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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 44 / 8 / 0 / 45 it is the complementary color CMYK 0 / 28 / 35 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 44 / 8 / 0 / 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 44 / 8 / 0 / 45: CMYK 38 / 4 / 0 / 47, CMYK 34 / 5 / 0 / 40, CMYK 32 / 5 / 0 / 32, CMYK 30 / 5 / 0 / 25 and CMYK 28 / 5 / 0 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 44 / 8 / 0 / 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 44 / 8 / 0 / 45: CMYK 44 / 8 / 0 / 45, CMYK 49 / 8 / 0 / 53, CMYK 56 / 9 / 0 / 60, CMYK 66 / 10 / 0 / 67 and CMYK 83 / 11 / 0 / 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 8 / 0 / 45

HEX #4F818C

RGB 79 129 140

HSL 190.82, 0.28%, 0.43%

LAB 50.99, -13.76, -11.23

 

Complementary color

CMYK 0 / 28 / 35 / 31

HEX #B07E73

RGB 176 126 115

HSL 10.82, 0.28%, 0.57%

LAB 57.45, 17.9, 13.68

 

CMYK 38 / 4 / 0 / 47

HEX #548187

RGB 84 129 135

HSL 187.06, 0.23%, 0.43%

LAB 51.08, -13.74, -8.14

 

CMYK 34 / 5 / 0 / 40

HEX #65939A

RGB 101 147 154

HSL 187.92, 0.21%, 0.5%

LAB 58.01, -13.71, -8.68

 

CMYK 32 / 5 / 0 / 32

HEX #76A5AD

RGB 118 165 173

HSL 188.73, 0.25%, 0.57%

LAB 64.79, -13.68, -9.19

 

CMYK 30 / 5 / 0 / 25

HEX #87B7C0

RGB 135 183 192

HSL 189.47, 0.31%, 0.64%

LAB 71.44, -13.65, -9.69

 

CMYK 28 / 5 / 0 / 17

HEX #98C9D3

RGB 152 201 211

HSL 190.17, 0.4%, 0.71%

LAB 77.96, -13.62, -10.18

 

CMYK 44 / 8 / 0 / 45

HEX #4F818C

RGB 79 129 140

HSL 190.82, 0.28%, 0.43%

LAB 50.99, -13.76, -11.23

 

CMYK 49 / 8 / 0 / 53

HEX #3E6F79

RGB 62 111 121

HSL 190.17, 0.32%, 0.36%

LAB 43.91, -13.66, -10.71

 

CMYK 56 / 9 / 0 / 60

HEX #2D5D66

RGB 45 93 102

HSL 189.47, 0.39%, 0.29%

LAB 36.64, -13.45, -10.15

 

CMYK 66 / 10 / 0 / 67

HEX #1C4B53

RGB 28 75 83

HSL 188.73, 0.5%, 0.22%

LAB 29.17, -13.06, -9.51

 

CMYK 83 / 11 / 0 / 75

HEX #0B3940

RGB 11 57 64

HSL 187.92, 0.71%, 0.15%

LAB 21.46, -12.24, -8.75

 

CMYK 44 / 8 / 0 / 45

HEX #4F818C

RGB 79 129 140

HSL 190.82, 0.28%, 0.43%

LAB 50.99, -13.76, -11.23

 

CMYK 44 / 15 / 0 / 45

HEX #4E778C

RGB 78 119 140

HSL 200.32, 0.28%, 0.43%

LAB 47.89, -8.39, -15.92

 

CMYK 44 / 22 / 0 / 45

HEX #4E6D8C

RGB 78 109 140

HSL 210, 0.28%, 0.43%

LAB 44.87, -2.51, -20.54

 

CMYK 44 / 29 / 0 / 45

HEX #4E638C

RGB 78 99 140

HSL 219.68, 0.28%, 0.43%

LAB 41.9, 3.58, -25.13

 

CMYK 44 / 36 / 0 / 45

HEX #4E598C

RGB 78 89 140

HSL 229.35, 0.28%, 0.43%

LAB 39, 9.86, -29.68

 

