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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 64 244 61 .5 it is the complementary color RGBA 191 11 194 .5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 64 244 61 .5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 64 244 61 .5: RGBA 69 244 56 .5, RGBA 86 255 75 .5, RGBA 103 255 94 .5, RGBA 120 255 113 .5 and RGBA 137 255 132 .5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 64 244 61 .5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 64 244 61 .5: RGBA 64 244 61 .5, RGBA 47 226 42 .5, RGBA 30 208 23 .5, RGBA 13 190 4 .5 and RGBA 0 172 0 .5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 38 / 2

HEX #40F43D7F

RGBA 64 244 61 .5

HSLA 119.02, 0.89%, 0.6%, .5

LABA 85.06, -76.18, 70.23, .5

 

Complementary color

CMYK 1 / 47 / 0 / 12

HEX #BF0BC27F

RGBA 191 11 194 .5

HSLA 299.02, 0.89%, 0.4%, .5

LABA 45.92, 78.54, -49.89, .5

 

CMYK 36 / 0 / 39 / 2

HEX #45F4387F

RGBA 69 244 56 .5

HSLA 115.85, 0.9%, 0.59%, .5

LABA 85.12, -75.74, 71.85, .5

 

CMYK 33 / 0 / 35 / 0

HEX #56FF4B7F

RGBA 86 255 75 .5

HSLA 116.33, 1%, 0.65%, .5

LABA 88.93, -74.88, 69.56, .5

 

CMYK 30 / 0 / 32 / 0

HEX #67FF5E7F

RGBA 103 255 94 .5

HSLA 116.65, 1%, 0.68%, .5

LABA 89.49, -69.76, 63.08, .5

 

CMYK 26 / 0 / 28 / 0

HEX #78FF717F

RGBA 120 255 113 .5

HSLA 117.04, 1%, 0.72%, .5

LABA 90.19, -63.76, 55.93, .5

 

CMYK 23 / 0 / 24 / 0

HEX #89FF847F

RGBA 137 255 132 .5

HSLA 117.56, 1%, 0.76%, .5

LABA 91.01, -56.97, 48.37, .5

 

CMYK 37 / 0 / 38 / 2

HEX #40F43D7F

RGBA 64 244 61 .5

HSLA 119.02, 0.89%, 0.6%, .5

LABA 85.06, -76.18, 70.23, .5

 

CMYK 40 / 0 / 41 / 6

HEX #2FE22A7F

RGBA 47 226 42 .5

HSLA 118.37, 0.76%, 0.53%, .5

LABA 79.14, -74.29, 69.98, .5

 

CMYK 43 / 0 / 44 / 9

HEX #1ED0177F

RGBA 30 208 23 .5

HSLA 117.73, 0.8%, 0.45%, .5

LABA 73.19, -71.74, 68.77, .5

 

CMYK 47 / 0 / 49 / 13

HEX #0DBE047F

RGBA 13 190 4 .5

HSLA 117.1, 0.96%, 0.38%, .5

LABA 67.22, -68.4, 66.28, .5

 

CMYK 50 / 0 / 50 / 16

HEX #00AC007F

RGBA 0 172 0 .5

HSLA 120, 1%, 0.34%, .5

LABA 61.22, -64.16, 61.92, .5

 

CMYK 37 / 0 / 38 / 2

HEX #40F43D7F

RGBA 64 244 61 .5

HSLA 119.02, 0.89%, 0.6%, .5

LABA 85.06, -76.18, 70.23, .5

 

CMYK 37 / 0 / 32 / 2

HEX #3EF3597F

RGBA 62 243 89 .5

HSLA 128.95, 0.88%, 0.6%, .5

LABA 84.92, -73.76, 59.79, .5

 

CMYK 37 / 0 / 26 / 2

HEX #3EF3777F

RGBA 62 243 119 .5

HSLA 138.9, 0.88%, 0.6%, .5

LABA 85.23, -70.05, 46.88, .5

 

CMYK 37 / 0 / 19 / 2

HEX #3EF3957F

RGBA 62 243 149 .5

HSLA 148.84, 0.88%, 0.6%, .5

LABA 85.65, -65.15, 32.81, .5

 

CMYK 37 / 0 / 13 / 2

HEX #3EF3B47F

RGBA 62 243 180 .5

HSLA 159.12, 0.88%, 0.6%, .5

LABA 86.22, -58.92, 17.77, .5

 

