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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 84 59 184 0.25 it is the complementary color RGBA 171 196 71 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 84 59 184 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 84 59 184 0.25: RGBA 89 59 179 0.25, RGBA 106 77 198 0.25, RGBA 123 95 217 0.25, RGBA 140 113 236 0.25 and RGBA 157 131 255 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 84 59 184 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 84 59 184 0.25: RGBA 84 59 184 0.25, RGBA 67 41 165 0.25, RGBA 50 23 146 0.25, RGBA 33 5 127 0.25 and RGBA 16 0 108 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 17 / 0 / 7

HEX #543BB83F

RGBA 84 59 184 0.25

HSLA 252, 0.51%, 0.48%, 0.25

LABA 34.95, 43.64, -62.5, 0.25

 

Complementary color

CMYK 3 / 0 / 16 / 6

HEX #ABC4473F

RGBA 171 196 71 0.25

HSLA 72, 0.51%, 0.52%, 0.25

LABA 75.2, -25.81, 57.87, 0.25

 

CMYK 13 / 17 / 0 / 7

HEX #593BB33F

RGBA 89 59 179 0.25

HSLA 255, 0.5%, 0.47%, 0.25

LABA 35.02, 43.03, -59.41, 0.25

 

CMYK 12 / 15 / 0 / 6

HEX #6A4DC63F

RGBA 106 77 198 0.25

HSLA 254.38, 0.51%, 0.54%, 0.25

LABA 41.92, 41.62, -59.26, 0.25

 

CMYK 11 / 14 / 0 / 4

HEX #7B5FD93F

RGBA 123 95 217 0.25

HSLA 253.77, 0.62%, 0.61%, 0.25

LABA 48.77, 40.27, -59.04, 0.25

 

CMYK 10 / 13 / 0 / 2

HEX #8C71EC3F

RGBA 140 113 236 0.25

HSLA 253.17, 0.76%, 0.68%, 0.25

LABA 55.52, 39.03, -58.79, 0.25

 

CMYK 10 / 12 / 0 / 0

HEX #9D83FF3F

RGBA 157 131 255 0.25

HSLA 252.58, 1%, 0.76%, 0.25

LABA 62.19, 37.91, -58.56, 0.25

 

CMYK 14 / 17 / 0 / 7

HEX #543BB83F

RGBA 84 59 184 0.25

HSLA 252, 0.51%, 0.48%, 0.25

LABA 34.95, 43.64, -62.5, 0.25

 

CMYK 15 / 19 / 0 / 9

HEX #4329A53F

RGBA 67 41 165 0.25

HSLA 252.58, 0.6%, 0.4%, 0.25

LABA 28.1, 45.15, -62.43, 0.25

 

CMYK 16 / 21 / 0 / 11

HEX #3217923F

RGBA 50 23 146 0.25

HSLA 253.17, 0.73%, 0.33%, 0.25

LABA 21.45, 46.23, -61.82, 0.25

 

CMYK 19 / 24 / 0 / 13

HEX #21057F3F

RGBA 33 5 127 0.25

HSLA 253.77, 0.92%, 0.26%, 0.25

LABA 15.3, 46.14, -60.14, 0.25

 

CMYK 21 / 25 / 0 / 14

HEX #10006C3F

RGBA 16 0 108 0.25

HSLA 248.89, 1%, 0.21%, 0.25

LABA 10.5, 42.36, -55.88, 0.25

 

CMYK 14 / 17 / 0 / 7

HEX #543BB83F

RGBA 84 59 184 0.25

HSLA 252, 0.51%, 0.48%, 0.25

LABA 34.95, 43.64, -62.5, 0.25

 

CMYK 11 / 17 / 0 / 7

HEX #693BB83F

RGBA 105 59 184 0.25

HSLA 262.08, 0.51%, 0.48%, 0.25

LABA 37.1, 47.44, -58.9, 0.25

 

CMYK 8 / 17 / 0 / 7

HEX #7E3BB83F

RGBA 126 59 184 0.25

HSLA 272.16, 0.51%, 0.48%, 0.25

LABA 39.62, 51.68, -54.7, 0.25

 

CMYK 5 / 17 / 0 / 7

HEX #933BB83F

RGBA 147 59 184 0.25

HSLA 282.24, 0.51%, 0.48%, 0.25

LABA 42.45, 56.22, -50, 0.25

 

CMYK 2 / 17 / 0 / 7

HEX #A83BB83F

RGBA 168 59 184 0.25

HSLA 292.32, 0.51%, 0.48%, 0.25

LABA 45.52, 60.93, -44.91, 0.25

 