CMYK 44 / 8 / 0 / 45

HEX #4F818C

RGB 79 129 140

HSL 190.82, 0.28%, 0.43%

LAB 50.99, -13.76, -11.23

 

CMYK 43 / 8 / 0 / 25

HEX #6CB0BF

RGB 108 176 191

HSL 190.84, 0.39%, 0.59%

LAB 68.02, -17.57, -14.4

 

CMYK 43 / 8 / 0 / 5

HEX #89DFF2

RGB 137 223 242

HSL 190.86, 0.8%, 0.74%

LAB 84.23, -21.17, -17.41

 

CMYK 45 / 8 / 0 / 85

HEX #152326

RGB 21 35 38

HSL 190.59, 0.29%, 0.12%

LAB 12.62, -5.01, -3.93

 

CMYK 44 / 8 / 0 / 65

HEX #325259

RGB 50 82 89

HSL 190.77, 0.28%, 0.27%

LAB 32.78, -9.66, -7.8

 

CMYK 44 / 8 / 0 / 45

HEX #4F818C

RGB 79 129 140

HSL 190.82, 0.28%, 0.43%

LAB 50.99, -13.76, -11.23

 

CMYK 28 / 44 / 0 / 45

HEX #654E8C

RGB 101 78 140

HSL 262.26, 0.28%, 0.43%

LAB 38.04, 23.53, -31.05

 

CMYK 0 / 10 / 44 / 45

HEX #8C7E4E

RGB 140 126 78

HSL 46.45, 0.28%, 0.43%

LAB 53, -1.76, 28.03

 

CMYK 44 / 8 / 0 / 45

HEX #4F818C

RGB 79 129 140

HSL 190.82, 0.28%, 0.43%

LAB 50.99, -13.76, -11.23

 

CMYK 0 / 44 / 7 / 45

HEX #8C4E82

RGB 140 78 130

HSL 309.68, 0.28%, 0.43%

LAB 42.21, 33.92, -18.11

 

CMYK 7 / 0 / 44 / 45

HEX #828C4E

RGB 130 140 78

HSL 69.68, 0.28%, 0.43%

LAB 56.14, -13.76, 31.8

 

CMYK 44 / 8 / 0 / 45

HEX #4F818C

RGB 79 129 140

HSL 190.82, 0.28%, 0.43%

LAB 50.99, -13.76, -11.23

 

CMYK 28 / 44 / 0 / 45

HEX #654E8C

RGB 101 78 140

HSL 262.26, 0.28%, 0.43%

LAB 38.04, 23.53, -31.05

 

CMYK 0 / 36 / 44 / 45

HEX #8C594E

RGB 140 89 78

HSL 10.65, 0.28%, 0.43%

LAB 43.17, 19.67, 15.09

 

CMYK 16 / 0 / 44 / 45

HEX #758C4E

RGB 117 140 78

HSL 82.26, 0.28%, 0.43%

LAB 55.16, -19.13, 30.37

 

CMYK 44 / 8 / 0 / 45

HEX #4F818C

RGB 79 129 140

HSL 190.82, 0.28%, 0.43%

LAB 50.99, -13.76, -11.23

 

CMYK 15 / 44 / 0 / 45

HEX #774E8C

RGB 119 78 140

HSL 279.68, 0.28%, 0.43%

LAB 40.02, 29.12, -27.79

 

CMYK 0 / 36 / 44 / 45

HEX #8C594E

RGB 140 89 78

HSL 10.65, 0.28%, 0.43%

LAB 43.17, 19.67, 15.09

 

CMYK 29 / 0 / 44 / 45

HEX #638C4E

RGB 99 140 78

HSL 99.68, 0.28%, 0.43%

LAB 53.98, -26.16, 28.63

 

Description

Color code: CMYK 44 / 8 / 0 / 45 | qconv.com Color code: CMYK 44 / 8 / 0 / 45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 129 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 129 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 8 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 8% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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