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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 80 26 58 0.55 it is the complementary color RGBA 175 229 197 0.55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 80 26 58 0.55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 80 26 58 0.55: RGBA 85 26 53 0.55, RGBA 102 44 72 0.55, RGBA 119 62 91 0.55, RGBA 136 80 110 0.55 and RGBA 153 98 129 0.55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 80 26 58 0.55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 80 26 58 0.55: RGBA 80 26 58 0.55, RGBA 63 8 39 0.55, RGBA 46 0 20 0.55, RGBA 29 0 1 0.55 and RGBA 12 0 0 0.55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 15 / 38

HEX #501A3A8C

RGBA 80 26 58 0.55

HSLA 324.44, 0.51%, 0.21%, 0.55

LABA 19.01, 29.18, -7.74, 0.55

 

Complementary color

CMYK 13 / 0 / 8 / 6

HEX #AFE5C58C

RGBA 175 229 197 0.55

HSLA 144.44, 0.51%, 0.79%, 0.55

LABA 86.59, -23.61, 10.02, 0.55

 

CMYK 0 / 38 / 21 / 37

HEX #551A358C

RGBA 85 26 53 0.55

HSLA 332.54, 0.53%, 0.22%, 0.55

LABA 19.75, 30.19, -3.04, 0.55

 

CMYK 0 / 31 / 16 / 33

HEX #662C488C

RGBA 102 44 72 0.55

HSLA 331.03, 0.4%, 0.29%, 0.55

LABA 27, 29.58, -4.88, 0.55

 

CMYK 0 / 26 / 13 / 29

HEX #773E5B8C

RGBA 119 62 91 0.55

HSLA 329.47, 0.31%, 0.35%, 0.55

LABA 34.24, 28.73, -6.18, 0.55

 

CMYK 0 / 23 / 11 / 26

HEX #88506E8C

RGBA 136 80 110 0.55

HSLA 327.86, 0.26%, 0.42%, 0.55

LABA 41.37, 27.85, -7.18, 0.55

 

CMYK 0 / 20 / 9 / 22

HEX #9962818C

RGBA 153 98 129 0.55

HSLA 326.18, 0.22%, 0.49%, 0.55

LABA 48.38, 27.01, -8.01, 0.55

 

CMYK 0 / 37 / 15 / 38

HEX #501A3A8C

RGBA 80 26 58 0.55

HSLA 324.44, 0.51%, 0.21%, 0.55

LABA 19.01, 29.18, -7.74, 0.55

 

CMYK 0 / 48 / 21 / 41

HEX #3F08278C

RGBA 63 8 39 0.55

HSLA 326.18, 0.77%, 0.14%, 0.55

LABA 11.8, 28.91, -5.3, 0.55

 

CMYK 0 / 55 / 31 / 45

HEX #2E00148C

RGBA 46 0 20 0.55

HSLA 333.91, 1%, 0.09%, 0.55

LABA 5.7, 24.57, -0.43, 0.55

 

CMYK 0 / 55 / 53 / 49

HEX #1D00018C

RGBA 29 0 1 0.55

HSLA 357.93, 1%, 0.06%, 0.55

LABA 2.38, 10.73, 3.35, 0.55

 

CMYK 0 / 55 / 55 / 52

HEX #0C00008C

RGBA 12 0 0 0.55

HSLA 0, 1%, 0.02%, 0.55

LABA 0.71, 3.17, 1.12, 0.55

 

CMYK 0 / 37 / 15 / 38

HEX #501A3A8C

RGBA 80 26 58 0.55

HSLA 324.44, 0.51%, 0.21%, 0.55

LABA 19.01, 29.18, -7.74, 0.55

 

CMYK 0 / 37 / 21 / 38

HEX #501A318C

RGBA 80 26 49 0.55

HSLA 334.44, 0.51%, 0.21%, 0.55

LABA 18.65, 27.85, -1.96, 0.55

 

CMYK 0 / 37 / 28 / 38

HEX #501A288C

RGBA 80 26 40 0.55

HSLA 344.44, 0.51%, 0.21%, 0.55

LABA 18.35, 26.72, 3.99, 0.55

 

CMYK 0 / 37 / 34 / 38

HEX #501A1F8C

RGBA 80 26 31 0.55

HSLA 354.44, 0.51%, 0.21%, 0.55

LABA 18.11, 25.79, 10.03, 0.55

 

CMYK 0 / 35 / 37 / 38

HEX #501D1A8C

RGBA 80 29 26 0.55

HSLA 3.33, 0.51%, 0.21%, 0.55

LABA 18.62, 23.72, 14.18, 0.55

 

