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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 95 121 165 0.65 it is the complementary color RGBA 160 134 90 0.65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 95 121 165 0.65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 95 121 165 0.65: RGBA 100 121 160 0.65, RGBA 117 139 179 0.65, RGBA 134 157 198 0.65, RGBA 151 175 217 0.65 and RGBA 168 193 236 0.65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 95 121 165 0.65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 95 121 165 0.65: RGBA 95 121 165 0.65, RGBA 78 103 146 0.65, RGBA 61 85 127 0.65, RGBA 44 67 108 0.65 and RGBA 27 49 89 0.65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 17 / 0 / 23

HEX #5F79A5A5

RGBA 95 121 165 0.65

HSLA 217.71, 0.28%, 0.51%, 0.65

LABA 50.48, 2.42, -26.51, 0.65

 

Complementary color

CMYK 0 / 11 / 28 / 24

HEX #A0865AA5

RGBA 160 134 90 0.65

HSLA 37.71, 0.28%, 0.49%, 0.65

LABA 57.33, 3.72, 27.35, 0.65

 

CMYK 24 / 16 / 0 / 24

HEX #6479A0A5

RGBA 100 121 160 0.65

HSLA 219, 0.24%, 0.51%, 0.65

LABA 50.6, 2.39, -23.4, 0.65

 

CMYK 23 / 15 / 0 / 19

HEX #758BB3A5

RGBA 117 139 179 0.65

HSLA 218.71, 0.29%, 0.58%, 0.65

LABA 57.56, 2.02, -23.53, 0.65

 

CMYK 21 / 13 / 0 / 15

HEX #869DC6A5

RGBA 134 157 198 0.65

HSLA 218.44, 0.36%, 0.65%, 0.65

LABA 64.37, 1.71, -23.7, 0.65

 

CMYK 20 / 13 / 0 / 10

HEX #97AFD9A5

RGBA 151 175 217 0.65

HSLA 218.18, 0.46%, 0.72%, 0.65

LABA 71.04, 1.43, -23.89, 0.65

 

CMYK 19 / 12 / 0 / 5

HEX #A8C1ECA5

RGBA 168 193 236 0.65

HSLA 217.94, 0.64%, 0.79%, 0.65

LABA 77.59, 1.18, -24.11, 0.65

 

CMYK 28 / 17 / 0 / 23

HEX #5F79A5A5

RGBA 95 121 165 0.65

HSLA 217.71, 0.28%, 0.51%, 0.65

LABA 50.48, 2.42, -26.51, 0.65

 

CMYK 30 / 19 / 0 / 28

HEX #4E6792A5

RGBA 78 103 146 0.65

HSLA 217.94, 0.3%, 0.44%, 0.65

LABA 43.35, 2.97, -26.47, 0.65

 

CMYK 34 / 21 / 0 / 33

HEX #3D557FA5

RGBA 61 85 127 0.65

HSLA 218.18, 0.35%, 0.37%, 0.65

LABA 36.03, 3.68, -26.48, 0.65

 

CMYK 39 / 25 / 0 / 37

HEX #2C436CA5

RGBA 44 67 108 0.65

HSLA 218.44, 0.42%, 0.3%, 0.65

LABA 28.47, 4.65, -26.56, 0.65

 

CMYK 45 / 29 / 0 / 42

HEX #1B3159A5

RGBA 27 49 89 0.65

HSLA 218.71, 0.53%, 0.23%, 0.65

LABA 20.64, 6.07, -26.71, 0.65

 

CMYK 28 / 17 / 0 / 23

HEX #5F79A5A5

RGBA 95 121 165 0.65

HSLA 217.71, 0.28%, 0.51%, 0.65

LABA 50.48, 2.42, -26.51, 0.65

 

CMYK 28 / 22 / 0 / 23

HEX #5F6EA5A5

RGBA 95 110 165 0.65

HSLA 227.14, 0.28%, 0.51%, 0.65

LABA 47.37, 9.06, -31.36, 0.65

 

CMYK 28 / 26 / 0 / 23

HEX #5F62A5A5

RGBA 95 98 165 0.65

HSLA 237.43, 0.28%, 0.51%, 0.65

LABA 44.07, 16.47, -36.55, 0.65

 

CMYK 24 / 28 / 0 / 23

HEX #675FA5A5

RGBA 103 95 165 0.65

HSLA 246.86, 0.28%, 0.51%, 0.65

LABA 43.92, 20.51, -36.74, 0.65

 

CMYK 20 / 28 / 0 / 23

HEX #725FA5A5

RGBA 114 95 165 0.65

HSLA 256.29, 0.28%, 0.51%, 0.65

LABA 44.91, 23.64, -35.11, 0.65

 

