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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 67 0 0 0.18 it is the complementary color RGBA 188 255 255 0.18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 67 0 0 0.18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 67 0 0 0.18: RGBA 72 0 0 0.18, RGBA 89 18 14 0.18, RGBA 106 36 33 0.18, RGBA 123 54 52 0.18 and RGBA 140 72 71 0.18

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 67 0 0 0.18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 67 0 0 0.18: RGBA 67 0 0 0.18, RGBA 50 0 0 0.18, RGBA 33 0 0 0.18, RGBA 16 0 0 0.18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 18 / 13

HEX #4300002D

RGBA 67 0 0 0.18

HSLA 0, 1%, 0.13%, 0.18

LABA 10.51, 30.67, 16.57, 0.18

 

Complementary color

CMYK 5 / 0 / 0 / 0

HEX #BCFFFF2D

RGBA 188 255 255 0.18

HSLA 180, 1%, 0.87%, 0.18

LABA 95.76, -20.62, -6.73, 0.18

 

CMYK 0 / 18 / 18 / 13

HEX #4800002D

RGBA 72 0 0 0.18

HSLA 0, 1%, 0.14%, 0.18

LABA 11.81, 32.18, 18.57, 0.18

 

CMYK 0 / 14 / 15 / 12

HEX #59120E2D

RGBA 89 18 14 0.18

HSLA 3.2, 0.73%, 0.2%, 0.18

LABA 18.31, 31.84, 21.81, 0.18

 

CMYK 0 / 12 / 12 / 11

HEX #6A24212D

RGBA 106 36 33 0.18

HSLA 2.47, 0.53%, 0.27%, 0.18

LABA 25.06, 31.07, 18.61, 0.18

 

CMYK 0 / 10 / 10 / 9

HEX #7B36342D

RGBA 123 54 52 0.18

HSLA 1.69, 0.41%, 0.34%, 0.18

LABA 32.03, 29.87, 15.85, 0.18

 

CMYK 0 / 9 / 9 / 8

HEX #8C48472D

RGBA 140 72 71 0.18

HSLA 0.87, 0.33%, 0.41%, 0.18

LABA 39.01, 28.63, 13.72, 0.18

 

CMYK 0 / 18 / 18 / 13

HEX #4300002D

RGBA 67 0 0 0.18

HSLA 0, 1%, 0.13%, 0.18

LABA 10.51, 30.67, 16.57, 0.18

 

CMYK 0 / 18 / 18 / 14

HEX #3200002D

RGBA 50 0 0 0.18

HSLA 0, 1%, 0.1%, 0.18

LABA 6.13, 24.68, 9.68, 0.18

 

CMYK 0 / 18 / 18 / 16

HEX #2100002D

RGBA 33 0 0 0.18

HSLA 0, 1%, 0.06%, 0.18

LABA 2.92, 13.1, 4.62, 0.18

 

CMYK 0 / 18 / 18 / 17

HEX #1000002D

RGBA 16 0 0 0.18

HSLA 0, 1%, 0.03%, 0.18

LABA 1, 4.46, 1.57, 0.18

 

CMYK 0 / 18 / 18 / 13

HEX #4300002D

RGBA 67 0 0 0.18

HSLA 0, 1%, 0.13%, 0.18

LABA 10.51, 30.67, 16.57, 0.18

 

CMYK 0 / 15 / 18 / 13

HEX #420B002D

RGBA 66 11 0 0.18

HSLA 10, 1%, 0.13%, 0.18

LABA 11.94, 25.56, 18.51, 0.18

 

CMYK 0 / 12 / 18 / 13

HEX #4216002D

RGBA 66 22 0 0.18

HSLA 20, 1%, 0.13%, 0.18

LABA 14.01, 19.99, 21.29, 0.18

 

CMYK 0 / 9 / 18 / 13

HEX #4221002D

RGBA 66 33 0 0.18

HSLA 30, 1%, 0.13%, 0.18

LABA 16.73, 13.18, 24.75, 0.18

 

CMYK 0 / 6 / 18 / 13

HEX #422C002D

RGBA 66 44 0 0.18

HSLA 40, 1%, 0.13%, 0.18

LABA 19.88, 5.9, 28.48, 0.18

 

CMYK 0 / 18 / 18 / 13

HEX #4300002D

RGBA 67 0 0 0.18

HSLA 0, 1%, 0.13%, 0.18

LABA 10.51, 30.67, 16.57, 0.18

 