CMYK 0 / 37 / 15 / 38

HEX #501A3A8C

RGBA 80 26 58 0.55

HSLA 324.44, 0.51%, 0.21%, 0.55

LABA 19.01, 29.18, -7.74, 0.55

 

CMYK 0 / 37 / 15 / 27

HEX #832B5F8C

RGBA 131 43 95 0.55

HSLA 324.55, 0.51%, 0.34%, 0.55

LABA 32.66, 43.11, -10.93, 0.55

 

CMYK 0 / 37 / 15 / 16

HEX #B63B848C

RGBA 182 59 132 0.55

HSLA 324.39, 0.51%, 0.47%, 0.55

LABA 45.27, 56.33, -14.08, 0.55

 

CMYK 0 / 37 / 15 / 5

HEX #E94CA98C

RGBA 233 76 169 0.55

HSLA 324.46, 0.78%, 0.61%, 0.55

LABA 57.42, 68.4, -16.82, 0.55

 

CMYK 0 / 38 / 15 / 49

HEX #1D09158C

RGBA 29 9 21 0.55

HSLA 324, 0.53%, 0.07%, 0.55

LABA 4.61, 10.42, -3.05, 0.55

 

CMYK 0 / 37 / 15 / 38

HEX #501A3A8C

RGBA 80 26 58 0.55

HSLA 324.44, 0.51%, 0.21%, 0.55

LABA 19.01, 29.18, -7.74, 0.55

 

CMYK 0 / 14 / 37 / 38

HEX #503B1A8C

RGBA 80 59 26 0.55

HSLA 36.67, 0.51%, 0.21%, 0.55

LABA 26.47, 5.01, 23.65, 0.55

 

CMYK 37 / 0 / 0 / 38

HEX #1A50508C

RGBA 26 80 80 0.55

HSLA 180, 0.51%, 0.21%, 0.55

LABA 30.73, -17.33, -5.25, 0.55

 

CMYK 0 / 37 / 15 / 38

HEX #501A3A8C

RGBA 80 26 58 0.55

HSLA 324.44, 0.51%, 0.21%, 0.55

LABA 19.01, 29.18, -7.74, 0.55

 

CMYK 14 / 0 / 37 / 38

HEX #3B501A8C

RGBA 59 80 26 0.55

HSLA 83.33, 0.51%, 0.21%, 0.55

LABA 31.21, -17.93, 28.43, 0.55

 

CMYK 37 / 14 / 0 / 38

HEX #1A3B508C

RGBA 26 59 80 0.55

HSLA 203.33, 0.51%, 0.21%, 0.55

LABA 23.43, -4.59, -16.36, 0.55

 

CMYK 0 / 37 / 15 / 38

HEX #501A3A8C

RGBA 80 26 58 0.55

HSLA 324.44, 0.51%, 0.21%, 0.55

LABA 19.01, 29.18, -7.74, 0.55

 

CMYK 0 / 14 / 37 / 38

HEX #503B1A8C

RGBA 80 59 26 0.55

HSLA 36.67, 0.51%, 0.21%, 0.55

LABA 26.47, 5.01, 23.65, 0.55

 

CMYK 37 / 0 / 22 / 38

HEX #1A50308C

RGBA 26 80 48 0.55

HSLA 144.44, 0.51%, 0.21%, 0.55

LABA 29.84, -26.19, 13.76, 0.55

 

CMYK 37 / 22 / 0 / 38

HEX #1A30508C

RGBA 26 48 80 0.55

HSLA 215.56, 0.51%, 0.21%, 0.55

LABA 19.69, 2.95, -22.22, 0.55

 

CMYK 0 / 37 / 15 / 38

HEX #501A3A8C

RGBA 80 26 58 0.55

HSLA 324.44, 0.51%, 0.21%, 0.55

LABA 19.01, 29.18, -7.74, 0.55

 

CMYK 0 / 3 / 37 / 38

HEX #504B1A8C

RGBA 80 75 26 0.55

HSLA 54.44, 0.51%, 0.21%, 0.55

LABA 31.38, -5, 29.13, 0.55

 

CMYK 37 / 0 / 22 / 38

HEX #1A50308C

RGBA 26 80 48 0.55

HSLA 144.44, 0.51%, 0.21%, 0.55

LABA 29.84, -26.19, 13.76, 0.55

 

CMYK 37 / 34 / 0 / 38

HEX #1A1F508C

RGBA 26 31 80 0.55

HSLA 234.44, 0.51%, 0.21%, 0.55

LABA 14.28, 15.43, -30.88, 0.55

 

Description

Color code: RGBA 80 26 58 0.55 | qconv.com Color code: RGBA 80 26 58 0.55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 26 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 26 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 15 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 15% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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