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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 80 141 136 0.6 it is the complementary color RGBA 175 114 119 0.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 80 141 136 0.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 80 141 136 0.6 shade: RGBA 85 141 131 0.6, RGBA 102 159 150 0.6, RGBA 119 177 169 0.6, RGBA 136 195 188 0.6 and RGBA 153 213 207 0.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 80 141 136 0.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 80 141 136 0.6 shade: RGBA 80 141 136 0.6, RGBA 63 123 117 0.6, RGBA 46 105 98 0.6, RGBA 29 87 79 0.6 and RGBA 12 69 60 0.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 80 141 136 0.6 shade: RGB 79 140 135, RGB 79 140 119, RGB 79 140 102, RGB 79 140 86 and RGB 89 140 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 80 141 136 0.6 shade: RGB 79 140 135, RGB 79 129 140, RGB 79 112 140, RGB 79 96 140 and RGB 79 79 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 80 141 136 0.6 shade matches the following richer shades: RGB 79 140 135, RGB 61 158 150, RGB 43 176 165, RGB 26 194 180 and RGB 8 211 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 80 141 136 0.6 shade: RGB 79 140 135, RGB 97 123 120, RGB 114 105 106, RGB 132 87 91 and RGB 150 69 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 80 141 136 0.6 shade: RGB 79 140 102, RGB 79 140 119, RGB 79 140 135, RGB 79 129 140 and RGB 79 113 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 80 141 136 0.6 shade: RGB 49 88 84, RGB 64 114 110, RGB 79 140 135, RGB 95 165 159 and RGB 122 180 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 80 141 136 0.6 shade: RGB 80 141 136, RGB 86 79 140 and RGB 140 111 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 80 141 136 0.6 shade: RGB 80 141 136, RGB 135 79 140 and RGB 140 135 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 80 141 136 0.6 shade: RGB 80 141 136, RGB 86 79 140, RGB 140 79 84 and RGB 133 140 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 80 141 136 0.6 shade: RGB 80 141 136, RGB 105 79 140, RGB 140 79 84 and RGB 115 140 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 2 / 27

HEX #508D8899

RGBA 80 141 136 0.6

HSLA 175.08, 0.28%, 0.43%, 0.6

LABA 54.59, -21.02, -3.53, 0.6

 

Complementary color

CMYK 0 / 21 / 19 / 19

HEX #AF727799

RGBA 175 114 119 0.6

HSLA 355.08, 0.28%, 0.57%, 0.6

LABA 54.53, 24.77, 7.23, 0.6

 

CMYK 24 / 0 / 4 / 27

HEX #558D8399

RGBA 85 141 131 0.6

HSLA 169.29, 0.25%, 0.44%, 0.6

LABA 54.68, -20.92, -0.48, 0.6

 

CMYK 22 / 0 / 3 / 23

HEX #669F9699

RGBA 102 159 150 0.6

HSLA 170.53, 0.23%, 0.51%, 0.6

LABA 61.5, -20.76, -1.23, 0.6

 

CMYK 20 / 0 / 3 / 18

HEX #77B1A999

RGBA 119 177 169 0.6

HSLA 171.72, 0.27%, 0.58%, 0.6

LABA 68.19, -20.61, -1.93, 0.6

 

CMYK 18 / 0 / 2 / 14

HEX #88C3BC99

RGBA 136 195 188 0.6

HSLA 172.88, 0.33%, 0.65%, 0.6

LABA 74.76, -20.47, -2.59, 0.6

 

CMYK 17 / 0 / 2 / 10

HEX #99D5CF99

RGBA 153 213 207 0.6

HSLA 174, 0.42%, 0.72%, 0.6

LABA 81.22, -20.34, -3.21, 0.6

 

CMYK 26 / 0 / 2 / 27

HEX #508D8899

RGBA 80 141 136 0.6

HSLA 175.08, 0.28%, 0.43%, 0.6

LABA 54.59, -21.02, -3.53, 0.6

 

CMYK 29 / 0 / 3 / 31

HEX #3F7B7599

RGBA 63 123 117 0.6

HSLA 174, 0.32%, 0.36%, 0.6

LABA 47.63, -21.07, -2.76, 0.6

 

CMYK 34 / 0 / 4 / 35

HEX #2E696299

RGBA 46 105 98 0.6

HSLA 172.88, 0.39%, 0.3%, 0.6

LABA 40.52, -21.05, -1.9, 0.6

 

CMYK 40 / 0 / 6 / 40

HEX #1D574F99

RGBA 29 87 79 0.6

HSLA 171.72, 0.5%, 0.23%, 0.6

LABA 33.23, -20.85, -0.91, 0.6

 

