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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 63 242 78 .5 it is the complementary color RGBA 192 13 177 .5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 63 242 78 .5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 63 242 78 .5: RGBA 68 242 73 .5, RGBA 85 255 92 .5, RGBA 102 255 111 .5, RGBA 119 255 130 .5 and RGBA 136 255 149 .5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 63 242 78 .5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 63 242 78 .5: RGBA 63 242 78 .5, RGBA 46 224 59 .5, RGBA 29 206 40 .5, RGBA 12 188 21 .5 and RGBA 0 170 2 .5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 34 / 3

HEX #3FF24E7F

RGBA 63 242 78 .5

HSLA 125.03, 0.87%, 0.6%, .5

LABA 84.54, -74.38, 63.74, .5

 

Complementary color

CMYK 0 / 47 / 4 / 12

HEX #C00DB17F

RGBA 192 13 177 .5

HSLA 305.03, 0.87%, 0.4%, .5

LABA 45.18, 76.05, -41.09, .5

 

CMYK 36 / 0 / 35 / 3

HEX #44F2497F

RGBA 68 242 73 .5

HSLA 121.72, 0.87%, 0.61%, .5

LABA 84.59, -74.06, 65.68, .5

 

CMYK 33 / 0 / 32 / 0

HEX #55FF5C7F

RGBA 85 255 92 .5

HSLA 122.47, 1%, 0.67%, .5

LABA 89.03, -73.58, 63.25, .5

 

CMYK 30 / 0 / 28 / 0

HEX #66FF6F7F

RGBA 102 255 111 .5

HSLA 123.53, 1%, 0.7%, .5

LABA 89.62, -68.16, 56.02, .5

 

CMYK 27 / 0 / 25 / 0

HEX #77FF827F

RGBA 119 255 130 .5

HSLA 124.85, 1%, 0.73%, .5

LABA 90.35, -61.89, 48.35, .5

 

CMYK 23 / 0 / 21 / 0

HEX #88FF957F

RGBA 136 255 149 .5

HSLA 126.55, 1%, 0.77%, .5

LABA 91.2, -54.87, 40.45, .5

 

CMYK 37 / 0 / 34 / 3

HEX #3FF24E7F

RGBA 63 242 78 .5

HSLA 125.03, 0.87%, 0.6%, .5

LABA 84.54, -74.38, 63.74, .5

 

CMYK 40 / 0 / 37 / 6

HEX #2EE03B7F

RGBA 46 224 59 .5

HSLA 124.38, 0.74%, 0.53%, .5

LABA 78.58, -72.74, 64.35, .5

 

CMYK 43 / 0 / 40 / 10

HEX #1DCE287F

RGBA 29 206 40 .5

HSLA 123.73, 0.75%, 0.46%, .5

LABA 72.6, -70.49, 64.37, .5

 

CMYK 47 / 0 / 44 / 13

HEX #0CBC157F

RGBA 12 188 21 .5

HSLA 123.07, 0.88%, 0.39%, .5

LABA 66.6, -67.45, 63.39, .5

 

CMYK 50 / 0 / 49 / 17

HEX #00AA027F

RGBA 0 170 2 .5

HSLA 120.71, 1%, 0.33%, .5

LABA 60.56, -63.55, 61.11, .5

 

CMYK 37 / 0 / 34 / 3

HEX #3FF24E7F

RGBA 63 242 78 .5

HSLA 125.03, 0.87%, 0.6%, .5

LABA 84.54, -74.38, 63.74, .5

 

CMYK 37 / 0 / 28 / 3

HEX #40F16C7F

RGBA 64 241 108 .5

HSLA 134.92, 0.86%, 0.6%, .5

LABA 84.53, -70.62, 51.12, .5

 

CMYK 37 / 0 / 21 / 3

HEX #40F18A7F

RGBA 64 241 138 .5

HSLA 145.08, 0.86%, 0.6%, .5

LABA 84.91, -66.12, 37.32, .5

 

CMYK 37 / 0 / 15 / 3

HEX #40F1A77F

RGBA 64 241 167 .5

HSLA 154.92, 0.86%, 0.6%, .5

LABA 85.4, -60.67, 23.34, .5

 

CMYK 37 / 0 / 9 / 3

HEX #40F1C57F

RGBA 64 241 197 .5

HSLA 165.08, 0.86%, 0.6%, .5

LABA 86.02, -54, 8.67, .5

 

