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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 92 39 47 it is the complementary color RGB 163 216 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 92 39 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 92 39 47: RGB 97 39 42, RGB 114 57 61, RGB 131 75 80, RGB 148 93 99 and RGB 165 111 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 92 39 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 92 39 47: RGB 92 39 47, RGB 75 21 28, RGB 58 3 9, RGB 41 0 0 and RGB 24 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 49 / 64

HEX #5C272F

RGB 92 39 47

HSL 350.94, 0.4%, 0.26%

LAB 23.44, 25.15, 6.61

 

Complementary color

CMYK 25 / 0 / 4 / 15

HEX #A3D8D0

RGB 163 216 208

HSL 170.94, 0.4%, 0.74%

LAB 82.62, -18.67, -1.62

 

CMYK 0 / 60 / 57 / 62

HEX #61272A

RGB 97 39 42

HSL 356.9, 0.43%, 0.27%

LAB 24.19, 26.65, 11.17

 

CMYK 0 / 50 / 46 / 55

HEX #72393D

RGB 114 57 61

HSL 355.79, 0.33%, 0.34%

LAB 31.44, 25.46, 9.01

 

CMYK 0 / 43 / 39 / 49

HEX #834B50

RGB 131 75 80

HSL 354.64, 0.27%, 0.4%

LAB 38.61, 24.33, 7.36

 

CMYK 0 / 37 / 33 / 42

HEX #945D63

RGB 148 93 99

HSL 353.45, 0.23%, 0.47%

LAB 45.67, 23.32, 6.02

 

CMYK 0 / 33 / 28 / 35

HEX #A56F76

RGB 165 111 118

HSL 352.22, 0.23%, 0.54%

LAB 52.59, 22.42, 4.88

 

CMYK 0 / 58 / 49 / 64

HEX #5C272F

RGB 92 39 47

HSL 350.94, 0.4%, 0.26%

LAB 23.44, 25.15, 6.61

 

CMYK 0 / 72 / 63 / 71

HEX #4B151C

RGB 75 21 28

HSL 352.22, 0.56%, 0.19%

LAB 16.08, 26.12, 9.27

 

CMYK 0 / 95 / 84 / 77

HEX #3A0309

RGB 58 3 9

HSL 353.45, 0.9%, 0.12%

LAB 8.86, 26.77, 10.24

 

CMYK 0 / 100 / 100 / 84

HEX #290000

RGB 41 0 0

HSL 0, 1%, 0.08%

LAB 4.26, 19.02, 6.73

 

CMYK 0 / 100 / 100 / 91

HEX #180000

RGB 24 0 0

HSL 0, 1%, 0.05%

LAB 1.75, 7.87, 2.77

 

CMYK 0 / 58 / 49 / 64

HEX #5C272F

RGB 92 39 47

HSL 350.94, 0.4%, 0.26%

LAB 23.44, 25.15, 6.61

 

CMYK 0 / 58 / 58 / 64

HEX #5C2727

RGB 92 39 39

HSL 0, 0.4%, 0.26%

LAB 23.25, 24.29, 11.77

 

CMYK 0 / 48 / 58 / 64

HEX #5C3027

RGB 92 48 39

HSL 10.19, 0.4%, 0.26%

LAB 25.37, 18.95, 14.58

 

CMYK 0 / 38 / 58 / 64

HEX #5C3927

RGB 92 57 39

HSL 20.38, 0.4%, 0.26%

LAB 27.7, 13.36, 17.59

 

CMYK 0 / 28 / 58 / 64

HEX #5C4227

RGB 92 66 39

HSL 30.57, 0.4%, 0.26%

LAB 30.2, 7.69, 20.73

 

CMYK 0 / 58 / 49 / 64

HEX #5C272F

RGB 92 39 47

HSL 350.94, 0.4%, 0.26%

LAB 23.44, 25.15, 6.61

 

CMYK 0 / 57 / 49 / 44

HEX #8F3D49

RGB 143 61 73

HSL 351.22, 0.4%, 0.4%

LAB 37.22, 35.9, 10.07

 

CMYK 0 / 58 / 49 / 24

HEX #C25263

RGB 194 82 99

HSL 350.89, 0.48%, 0.54%

LAB 49.98, 46.36, 13.04

 

CMYK 0 / 58 / 49 / 4

HEX #F5687D

RGB 245 104 125

HSL 351.06, 0.88%, 0.68%

LAB 62.33, 55.8, 16.11

 

CMYK 0 / 59 / 49 / 84

HEX #291115

RGB 41 17 21

HSL 350, 0.41%, 0.11%

LAB 8.36, 13.02, 2.66

 

CMYK 0 / 58 / 49 / 64

HEX #5C272F

RGB 92 39 47

HSL 350.94, 0.4%, 0.26%

LAB 23.44, 25.15, 6.61

 

CMYK 1 / 0 / 58 / 64

HEX #5B5C27

RGB 91 92 39

HSL 61.13, 0.4%, 0.26%

LAB 37.89, -8.61, 29.89

 

CMYK 58 / 25 / 0 / 64

HEX #27455C

RGB 39 69 92

HSL 206.04, 0.4%, 0.26%

LAB 28.01, -3.64, -17.05

 

CMYK 0 / 58 / 49 / 64

HEX #5C272F

RGB 92 39 47

HSL 350.94, 0.4%, 0.26%

LAB 23.44, 25.15, 6.61

 

CMYK 48 / 0 / 58 / 64

HEX #305C27

RGB 48 92 39

HSL 109.81, 0.4%, 0.26%

LAB 34.86, -26.87, 25.58

 

CMYK 58 / 48 / 0 / 64

HEX #27305C

RGB 39 48 92

HSL 229.81, 0.4%, 0.26%

LAB 21.27, 10.68, -27.63

 

CMYK 0 / 58 / 49 / 64

HEX #5C272F

RGB 92 39 47

HSL 350.94, 0.4%, 0.26%

LAB 23.44, 25.15, 6.61

 

CMYK 1 / 0 / 58 / 64

HEX #5B5C27

RGB 91 92 39

HSL 61.13, 0.4%, 0.26%

LAB 37.89, -8.61, 29.89

 

CMYK 58 / 0 / 10 / 64

HEX #275C53

RGB 39 92 83

HSL 169.81, 0.4%, 0.26%

LAB 35.42, -20.09, -0.16

 

CMYK 55 / 58 / 0 / 64

HEX #29275C

RGB 41 39 92

HSL 242.26, 0.4%, 0.26%

LAB 18.78, 17.56, -31.63

 

CMYK 0 / 58 / 49 / 64

HEX #5C272F

RGB 92 39 47

HSL 350.94, 0.4%, 0.26%

LAB 23.44, 25.15, 6.61

 

CMYK 18 / 0 / 58 / 64

HEX #4B5C27

RGB 75 92 39

HSL 79.25, 0.4%, 0.26%

LAB 36.55, -15.98, 28

 

CMYK 58 / 0 / 10 / 64

HEX #275C53

RGB 39 92 83

HSL 169.81, 0.4%, 0.26%

LAB 35.42, -20.09, -0.16

 

CMYK 38 / 58 / 0 / 64

HEX #39275C

RGB 57 39 92

HSL 260.38, 0.4%, 0.26%

LAB 20.41, 21.81, -28.91

 

Description

Color code: RGBA 92 39 47 1.0 | qconv.com Color code: RGBA 92 39 47 1.0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 39 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 39 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 49 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 49% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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