CMYK 50 / 0 / 8 / 44

HEX #0C453C99

RGBA 12 69 60 0.6

HSLA 170.53, 0.7%, 0.16%, 0.6

LABA 25.75, -20.26, 0.3, 0.6

 

CMYK 44 / 0 / 4 / 45

HEX #4F8C87

RGB 79 140 135

HSL 175.08, 0.28%, 0.43%

LAB 54.2, -21.03, -3.52

 

CMYK 44 / 0 / 15 / 45

HEX #4F8C77

RGB 79 140 119

HSL 159.34, 0.28%, 0.43%

LAB 53.76, -25.01, 5.07

 

CMYK 44 / 0 / 27 / 45

HEX #4F8C66

RGB 79 140 102

HSL 142.62, 0.28%, 0.43%

LAB 53.36, -28.76, 14.25

 

CMYK 44 / 0 / 39 / 45

HEX #4F8C56

RGB 79 140 86

HSL 126.89, 0.28%, 0.43%

LAB 53.05, -31.8, 22.83

 

CMYK 36 / 0 / 44 / 45

HEX #598C4F

RGB 89 140 79

HSL 110.16, 0.28%, 0.43%

LAB 53.43, -29.62, 27.27

 

CMYK 44 / 0 / 4 / 45

HEX #4F8C87

RGB 79 140 135

HSL 175.08, 0.28%, 0.43%

LAB 54.2, -21.03, -3.52

 

CMYK 44 / 8 / 0 / 45

HEX #4F818C

RGB 79 129 140

HSL 190.82, 0.28%, 0.43%

LAB 50.99, -13.76, -11.23

 

CMYK 44 / 20 / 0 / 45

HEX #4F708C

RGB 79 112 140

HSL 207.54, 0.28%, 0.43%

LAB 45.83, -4.02, -19.06

 

CMYK 44 / 31 / 0 / 45

HEX #4F608C

RGB 79 96 140

HSL 223.28, 0.28%, 0.43%

LAB 41.09, 5.73, -26.39

 

CMYK 44 / 44 / 0 / 45

HEX #4F4F8C

RGB 79 79 140

HSL 240, 0.28%, 0.43%

LAB 36.27, 16.54, -33.98

 

CMYK 44 / 0 / 4 / 45

HEX #4F8C87

RGB 79 140 135

HSL 175.08, 0.28%, 0.43%

LAB 54.2, -21.03, -3.52

 

CMYK 61 / 0 / 5 / 38

HEX #3D9E96

RGB 61 158 150

HSL 175.05, 0.44%, 0.43%

LAB 59.57, -30.05, -4.26

 

CMYK 76 / 0 / 6 / 31

HEX #2BB0A5

RGB 43 176 165

HSL 175.04, 0.61%, 0.43%

LAB 65.18, -36.95, -4.43

 

CMYK 87 / 0 / 7 / 24

HEX #1AC2B4

RGB 26 194 180

HSL 175, 0.76%, 0.43%

LAB 70.94, -42.22, -4.23

 

CMYK 96 / 0 / 8 / 17

HEX #08D3C3

RGB 8 211 195

HSL 175.27, 0.93%, 0.43%

LAB 76.42, -46.09, -4.29

 

CMYK 44 / 0 / 4 / 45

HEX #4F8C87

RGB 79 140 135

HSL 175.08, 0.28%, 0.43%

LAB 54.2, -21.03, -3.52

 

CMYK 21 / 0 / 2 / 52

HEX #617B78

RGB 97 123 120

HSL 173.08, 0.12%, 0.43%

LAB 49.57, -10.04, -1.47

 

CMYK 0 / 8 / 7 / 55

HEX #72696A

RGB 114 105 106

HSL 353.33, 0.04%, 0.43%

LAB 45.25, 3.72, 0.71

 

CMYK 0 / 34 / 31 / 48

HEX #84575B

RGB 132 87 91

HSL 354.67, 0.21%, 0.43%

LAB 41.96, 19.22, 5.33

 

CMYK 0 / 54 / 49 / 41

HEX #96454C

RGB 150 69 76

HSL 354.81, 0.37%, 0.43%

LAB 40.02, 34.68, 12.24

 

CMYK 44 / 0 / 27 / 45

HEX #4F8C66

RGB 79 140 102

HSL 142.62, 0.28%, 0.43%

LAB 53.36, -28.76, 14.25

 

CMYK 44 / 0 / 15 / 45

HEX #4F8C77

RGB 79 140 119

HSL 159.34, 0.28%, 0.43%

LAB 53.76, -25.01, 5.07

 

