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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 73 205 129 .178 it is the complementary color RGBA 182 50 126 .178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 73 205 129 .178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 73 205 129 .178: RGBA 78 205 124 .178, RGBA 95 223 143 .178, RGBA 112 241 162 .178, RGBA 129 255 181 .178 and RGBA 146 255 200 .178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 73 205 129 .178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 73 205 129 .178: RGBA 73 205 129 .178, RGBA 56 187 110 .178, RGBA 39 169 91 .178, RGBA 22 151 72 .178 and RGBA 5 133 53 .178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 7 / 3

HEX #49CD812D

RGBA 73 205 129 .178

HSLA 145.45, 0.57%, 0.55%, .178

LABA 73.97, -53, 27.54, .178

 

Complementary color

CMYK 0 / 13 / 5 / 5

HEX #B6327E2D

RGBA 182 50 126 .178

HSLA 325.45, 0.57%, 0.45%, .178

LABA 43.85, 58.93, -12.58, .178

 

CMYK 11 / 0 / 7 / 3

HEX #4ECD7C2D

RGBA 78 205 124 .178

HSLA 141.73, 0.56%, 0.55%, .178

LABA 74.02, -52.93, 30.21, .178

 

CMYK 10 / 0 / 6 / 2

HEX #5FDF8F2D

RGBA 95 223 143 .178

HSLA 142.5, 0.67%, 0.62%, .178

LABA 80.29, -53.05, 28.85, .178

 

CMYK 10 / 0 / 6 / 1

HEX #70F1A22D

RGBA 112 241 162 .178

HSLA 143.26, 0.82%, 0.69%, .178

LABA 86.49, -53.04, 27.57, .178

 

CMYK 9 / 0 / 5 / 0

HEX #81FFB52D

RGBA 129 255 181 .178

HSLA 144.76, 1%, 0.75%, .178

LABA 91.47, -51.29, 24.8, .178

 

CMYK 8 / 0 / 4 / 0

HEX #92FFC82D

RGBA 146 255 200 .178

HSLA 149.72, 1%, 0.79%, .178

LABA 92.49, -43.42, 16.62, .178

 

CMYK 11 / 0 / 7 / 3

HEX #49CD812D

RGBA 73 205 129 .178

HSLA 145.45, 0.57%, 0.55%, .178

LABA 73.97, -53, 27.54, .178

 

CMYK 12 / 0 / 7 / 5

HEX #38BB6E2D

RGBA 56 187 110 .178

HSLA 144.73, 0.54%, 0.48%, .178

LABA 67.66, -52.59, 29.01, .178

 

CMYK 14 / 0 / 8 / 6

HEX #27A95B2D

RGBA 39 169 91 .178

HSLA 144, 0.63%, 0.41%, .178

LABA 61.27, -51.85, 30.6, .178

 

CMYK 15 / 0 / 9 / 7

HEX #1697482D

RGBA 22 151 72 .178

HSLA 143.26, 0.75%, 0.34%, .178

LABA 54.84, -50.61, 32.31, .178

 

CMYK 17 / 0 / 11 / 9

HEX #0585352D

RGBA 5 133 53 .178

HSLA 142.5, 0.93%, 0.27%, .178

LABA 48.34, -48.66, 34.06, .178

 

CMYK 11 / 0 / 7 / 3

HEX #49CD812D

RGBA 73 205 129 .178

HSLA 145.45, 0.57%, 0.55%, .178

LABA 73.97, -53, 27.54, .178

 

CMYK 11 / 0 / 5 / 3

HEX #4ACD972D

RGBA 74 205 151 .178

HSLA 155.27, 0.57%, 0.55%, .178

LABA 74.41, -48.38, 16.54, .178

 

CMYK 11 / 0 / 3 / 3

HEX #4ACDAC2D

RGBA 74 205 172 .178

HSLA 164.89, 0.57%, 0.55%, .178

LABA 74.89, -43.55, 5.96, .178

 

CMYK 11 / 0 / 1 / 3

HEX #4ACDC22D

RGBA 74 205 194 .178

HSLA 174.96, 0.57%, 0.55%, .178

LABA 75.46, -37.92, -5.07, .178

 

CMYK 11 / 1 / 0 / 3

HEX #4AC2CD2D

RGBA 74 194 205 .178

HSLA 185.04, 0.57%, 0.55%, .178

LABA 72.53, -29.68, -15.42, .178

 

