58, 10.65

 

CMYK 19 / 0 / 44 / 73

HEX #374426

RGB 55 68 38

HSL 86, 0.28%, 0.21%

LAB 26.98, -11.45, 16.47

 

CMYK 19 / 0 / 44 / 63

HEX #4D5F35

RGB 77 95 53

HSL 85.71, 0.28%, 0.29%

LAB 37.88, -14.99, 21.79

 

CMYK 19 / 0 / 44 / 53

HEX #627944

RGB 98 121 68

HSL 86.04, 0.28%, 0.37%

LAB 47.87, -18.21, 26.31

 

CMYK 18 / 0 / 44 / 42

HEX #789353

RGB 120 147 83

HSL 85.31, 0.28%, 0.45%

LAB 57.54, -20.9, 30.75

 

CMYK 19 / 0 / 44 / 63

HEX #4D5F35

RGB 77 95 53

HSL 85.71, 0.28%, 0.29%

LAB 37.88, -14.99, 21.79

 

CMYK 44 / 0 / 17 / 63

HEX #355F4F

RGB 53 95 79

HSL 157.14, 0.28%, 0.29%

LAB 36.94, -18.89, 4.59

 

CMYK 0 / 44 / 1 / 63

HEX #5F355E

RGB 95 53 94

HSL 301.43, 0.28%, 0.29%

LAB 28.87, 25.84, -16.58

 

CMYK 19 / 0 / 44 / 63

HEX #4D5F35

RGB 77 95 53

HSL 85.71, 0.28%, 0.29%

LAB 37.88, -14.99, 21.79

 

CMYK 44 / 19 / 0 / 63

HEX #354D5F

RGB 53 77 95

HSL 205.71, 0.28%, 0.29%

LAB 31.56, -3.85, -13.44

 

CMYK 0 / 44 / 19 / 63

HEX #5F354D

RGB 95 53 77

HSL 325.71, 0.28%, 0.29%

LAB 28.15, 22.53, -6.58

 

CMYK 19 / 0 / 44 / 63

HEX #4D5F35

RGB 77 95 53

HSL 85.71, 0.28%, 0.29%

LAB 37.88, -14.99, 21.79

 

CMYK 44 / 0 / 17 / 63

HEX #355F4F

RGB 53 95 79

HSL 157.14, 0.28%, 0.29%

LAB 36.94, -18.89, 4.59

 

CMYK 26 / 44 / 0 / 63

HEX #46355F

RGB 70 53 95

HSL 264.29, 0.28%, 0.29%

LAB 25.79, 17.46, -22.27

 

CMYK 0 / 44 / 27 / 63

HEX #5F3545

RGB 95 53 69

HSL 337.14, 0.28%, 0.29%

LAB 27.87, 21.16, -1.73

 

CMYK 19 / 0 / 44 / 63

HEX #4D5F35

RGB 77 95 53

HSL 85.71, 0.28%, 0.29%

LAB 37.88, -14.99, 21.79

 

CMYK 44 / 0 / 4 / 63

HEX #355F5B

RGB 53 95 91

HSL 174.29, 0.28%, 0.29%

LAB 37.29, -15.74, -2.32

 

CMYK 26 / 44 / 0 / 63

HEX #46355F

RGB 70 53 95

HSL 264.29, 0.28%, 0.29%

LAB 25.79, 17.46, -22.27

 

CMYK 0 / 44 / 40 / 63

HEX #5F3539

RGB 95 53 57

HSL 354.29, 0.28%, 0.29%

LAB 27.5, 19.35, 5.68

 

Description

Color code: HEX #4D5F35 | qconv.com Color code: HEX #4D5F35 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 95 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 95 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 44 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 44% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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