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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 59 252 226 0.2 it is the complementary color RGBA 196 3 29 0.2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 59 252 226 0.2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 59 252 226 0.2: RGBA 64 252 221 0.2, RGBA 81 255 240 0.2, RGBA 98 255 255 0.2, RGBA 115 255 255 0.2 and RGBA 132 255 255 0.2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 59 252 226 0.2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 59 252 226 0.2: RGBA 59 252 226 0.2, RGBA 42 234 207 0.2, RGBA 25 216 188 0.2, RGBA 8 198 169 0.2 and RGBA 0 180 150 0.2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 2 / 0

HEX #3BFCE233

RGBA 59 252 226 0.2

HSLA 171.92, 0.97%, 0.61%, 0.2

LABA 89.88, -51.83, -0.86, 0.2

 

Complementary color

CMYK 0 / 20 / 17 / 5

HEX #C4031D33

RGBA 196 3 29 0.2

HSLA 351.92, 0.97%, 0.39%, 0.2

LABA 41.04, 65.8, 43.51, 0.2

 

CMYK 15 / 0 / 2 / 0

HEX #40FCDD33

RGBA 64 252 221 0.2

HSLA 170.11, 0.97%, 0.62%, 0.2

LABA 89.83, -52.59, 1.67, 0.2

 

CMYK 14 / 0 / 1 / 0

HEX #51FFF033

RGBA 81 255 240 0.2

HSLA 174.83, 1%, 0.66%, 0.2

LABA 91.49, -46.95, -5.72, 0.2

 

CMYK 12 / 0 / 0 / 0

HEX #62FFFF33

RGBA 98 255 255 0.2

HSLA 180, 1%, 0.69%, 0.2

LABA 92.28, -40.58, -12.28, 0.2

 

CMYK 11 / 0 / 0 / 0

HEX #73FFFF33

RGBA 115 255 255 0.2

HSLA 180, 1%, 0.73%, 0.2

LABA 92.74, -37.72, -11.54, 0.2

 

CMYK 10 / 0 / 0 / 0

HEX #84FFFF33

RGBA 132 255 255 0.2

HSLA 180, 1%, 0.76%, 0.2

LABA 93.3, -34.4, -10.66, 0.2

 

CMYK 15 / 0 / 2 / 0

HEX #3BFCE233

RGBA 59 252 226 0.2

HSLA 171.92, 0.97%, 0.61%, 0.2

LABA 89.88, -51.83, -0.86, 0.2

 

CMYK 16 / 0 / 2 / 2

HEX #2AEACF33

RGBA 42 234 207 0.2

HSLA 171.56, 0.82%, 0.54%, 0.2

LABA 83.88, -50.79, 0.29, 0.2

 

CMYK 18 / 0 / 3 / 3

HEX #19D8BC33

RGBA 25 216 188 0.2

HSLA 171.2, 0.79%, 0.47%, 0.2

LABA 77.85, -49.45, 1.56, 0.2

 

CMYK 19 / 0 / 3 / 4

HEX #08C6A933

RGBA 8 198 169 0.2

HSLA 170.84, 0.92%, 0.4%, 0.2

LABA 71.76, -47.76, 2.95, 0.2

 

CMYK 20 / 0 / 3 / 6

HEX #00B49633

RGBA 0 180 150 0.2

HSLA 170, 1%, 0.35%, 0.2

LABA 65.63, -45.66, 4.48, 0.2

 

CMYK 15 / 0 / 2 / 0

HEX #3BFCE233

RGBA 59 252 226 0.2

HSLA 171.92, 0.97%, 0.61%, 0.2

LABA 89.88, -51.83, -0.86, 0.2

 

CMYK 15 / 0 / 0 / 0

HEX #3BF8FC33

RGBA 59 248 252 0.2

HSLA 181.24, 0.97%, 0.61%, 0.2

LABA 89.44, -43.07, -15.05, 0.2

 

CMYK 15 / 3 / 0 / 0

HEX #3BD8FC33

RGBA 59 216 252 0.2

HSLA 191.19, 0.97%, 0.61%, 0.2

LABA 80.22, -28.15, -29.03, 0.2

 

CMYK 15 / 5 / 0 / 0

HEX #3BB8FC33

RGBA 59 184 252 0.2

HSLA 201.14, 0.97%, 0.61%, 0.2

LABA 71.04, -11.67, -43.25, 0.2

 

CMYK 15 / 8 / 0 / 0

HEX #3B98FC33

RGBA 59 152 252 0.2

HSLA 211.09, 0.97%, 0.61%, 0.2

LABA 62.01, 6.45, -57.51, 0.2

 

