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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 80 155 192 0.651 it is the complementary color RGBA 175 100 63 0.651. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 80 155 192 0.651. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 80 155 192 0.651: RGBA 85 155 187 0.651, RGBA 102 173 206 0.651, RGBA 119 191 225 0.651, RGBA 136 209 244 0.651 and RGBA 153 227 255 0.651

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 80 155 192 0.651. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 80 155 192 0.651: RGBA 80 155 192 0.651, RGBA 63 137 173 0.651, RGBA 46 119 154 0.651, RGBA 29 101 135 0.651 and RGBA 12 83 116 0.651

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 13 / 0 / 16

HEX #509BC0A6

RGBA 80 155 192 0.651

HSLA 199.82, 0.47%, 0.53%, 0.651

LABA 60.74, -12.38, -26.16, 0.651

 

Complementary color

CMYK 0 / 28 / 42 / 20

HEX #AF643FA6

RGBA 175 100 63 0.651

HSLA 19.82, 0.47%, 0.47%, 0.651

LABA 50.2, 26.83, 33.75, 0.651

 

CMYK 36 / 11 / 0 / 17

HEX #559BBBA6

RGBA 85 155 187 0.651

HSLA 198.82, 0.43%, 0.53%, 0.651

LABA 60.75, -12.87, -23.32, 0.651

 

CMYK 33 / 10 / 0 / 13

HEX #66ADCEA6

RGBA 102 173 206 0.651

HSLA 199.04, 0.51%, 0.6%, 0.651

LABA 67.4, -13.25, -23.65, 0.651

 

CMYK 31 / 10 / 0 / 8

HEX #77BFE1A6

RGBA 119 191 225 0.651

HSLA 199.25, 0.64%, 0.67%, 0.651

LABA 73.95, -13.54, -23.98, 0.651

 

CMYK 29 / 9 / 0 / 3

HEX #88D1F4A6

RGBA 136 209 244 0.651

HSLA 199.44, 0.83%, 0.75%, 0.651

LABA 80.39, -13.77, -24.3, 0.651

 

CMYK 26 / 7 / 0 / 0

HEX #99E3FFA6

RGBA 153 227 255 0.651

HSLA 196.47, 1%, 0.8%, 0.651

LABA 86.47, -15.99, -20.81, 0.651

 

CMYK 38 / 13 / 0 / 16

HEX #509BC0A6

RGBA 80 155 192 0.651

HSLA 199.82, 0.47%, 0.53%, 0.651

LABA 60.74, -12.38, -26.16, 0.651

 

CMYK 41 / 14 / 0 / 21

HEX #3F89ADA6

RGBA 63 137 173 0.651

HSLA 199.64, 0.47%, 0.46%, 0.651

LABA 53.99, -11.71, -25.83, 0.651

 

CMYK 46 / 15 / 0 / 26

HEX #2E779AA6

RGBA 46 119 154 0.651

HSLA 199.44, 0.54%, 0.39%, 0.651

LABA 47.12, -10.81, -25.48, 0.651

 

CMYK 51 / 16 / 0 / 31

HEX #1D6587A6

RGBA 29 101 135 0.651

HSLA 199.25, 0.65%, 0.32%, 0.651

LABA 40.11, -9.54, -25.08, 0.651

 

CMYK 58 / 19 / 0 / 35

HEX #0C5374A6

RGBA 12 83 116 0.651

HSLA 199.04, 0.81%, 0.25%, 0.651

LABA 32.97, -7.71, -24.59, 0.651

 

CMYK 38 / 13 / 0 / 16

HEX #509BC0A6

RGBA 80 155 192 0.651

HSLA 199.82, 0.47%, 0.53%, 0.651

LABA 60.74, -12.38, -26.16, 0.651

 

CMYK 39 / 18 / 0 / 16

HEX #4E89BFA6

RGBA 78 137 191 0.651

HSLA 208.67, 0.47%, 0.53%, 0.651

LABA 55.35, -2.94, -33.96, 0.651

 

CMYK 39 / 25 / 0 / 16

HEX #4E76BFA6

RGBA 78 118 191 0.651

HSLA 218.76, 0.47%, 0.53%, 0.651

LABA 49.9, 8.41, -42.53, 0.651

 

CMYK 39 / 31 / 0 / 16

HEX #4E63BFA6

RGBA 78 99 191 0.651

HSLA 228.85, 0.47%, 0.53%, 0.651

LABA 44.67, 20.26, -50.88, 0.651

 

CMYK 39 / 38 / 0 / 16

HEX #4E50BFA6

RGBA 78 80 191 0.651

HSLA 238.94, 0.47%, 0.53%, 0.651

LABA 39.78, 32.24, -58.77, 0.651

 