CMYK 14 / 17 / 0 / 7

HEX #543BB83F

RGBA 84 59 184 0.25

HSLA 252, 0.51%, 0.48%, 0.25

LABA 34.95, 43.64, -62.5, 0.25

 

CMYK 14 / 17 / 0 / 2

HEX #6B4BEB3F

RGBA 107 75 235 0.25

HSLA 252, 0.8%, 0.61%, 0.25

LABA 44.46, 53.57, -76.3, 0.25

 

CMYK 14 / 17 / 0 / 22

HEX #0E0A1F3F

RGBA 14 10 31 0.25

HSLA 251.43, 0.51%, 0.08%, 0.25

LABA 3.7, 6.06, -12.29, 0.25

 

CMYK 14 / 17 / 0 / 17

HEX #251A523F

RGBA 37 26 82 0.25

HSLA 251.79, 0.52%, 0.21%, 0.25

LABA 14.07, 22.12, -32.55, 0.25

 

CMYK 14 / 17 / 0 / 12

HEX #3D2B853F

RGBA 61 43 133 0.25

HSLA 252, 0.51%, 0.35%, 0.25

LABA 24.99, 33.11, -47.86, 0.25

 

CMYK 14 / 17 / 0 / 7

HEX #543BB83F

RGBA 84 59 184 0.25

HSLA 252, 0.51%, 0.48%, 0.25

LABA 34.95, 43.64, -62.5, 0.25

 

CMYK 0 / 17 / 7 / 7

HEX #B83B863F

RGBA 184 59 134 0.25

HSLA 324, 0.51%, 0.48%, 0.25

LABA 45.69, 57.15, -14.63, 0.25

 

CMYK 14 / 0 / 17 / 7

HEX #54B83B3F

RGBA 84 184 59 0.25

HSLA 108, 0.51%, 0.48%, 0.25

LABA 66.89, -52.21, 52.55, 0.25

 

CMYK 14 / 17 / 0 / 7

HEX #543BB83F

RGBA 84 59 184 0.25

HSLA 252, 0.51%, 0.48%, 0.25

LABA 34.95, 43.64, -62.5, 0.25

 

CMYK 0 / 14 / 17 / 7

HEX #B8543B3F

RGBA 184 84 59 0.25

HSLA 12, 0.51%, 0.48%, 0.25

LABA 48.07, 38.68, 33.77, 0.25

 

CMYK 17 / 0 / 14 / 7

HEX #3BB8543F

RGBA 59 184 84 0.25

HSLA 132, 0.51%, 0.48%, 0.25

LABA 66.41, -55.13, 40.6, 0.25

 

CMYK 14 / 17 / 0 / 7

HEX #543BB83F

RGBA 84 59 184 0.25

HSLA 252, 0.51%, 0.48%, 0.25

LABA 34.95, 43.64, -62.5, 0.25

 

CMYK 0 / 17 / 7 / 7

HEX #B83B863F

RGBA 184 59 134 0.25

HSLA 324, 0.51%, 0.48%, 0.25

LABA 45.69, 57.15, -14.63, 0.25

 

CMYK 3 / 0 / 17 / 7

HEX #9FB83B3F

RGBA 159 184 59 0.25

HSLA 72, 0.51%, 0.48%, 0.25

LABA 70.85, -25.69, 57.91, 0.25

 

CMYK 17 / 0 / 10 / 7

HEX #3BB86D3F

RGBA 59 184 109 0.25

HSLA 144, 0.51%, 0.48%, 0.25

LABA 66.76, -51.11, 28.37, 0.25

 

CMYK 14 / 17 / 0 / 7

HEX #543BB83F

RGBA 84 59 184 0.25

HSLA 252, 0.51%, 0.48%, 0.25

LABA 34.95, 43.64, -62.5, 0.25

 

CMYK 0 / 17 / 12 / 7

HEX #B83B613F

RGBA 184 59 97 0.25

HSLA 341.76, 0.51%, 0.48%, 0.25

LABA 44.49, 53.03, 6.3, 0.25

 

CMYK 3 / 0 / 17 / 7

HEX #9FB83B3F

RGBA 159 184 59 0.25

HSLA 72, 0.51%, 0.48%, 0.25

LABA 70.85, -25.69, 57.91, 0.25

 

CMYK 17 / 0 / 5 / 7

HEX #3BB8933F

RGBA 59 184 147 0.25

HSLA 162.24, 0.51%, 0.48%, 0.25

LABA 67.51, -43.02, 8.93, 0.25

 

Description

Color code: RGBA 84 59 184 0.25 | qconv.com Color code: RGBA 84 59 184 0.25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 59 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 59 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 17 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 17% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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