CMYK 37 / 0 / 38 / 2

HEX #40F43D7F

RGBA 64 244 61 .5

HSLA 119.02, 0.89%, 0.6%, .5

LABA 85.06, -76.18, 70.23, .5

 

CMYK 38 / 0 / 38 / 42

HEX #0A280A7F

RGBA 10 40 10 .5

HSLA 120, 0.6%, 0.1%, .5

LABA 13.25, -18.82, 15.02, .5

 

CMYK 37 / 0 / 37 / 32

HEX #185B177F

RGBA 24 91 23 .5

HSLA 119.12, 0.6%, 0.22%, .5

LABA 33.43, -35.29, 31.77, .5

 

CMYK 37 / 0 / 37 / 22

HEX #258E247F

RGBA 37 142 36 .5

HSLA 119.43, 0.6%, 0.35%, .5

LABA 51.69, -49.92, 45.38, .5

 

CMYK 37 / 0 / 38 / 12

HEX #33C1307F

RGBA 51 193 48 .5

HSLA 118.76, 0.6%, 0.47%, .5

LABA 68.79, -63.36, 58.34, .5

 

CMYK 37 / 0 / 38 / 2

HEX #40F43D7F

RGBA 64 244 61 .5

HSLA 119.02, 0.89%, 0.6%, .5

LABA 85.06, -76.18, 70.23, .5

 

CMYK 37 / 7 / 0 / 2

HEX #3ED2F37F

RGBA 62 210 243 .5

HSLA 190.94, 0.88%, 0.6%, .5

LABA 78.22, -27.69, -27.29, .5

 

CMYK 0 / 37 / 22 / 2

HEX #F33E897F

RGBA 243 62 137 .5

HSLA 335.14, 0.88%, 0.6%, .5

LABA 56.39, 72.39, 0.61, .5

 

CMYK 37 / 0 / 38 / 2

HEX #40F43D7F

RGBA 64 244 61 .5

HSLA 119.02, 0.89%, 0.6%, .5

LABA 85.06, -76.18, 70.23, .5

 

CMYK 37 / 37 / 0 / 2

HEX #3E41F37F

RGBA 62 65 243 .5

HSLA 239.01, 0.88%, 0.6%, .5

LABA 40.04, 56.11, -88.19, .5

 

CMYK 0 / 37 / 37 / 2

HEX #F33E417F

RGBA 243 62 65 .5

HSLA 359.01, 0.88%, 0.6%, .5

LABA 54.95, 67.74, 40.97, .5

 

CMYK 37 / 0 / 38 / 2

HEX #40F43D7F

RGBA 64 244 61 .5

HSLA 119.02, 0.89%, 0.6%, .5

LABA 85.06, -76.18, 70.23, .5

 

CMYK 37 / 7 / 0 / 2

HEX #3ED2F37F

RGBA 62 210 243 .5

HSLA 190.94, 0.88%, 0.6%, .5

LABA 78.22, -27.69, -27.29, .5

 

CMYK 1 / 37 / 0 / 2

HEX #F03EF37F

RGBA 240 62 243 .5

HSLA 299.01, 0.88%, 0.6%, .5

LABA 60.29, 84.88, -54.38, .5

 

CMYK 0 / 30 / 37 / 2

HEX #F35F3E7F

RGBA 243 95 62 .5

HSLA 10.94, 0.88%, 0.6%, .5

LABA 59.51, 55.12, 47.59, .5

 

CMYK 37 / 0 / 38 / 2

HEX #40F43D7F

RGBA 64 244 61 .5

HSLA 119.02, 0.89%, 0.6%, .5

LABA 85.06, -76.18, 70.23, .5

 

CMYK 37 / 18 / 0 / 2

HEX #3E9CF37F

RGBA 62 156 243 .5

HSLA 208.84, 0.88%, 0.6%, .5

LABA 62.74, 1.25, -51.42, .5

 

CMYK 1 / 37 / 0 / 2

HEX #F03EF37F

RGBA 240 62 243 .5

HSLA 299.01, 0.88%, 0.6%, .5

LABA 60.29, 84.88, -54.38, .5

 

CMYK 0 / 19 / 37 / 2

HEX #F3953E7F

RGBA 243 149 62 .5

HSLA 28.84, 0.88%, 0.6%, .5

LABA 70.1, 28.63, 58.55, .5

 

Description

Color code: RGBA 64 244 61 .5 | qconv.com Color code: RGBA 64 244 61 .5 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 244 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 244 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 38 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 38% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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