CMYK 0 / 18 / 18 / 10

HEX #7600002D

RGBA 118 0 0 0.18

HSLA 0, 1%, 0.23%, 0.18

LABA 23.17, 45.33, 34.95, 0.18

 

CMYK 0 / 18 / 18 / 6

HEX #A900002D

RGBA 169 0 0 0.18

HSLA 0, 1%, 0.33%, 0.18

LABA 34.87, 58.87, 49.17, 0.18

 

CMYK 0 / 18 / 18 / 2

HEX #DC00002D

RGBA 220 0 0 0.18

HSLA 0, 1%, 0.43%, 0.18

LABA 45.93, 71.66, 60.13, 0.18

 

CMYK 0 / 18 / 18 / 17

HEX #1000002D

RGBA 16 0 0 0.18

HSLA 0, 1%, 0.03%, 0.18

LABA 1, 4.46, 1.57, 0.18

 

CMYK 0 / 18 / 18 / 13

HEX #4300002D

RGBA 67 0 0 0.18

HSLA 0, 1%, 0.13%, 0.18

LABA 10.51, 30.67, 16.57, 0.18

 

CMYK 4 / 0 / 18 / 13

HEX #3542002D

RGBA 53 66 0 0.18

HSLA 71.82, 1%, 0.13%, 0.18

LABA 25.72, -14.83, 34.08, 0.18

 

CMYK 18 / 11 / 0 / 13

HEX #001A422D

RGBA 0 26 66 0.18

HSLA 216.36, 1%, 0.13%, 0.18

LABA 10.05, 8.9, -28.12, 0.18

 

CMYK 0 / 18 / 18 / 13

HEX #4300002D

RGBA 67 0 0 0.18

HSLA 0, 1%, 0.13%, 0.18

LABA 10.51, 30.67, 16.57, 0.18

 

CMYK 18 / 0 / 18 / 13

HEX #0042002D

RGBA 0 66 0 0.18

HSLA 120, 1%, 0.13%, 0.18

LABA 23.33, -32.67, 30.93, 0.18

 

CMYK 18 / 18 / 0 / 13

HEX #0000422D

RGBA 0 0 66 0.18

HSLA 240, 1%, 0.13%, 0.18

LABA 3.55, 24.67, -38.75, 0.18

 

CMYK 0 / 18 / 18 / 13

HEX #4300002D

RGBA 67 0 0 0.18

HSLA 0, 1%, 0.13%, 0.18

LABA 10.51, 30.67, 16.57, 0.18

 

CMYK 4 / 0 / 18 / 13

HEX #3542002D

RGBA 53 66 0 0.18

HSLA 71.82, 1%, 0.13%, 0.18

LABA 25.72, -14.83, 34.08, 0.18

 

CMYK 18 / 0 / 0 / 13

HEX #0042422D

RGBA 0 66 66 0.18

HSLA 180, 1%, 0.13%, 0.18

LABA 24.61, -18.23, -5.36, 0.18

 

CMYK 14 / 18 / 0 / 13

HEX #0D00422D

RGBA 13 0 66 0.18

HSLA 251.82, 1%, 0.13%, 0.18

LABA 4.33, 27.15, -37.45, 0.18

 

CMYK 0 / 18 / 18 / 13

HEX #4300002D

RGBA 67 0 0 0.18

HSLA 0, 1%, 0.13%, 0.18

LABA 10.51, 30.67, 16.57, 0.18

 

CMYK 9 / 0 / 18 / 13

HEX #2142002D

RGBA 33 66 0 0.18

HSLA 90, 1%, 0.13%, 0.18

LABA 24.39, -23.9, 32.33, 0.18

 

CMYK 18 / 0 / 0 / 13

HEX #0042422D

RGBA 0 66 66 0.18

HSLA 180, 1%, 0.13%, 0.18

LABA 24.61, -18.23, -5.36, 0.18

 

CMYK 9 / 18 / 0 / 13

HEX #2100422D

RGBA 33 0 66 0.18

HSLA 270, 1%, 0.13%, 0.18

LABA 6.47, 31.56, -33.85, 0.18

 

Description

Color code: RGBA 67 0 0 0.18 | qconv.com Color code: RGBA 67 0 0 0.18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, none green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 0 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 18 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 18% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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