CMYK 44 / 0 / 4 / 45

HEX #4F8C87

RGB 79 140 135

HSL 175.08, 0.28%, 0.43%

LAB 54.2, -21.03, -3.52

 

CMYK 44 / 8 / 0 / 45

HEX #4F818C

RGB 79 129 140

HSL 190.82, 0.28%, 0.43%

LAB 50.99, -13.76, -11.23

 

CMYK 44 / 19 / 0 / 45

HEX #4F718C

RGB 79 113 140

HSL 206.56, 0.28%, 0.43%

LAB 46.13, -4.61, -18.6

 

CMYK 44 / 0 / 5 / 65

HEX #315854

RGB 49 88 84

HSL 173.85, 0.28%, 0.27%

LAB 34.54, -14.91, -2.02

 

CMYK 44 / 0 / 4 / 55

HEX #40726E

RGB 64 114 110

HSL 175.2, 0.28%, 0.35%

LAB 44.59, -17.9, -3.07

 

CMYK 44 / 0 / 4 / 45

HEX #4F8C87

RGB 79 140 135

HSL 175.08, 0.28%, 0.43%

LAB 54.2, -21.03, -3.52

 

CMYK 42 / 0 / 4 / 35

HEX #5FA59F

RGB 95 165 159

HSL 174.86, 0.28%, 0.51%

LAB 63.22, -23.53, -3.81

 

CMYK 32 / 0 / 3 / 29

HEX #7AB4AF

RGB 122 180 175

HSL 174.83, 0.28%, 0.59%

LAB 69.38, -19.88, -3.47

 

CMYK 43 / 0 / 4 / 45

HEX #508D88

RGB 80 141 136

HSL 175.08, 0.28%, 0.43%

LAB 54.59, -21.02, -3.53

 

CMYK 39 / 44 / 0 / 45

HEX #564F8C

RGB 86 79 140

HSL 246.89, 0.28%, 0.43%

LAB 36.86, 18.49, -33

 

CMYK 0 / 21 / 44 / 45

HEX #8C6F4F

RGB 140 111 79

HSL 31.48, 0.28%, 0.43%

LAB 48.89, 6.94, 22.16

 

CMYK 43 / 0 / 4 / 45

HEX #508D88

RGB 80 141 136

HSL 175.08, 0.28%, 0.43%

LAB 54.59, -21.02, -3.53

 

CMYK 4 / 44 / 0 / 45

HEX #874F8C

RGB 135 79 140

HSL 295.08, 0.28%, 0.43%

LAB 42.21, 33.66, -24.23

 

CMYK 0 / 4 / 44 / 45

HEX #8C874F

RGB 140 135 79

HSL 55.08, 0.28%, 0.43%

LAB 55.55, -6.66, 30.71

 

CMYK 43 / 0 / 4 / 45

HEX #508D88

RGB 80 141 136

HSL 175.08, 0.28%, 0.43%

LAB 54.59, -21.02, -3.53

 

CMYK 39 / 44 / 0 / 45

HEX #564F8C

RGB 86 79 140

HSL 246.89, 0.28%, 0.43%

LAB 36.86, 18.49, -33

 

CMYK 0 / 44 / 40 / 45

HEX #8C4F54

RGB 140 79 84

HSL 355.08, 0.28%, 0.43%

LAB 40.91, 26.17, 8.29

 

CMYK 5 / 0 / 44 / 45

HEX #858C4F

RGB 133 140 79

HSL 66.89, 0.28%, 0.43%

LAB 56.39, -12.37, 31.64

 

CMYK 43 / 0 / 4 / 45

HEX #508D88

RGB 80 141 136

HSL 175.08, 0.28%, 0.43%

LAB 54.59, -21.02, -3.53

 

CMYK 25 / 44 / 0 / 45

HEX #694F8C

RGB 105 79 140

HSL 265.57, 0.28%, 0.43%

LAB 38.71, 24.14, -29.97

 

CMYK 0 / 44 / 40 / 45

HEX #8C4F54

RGB 140 79 84

HSL 355.08, 0.28%, 0.43%

LAB 40.91, 26.17, 8.29

 

CMYK 18 / 0 / 44 / 45

HEX #738C4F

RGB 115 140 79

HSL 84.59, 0.28%, 0.43%

LAB 55.04, -19.81, 29.64

 

Description

Color code: RGBA 80 141 136 0.6 | qconv.com Color code: RGBA 80 141 136 0.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 141 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 141 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 2 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 2% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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