CMYK 11 / 0 / 7 / 3

HEX #49CD812D

RGBA 73 205 129 .178

HSLA 145.45, 0.57%, 0.55%, .178

LABA 73.97, -53, 27.54, .178

 

CMYK 18 / 0 / 0 / 18

HEX #0001012D

RGBA 0 1 1 .178

HSLA 180, 1%, 0%, .178

LABA 0.22, -0.26, -0.09, .178

 

CMYK 11 / 0 / 7 / 14

HEX #1334212D

RGBA 19 52 33 .178

HSLA 145.45, 0.46%, 0.14%, .178

LABA 18.82, -17.52, 8.45, .178

 

CMYK 11 / 0 / 7 / 11

HEX #2567412D

RGBA 37 103 65 .178

HSLA 145.45, 0.47%, 0.27%, .178

LABA 38.68, -30.53, 15.41, .178

 

CMYK 11 / 0 / 7 / 7

HEX #379A612D

RGBA 55 154 97 .178

HSLA 145.45, 0.47%, 0.41%, .178

LABA 56.87, -42.16, 21.68, .178

 

CMYK 11 / 0 / 7 / 3

HEX #49CD812D

RGBA 73 205 129 .178

HSLA 145.45, 0.57%, 0.55%, .178

LABA 73.97, -53, 27.54, .178

 

CMYK 11 / 7 / 0 / 3

HEX #4A7CCD2D

RGBA 74 124 205 .178

HSLA 217.1, 0.57%, 0.55%, .178

LABA 52.15, 8.76, -46.98, .178

 

CMYK 0 / 11 / 11 / 3

HEX #CD4D4A2D

RGBA 205 77 74 .178

HSLA 1.37, 0.57%, 0.55%, .178

LABA 50.43, 50.53, 28.82, .178

 

CMYK 11 / 0 / 7 / 3

HEX #49CD812D

RGBA 73 205 129 .178

HSLA 145.45, 0.57%, 0.55%, .178

LABA 73.97, -53, 27.54, .178

 

CMYK 7 / 11 / 0 / 3

HEX #814ACD2D

RGBA 129 74 205 .178

HSLA 265.19, 0.57%, 0.55%, .178

LABA 44.19, 49.95, -59.52, .178

 

CMYK 0 / 7 / 11 / 3

HEX #CD814A2D

RGBA 205 129 74 .178

HSLA 25.19, 0.57%, 0.55%, .178

LABA 60.93, 24.23, 41.51, .178

 

CMYK 11 / 0 / 7 / 3

HEX #49CD812D

RGBA 73 205 129 .178

HSLA 145.45, 0.57%, 0.55%, .178

LABA 73.97, -53, 27.54, .178

 

CMYK 11 / 7 / 0 / 3

HEX #4A7CCD2D

RGBA 74 124 205 .178

HSLA 217.1, 0.57%, 0.55%, .178

LABA 52.15, 8.76, -46.98, .178

 

CMYK 0 / 11 / 5 / 3

HEX #CD4A972D

RGBA 205 74 151 .178

HSLA 324.73, 0.57%, 0.55%, .178

LABA 51.96, 59.23, -14.97, .178

 

CMYK 0 / 4 / 11 / 3

HEX #CD9B4A2D

RGBA 205 155 74 .178

HSLA 37.1, 0.57%, 0.55%, .178

LABA 67.21, 10.09, 48.68, .178

 

CMYK 11 / 0 / 7 / 3

HEX #49CD812D

RGBA 73 205 129 .178

HSLA 145.45, 0.57%, 0.55%, .178

LABA 73.97, -53, 27.54, .178

 

CMYK 11 / 10 / 0 / 3

HEX #4A55CD2D

RGBA 74 85 205 .178

HSLA 234.96, 0.57%, 0.55%, .178

LABA 41.78, 33.15, -63.65, .178

 

CMYK 0 / 11 / 5 / 3

HEX #CD4A972D

RGBA 205 74 151 .178

HSLA 324.73, 0.57%, 0.55%, .178

LABA 51.96, 59.23, -14.97, .178

 

CMYK 0 / 1 / 11 / 3

HEX #CDC24A2D

RGBA 205 194 74 .178

HSLA 54.96, 0.57%, 0.55%, .178

LABA 77.31, -10.5, 59.66, .178

 

Description

Color code: RGBA 73 205 129 .178 | qconv.com Color code: RGBA 73 205 129 .178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 205 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 205 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 7 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 7% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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