CMYK 37 / 0 / 34 / 3

HEX #3FF24E7F

RGBA 63 242 78 .5

HSLA 125.03, 0.87%, 0.6%, .5

LABA 84.54, -74.38, 63.74, .5

 

CMYK 37 / 0 / 34 / 43

HEX #0A260C7F

RGBA 10 38 12 .5

HSLA 124.29, 0.58%, 0.09%, .5

LABA 12.46, -17.51, 13.1, .5

 

CMYK 37 / 0 / 34 / 33

HEX #17591D7F

RGBA 23 89 29 .5

HSLA 125.45, 0.59%, 0.22%, .5

LABA 32.73, -34.03, 28.14, .5

 

CMYK 37 / 0 / 34 / 23

HEX #248C2D7F

RGBA 36 140 45 .5

HSLA 125.19, 0.59%, 0.35%, .5

LABA 51.06, -48.54, 41, .5

 

CMYK 37 / 0 / 34 / 13

HEX #32BF3E7F

RGBA 50 191 62 .5

HSLA 125.11, 0.59%, 0.47%, .5

LABA 68.23, -61.68, 52.5, .5

 

CMYK 37 / 0 / 34 / 3

HEX #3FF24E7F

RGBA 63 242 78 .5

HSLA 125.03, 0.87%, 0.6%, .5

LABA 84.54, -74.38, 63.74, .5

 

CMYK 37 / 10 / 0 / 3

HEX #40BFF17F

RGBA 64 191 241 .5

HSLA 196.95, 0.86%, 0.6%, .5

LABA 72.7, -18.47, -34.72, .5

 

CMYK 0 / 37 / 25 / 3

HEX #F140787F

RGBA 241 64 120 .5

HSLA 341.02, 0.86%, 0.6%, .5

LABA 55.81, 69.79, 9.82, .5

 

CMYK 37 / 0 / 34 / 3

HEX #3FF24E7F

RGBA 63 242 78 .5

HSLA 125.03, 0.87%, 0.6%, .5

LABA 84.54, -74.38, 63.74, .5

 

CMYK 34 / 37 / 0 / 3

HEX #4F40F17F

RGBA 79 64 241 .5

HSLA 245.08, 0.86%, 0.6%, .5

LABA 40.7, 57.55, -85.94, .5

 

CMYK 0 / 34 / 37 / 3

HEX #F14F407F

RGBA 241 79 64 .5

HSLA 5.08, 0.86%, 0.6%, .5

LABA 56.75, 61.13, 43.43, .5

 

CMYK 37 / 0 / 34 / 3

HEX #3FF24E7F

RGBA 63 242 78 .5

HSLA 125.03, 0.87%, 0.6%, .5

LABA 84.54, -74.38, 63.74, .5

 

CMYK 37 / 10 / 0 / 3

HEX #40BFF17F

RGBA 64 191 241 .5

HSLA 196.95, 0.86%, 0.6%, .5

LABA 72.7, -18.47, -34.72, .5

 

CMYK 0 / 37 / 3 / 3

HEX #F140E27F

RGBA 241 64 226 .5

HSLA 305.08, 0.86%, 0.6%, .5

LABA 59.76, 81.95, -45.69, .5

 

CMYK 0 / 26 / 37 / 3

HEX #F172407F

RGBA 241 114 64 .5

HSLA 16.95, 0.86%, 0.6%, .5

LABA 62.6, 45.71, 49.78, .5

 

CMYK 37 / 0 / 34 / 3

HEX #3FF24E7F

RGBA 63 242 78 .5

HSLA 125.03, 0.87%, 0.6%, .5

LABA 84.54, -74.38, 63.74, .5

 

CMYK 37 / 21 / 0 / 3

HEX #408AF17F

RGBA 64 138 241 .5

HSLA 214.92, 0.86%, 0.6%, .5

LABA 57.67, 11.45, -58.38, .5

 

CMYK 0 / 37 / 3 / 3

HEX #F140E27F

RGBA 241 64 226 .5

HSLA 305.08, 0.86%, 0.6%, .5

LABA 59.76, 81.95, -45.69, .5

 

CMYK 0 / 15 / 37 / 3

HEX #F1A7407F

RGBA 241 167 64 .5

HSLA 34.92, 0.86%, 0.6%, .5

LABA 74, 18.41, 61.53, .5

 

Description

Color code: RGBA 63 242 78 .5 | qconv.com Color code: RGBA 63 242 78 .5 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 242 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 242 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 34 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 34% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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