CMYK 28 / 17 / 0 / 23

HEX #5F79A5A5

RGBA 95 121 165 0.65

HSLA 217.71, 0.28%, 0.51%, 0.65

LABA 50.48, 2.42, -26.51, 0.65

 

CMYK 28 / 17 / 0 / 10

HEX #7C9ED8A5

RGBA 124 158 216 0.65

HSLA 217.83, 0.54%, 0.67%, 0.65

LABA 64.72, 3.25, -33.22, 0.65

 

CMYK 27 / 16 / 0 / 62

HEX #07090CA5

RGBA 7 9 12 0.65

HSLA 216, 0.26%, 0.04%, 0.65

LABA 2.41, -0.09, -1.36, 0.65

 

CMYK 28 / 18 / 0 / 49

HEX #242E3FA5

RGBA 36 46 63 0.65

HSLA 217.78, 0.27%, 0.19%, 0.65

LABA 18.75, 0.91, -12.11, 0.65

 

CMYK 27 / 17 / 0 / 36

HEX #425472A5

RGBA 66 84 114 0.65

HSLA 217.5, 0.27%, 0.35%, 0.65

LABA 35.43, 1.53, -19.35, 0.65

 

CMYK 28 / 17 / 0 / 23

HEX #5F79A5A5

RGBA 95 121 165 0.65

HSLA 217.71, 0.28%, 0.51%, 0.65

LABA 50.48, 2.42, -26.51, 0.65

 

CMYK 5 / 28 / 0 / 23

HEX #985FA5A5

RGBA 152 95 165 0.65

HSLA 288.86, 0.28%, 0.51%, 0.65

LABA 48.98, 35.21, -28.45, 0.65

 

CMYK 6 / 0 / 28 / 23

HEX #95A55FA5

RGBA 149 165 95 0.65

HSLA 73.71, 0.28%, 0.51%, 0.65

LABA 65.06, -17.05, 34.35, 0.65

 

CMYK 28 / 17 / 0 / 23

HEX #5F79A5A5

RGBA 95 121 165 0.65

HSLA 217.71, 0.28%, 0.51%, 0.65

LABA 50.48, 2.42, -26.51, 0.65

 

CMYK 0 / 28 / 17 / 23

HEX #A55F79A5

RGBA 165 95 121 0.65

HSLA 337.71, 0.28%, 0.51%, 0.65

LABA 48.96, 31.84, -2.18, 0.65

 

CMYK 17 / 0 / 28 / 23

HEX #79A55FA5

RGBA 121 165 95 0.65

HSLA 97.71, 0.28%, 0.51%, 0.65

LABA 63.18, -27.89, 31.57, 0.65

 

CMYK 28 / 17 / 0 / 23

HEX #5F79A5A5

RGBA 95 121 165 0.65

HSLA 217.71, 0.28%, 0.51%, 0.65

LABA 50.48, 2.42, -26.51, 0.65

 

CMYK 5 / 28 / 0 / 23

HEX #985FA5A5

RGBA 152 95 165 0.65

HSLA 288.86, 0.28%, 0.51%, 0.65

LABA 48.98, 35.21, -28.45, 0.65

 

CMYK 0 / 11 / 28 / 23

HEX #A58A5FA5

RGBA 165 138 95 0.65

HSLA 36.86, 0.28%, 0.51%, 0.65

LABA 58.98, 4.17, 26.83, 0.65

 

CMYK 23 / 0 / 28 / 23

HEX #6BA55FA5

RGBA 107 165 95 0.65

HSLA 109.71, 0.28%, 0.51%, 0.65

LABA 62.39, -32.84, 30.4, 0.65

 

CMYK 28 / 17 / 0 / 23

HEX #5F79A5A5

RGBA 95 121 165 0.65

HSLA 217.71, 0.28%, 0.51%, 0.65

LABA 50.48, 2.42, -26.51, 0.65

 

CMYK 0 / 28 / 4 / 23

HEX #A55F9CA5

RGBA 165 95 156 0.65

HSLA 307.71, 0.28%, 0.51%, 0.65

LABA 50.2, 37.61, -21.14, 0.65

 

CMYK 0 / 11 / 28 / 23

HEX #A58A5FA5

RGBA 165 138 95 0.65

HSLA 36.86, 0.28%, 0.51%, 0.65

LABA 58.98, 4.17, 26.83, 0.65

 

CMYK 28 / 0 / 24 / 23

HEX #5FA567A5

RGBA 95 165 103 0.65

HSLA 126.86, 0.28%, 0.51%, 0.65

LABA 61.93, -35.46, 25.42, 0.65

 

Description

Color code: RGBA 95 121 165 0.65 | qconv.com Color code: RGBA 95 121 165 0.65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 121 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 121 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 17 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 17% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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