CMYK 38 / 13 / 0 / 16

HEX #509BC0A6

RGBA 80 155 192 0.651

HSLA 199.82, 0.47%, 0.53%, 0.651

LABA 60.74, -12.38, -26.16, 0.651

 

CMYK 38 / 13 / 0 / 3

HEX #65C4F3A6

RGBA 101 196 243 0.651

HSLA 199.86, 0.86%, 0.67%, 0.651

LABA 75.28, -14.77, -31.72, 0.651

 

CMYK 38 / 13 / 0 / 55

HEX #101F27A6

RGBA 16 31 39 0.651

HSLA 200.87, 0.42%, 0.11%, 0.651

LABA 10.82, -3.57, -7.4, 0.651

 

CMYK 38 / 12 / 0 / 42

HEX #26495AA6

RGBA 38 73 90 0.651

HSLA 199.62, 0.41%, 0.25%, 0.651

LABA 29.2, -7.13, -13.93, 0.651

 

CMYK 38 / 12 / 0 / 29

HEX #3B728DA6

RGBA 59 114 141 0.651

HSLA 199.76, 0.41%, 0.39%, 0.651

LABA 45.48, -9.86, -20.28, 0.651

 

CMYK 38 / 13 / 0 / 16

HEX #509BC0A6

RGBA 80 155 192 0.651

HSLA 199.82, 0.47%, 0.53%, 0.651

LABA 60.74, -12.38, -26.16, 0.651

 

CMYK 18 / 39 / 0 / 16

HEX #894EBFA6

RGBA 137 78 191 0.651

HSLA 271.33, 0.47%, 0.53%, 0.651

LABA 44.98, 46.2, -50.09, 0.651

 

CMYK 0 / 3 / 39 / 16

HEX #BFB64EA6

RGBA 191 182 78 0.651

HSLA 55.22, 0.47%, 0.53%, 0.651

LABA 72.95, -9.98, 52.84, 0.651

 

CMYK 38 / 13 / 0 / 16

HEX #509BC0A6

RGBA 80 155 192 0.651

HSLA 199.82, 0.47%, 0.53%, 0.651

LABA 60.74, -12.38, -26.16, 0.651

 

CMYK 0 / 39 / 12 / 16

HEX #BF4E9BA6

RGBA 191 78 155 0.651

HSLA 319.12, 0.47%, 0.53%, 0.651

LABA 50.56, 54.01, -19.68, 0.651

 

CMYK 12 / 0 / 39 / 16

HEX #9BBF4EA6

RGBA 155 191 78 0.651

HSLA 79.12, 0.47%, 0.53%, 0.651

LABA 72.75, -29.26, 51.86, 0.651

 

CMYK 38 / 13 / 0 / 16

HEX #509BC0A6

RGBA 80 155 192 0.651

HSLA 199.82, 0.47%, 0.53%, 0.651

LABA 60.74, -12.38, -26.16, 0.651

 

CMYK 18 / 39 / 0 / 16

HEX #894EBFA6

RGBA 137 78 191 0.651

HSLA 271.33, 0.47%, 0.53%, 0.651

LABA 44.98, 46.2, -50.09, 0.651

 

CMYK 0 / 26 / 39 / 16

HEX #BF724EA6

RGBA 191 114 78 0.651

HSLA 19.12, 0.47%, 0.53%, 0.651

LABA 55.75, 26.88, 32.71, 0.651

 

CMYK 20 / 0 / 39 / 16

HEX #85BF4EA6

RGBA 133 191 78 0.651

HSLA 90.8, 0.47%, 0.53%, 0.651

LABA 71.42, -37.59, 50.01, 0.651

 

CMYK 38 / 13 / 0 / 16

HEX #509BC0A6

RGBA 80 155 192 0.651

HSLA 199.82, 0.47%, 0.53%, 0.651

LABA 60.74, -12.38, -26.16, 0.651

 

CMYK 7 / 39 / 0 / 16

HEX #AA4EBFA6

RGBA 170 78 191 0.651

HSLA 288.85, 0.47%, 0.53%, 0.651

LABA 49.2, 54.43, -43.12, 0.651

 

CMYK 0 / 26 / 39 / 16

HEX #BF724EA6

RGBA 191 114 78 0.651

HSLA 19.12, 0.47%, 0.53%, 0.651

LABA 55.75, 26.88, 32.71, 0.651

 

CMYK 31 / 0 / 39 / 16

HEX #63BF4EA6

RGBA 99 191 78 0.651

HSLA 108.85, 0.47%, 0.53%, 0.651

LABA 69.8, -48.82, 47.73, 0.651

 

Description

Color code: RGBA 80 155 192 0.651 | qconv.com Color code: RGBA 80 155 192 0.651 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 155 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 155 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 13 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 13% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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