CMYK 15 / 0 / 2 / 0

HEX #3BFCE233

RGBA 59 252 226 0.2

HSLA 171.92, 0.97%, 0.61%, 0.2

LABA 89.88, -51.83, -0.86, 0.2

 

CMYK 15 / 0 / 2 / 16

HEX #0B302B33

RGBA 11 48 43 0.2

HSLA 171.89, 0.63%, 0.12%, 0.2

LABA 17.27, -14.44, -0.63, 0.2

 

CMYK 15 / 0 / 2 / 12

HEX #17635933

RGBA 23 99 89 0.2

HSLA 172.11, 0.62%, 0.24%, 0.2

LABA 37.53, -25.03, -0.85, 0.2

 

CMYK 15 / 0 / 2 / 8

HEX #23968733

RGBA 35 150 135 0.2

HSLA 172.17, 0.62%, 0.36%, 0.2

LABA 56.01, -34.45, -1.03, 0.2

 

CMYK 15 / 0 / 2 / 4

HEX #2FC9B433

RGBA 47 201 180 0.2

HSLA 171.82, 0.62%, 0.49%, 0.2

LABA 73.33, -43.5, -0.69, 0.2

 

CMYK 15 / 0 / 2 / 0

HEX #3BFCE233

RGBA 59 252 226 0.2

HSLA 171.92, 0.97%, 0.61%, 0.2

LABA 89.88, -51.83, -0.86, 0.2

 

CMYK 15 / 15 / 0 / 0

HEX #443BFC33

RGBA 68 59 252 0.2

HSLA 242.8, 0.97%, 0.61%, 0.2

LABA 40.22, 62.4, -92.93, 0.2

 

CMYK 0 / 8 / 15 / 0

HEX #FC913B33

RGBA 252 145 59 0.2

HSLA 26.74, 0.97%, 0.61%, 0.2

LABA 70.36, 34.22, 60.47, 0.2

 

CMYK 15 / 0 / 2 / 0

HEX #3BFCE233

RGBA 59 252 226 0.2

HSLA 171.92, 0.97%, 0.61%, 0.2

LABA 89.88, -51.83, -0.86, 0.2

 

CMYK 2 / 15 / 0 / 0

HEX #DF3BFC33

RGBA 223 59 252 0.2

HSLA 290.98, 0.97%, 0.61%, 0.2

LABA 57.89, 83.97, -63.36, 0.2

 

CMYK 0 / 2 / 15 / 0

HEX #FCDF3B33

RGBA 252 223 59 0.2

HSLA 50.98, 0.97%, 0.61%, 0.2

LABA 88.82, -6.12, 77.82, 0.2

 

CMYK 15 / 0 / 2 / 0

HEX #3BFCE233

RGBA 59 252 226 0.2

HSLA 171.92, 0.97%, 0.61%, 0.2

LABA 89.88, -51.83, -0.86, 0.2

 

CMYK 15 / 15 / 0 / 0

HEX #443BFC33

RGBA 68 59 252 0.2

HSLA 242.8, 0.97%, 0.61%, 0.2

LABA 40.22, 62.4, -92.93, 0.2

 

CMYK 0 / 15 / 13 / 0

HEX #FC3B5833

RGBA 252 59 88 0.2

HSLA 350.98, 0.97%, 0.61%, 0.2

LABA 56.61, 72.25, 30.18, 0.2

 

CMYK 1 / 0 / 15 / 0

HEX #F2FC3B33

RGBA 242 252 59 0.2

HSLA 63.11, 0.97%, 0.61%, 0.2

LABA 95.5, -24.36, 83.56, 0.2

 

CMYK 15 / 0 / 2 / 0

HEX #3BFCE233

RGBA 59 252 226 0.2

HSLA 171.92, 0.97%, 0.61%, 0.2

LABA 89.88, -51.83, -0.86, 0.2

 

CMYK 10 / 15 / 0 / 0

HEX #7E3BFC33

RGBA 126 59 252 0.2

HSLA 260.83, 0.97%, 0.61%, 0.2

LABA 45.07, 68.42, -84.77, 0.2

 

CMYK 0 / 15 / 13 / 0

HEX #FC3B5833

RGBA 252 59 88 0.2

HSLA 350.98, 0.97%, 0.61%, 0.2

LABA 56.61, 72.25, 30.18, 0.2

 

CMYK 5 / 0 / 15 / 0

HEX #B8FC3B33

RGBA 184 252 59 0.2

HSLA 81.14, 0.97%, 0.61%, 0.2

LABA 91.74, -46.82, 78.74, 0.2

 

Description

Color code: RGBA 59 252 226 0.2 | qconv.com Color code: RGBA 59 252 226 0.2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 252 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 252 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 2 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 2% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to Sherwin Williams®

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NCS® to HKS®

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NCS® to PANTONE®

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