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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 59 236 171 0.3 it is the complementary color RGBA 196 19 84 0.3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 59 236 171 0.3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 59 236 171 0.3: RGBA 64 236 166 0.3, RGBA 81 254 185 0.3, RGBA 98 255 204 0.3, RGBA 115 255 223 0.3 and RGBA 132 255 242 0.3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 59 236 171 0.3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 59 236 171 0.3: RGBA 59 236 171 0.3, RGBA 42 218 152 0.3, RGBA 25 200 133 0.3, RGBA 8 182 114 0.3 and RGBA 0 164 95 0.3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 8 / 2

HEX #3BECAB4C

RGBA 59 236 171 0.3

HSLA 157.97, 0.82%, 0.58%, 0.3

LABA 83.89, -58.55, 19.18, 0.3

 

Complementary color

CMYK 0 / 27 / 17 / 7

HEX #C413544C

RGBA 196 19 84 0.3

HSLA 337.97, 0.82%, 0.42%, 0.3

LABA 42.52, 66.38, 11.98, 0.3

 

CMYK 22 / 0 / 9 / 2

HEX #40ECA64C

RGBA 64 236 166 0.3

HSLA 155.58, 0.82%, 0.59%, 0.3

LABA 83.88, -58.99, 21.76, 0.3

 

CMYK 20 / 0 / 8 / 0

HEX #51FEB94C

RGBA 81 254 185 0.3

HSLA 156.07, 0.99%, 0.66%, 0.3

LABA 89.92, -59.52, 20.42, 0.3

 

CMYK 18 / 0 / 6 / 0

HEX #62FFCC4C

RGBA 98 255 204 0.3

HSLA 160.51, 1%, 0.69%, 0.3

LABA 91, -53.05, 12.23, 0.3

 

CMYK 16 / 0 / 4 / 0

HEX #73FFDF4C

RGBA 115 255 223 0.3

HSLA 166.29, 1%, 0.73%, 0.3

LABA 91.91, -45.57, 3.79, 0.3

 

CMYK 14 / 0 / 2 / 0

HEX #84FFF24C

RGBA 132 255 242 0.3

HSLA 173.66, 1%, 0.76%, 0.3

LABA 92.94, -37.58, -4.45, 0.3

 

CMYK 23 / 0 / 8 / 2

HEX #3BECAB4C

RGBA 59 236 171 0.3

HSLA 157.97, 0.82%, 0.58%, 0.3

LABA 83.89, -58.55, 19.18, 0.3

 

CMYK 24 / 0 / 9 / 4

HEX #2ADA984C

RGBA 42 218 152 0.3

HSLA 157.5, 0.7%, 0.51%, 0.3

LABA 77.82, -57.66, 20.64, 0.3

 

CMYK 26 / 0 / 10 / 6

HEX #19C8854C

RGBA 25 200 133 0.3

HSLA 157.03, 0.78%, 0.44%, 0.3

LABA 71.7, -56.41, 22.23, 0.3

 

CMYK 29 / 0 / 11 / 9

HEX #08B6724C

RGBA 8 182 114 0.3

HSLA 156.55, 0.92%, 0.37%, 0.3

LABA 65.53, -54.7, 23.97, 0.3

 

CMYK 30 / 0 / 13 / 11

HEX #00A45F4C

RGBA 0 164 95 0.3

HSLA 154.76, 1%, 0.32%, 0.3

LABA 59.32, -52.43, 25.88, 0.3

 

CMYK 23 / 0 / 8 / 2

HEX #3BECAB4C

RGBA 59 236 171 0.3

HSLA 157.97, 0.82%, 0.58%, 0.3

LABA 83.89, -58.55, 19.18, 0.3

 

CMYK 22 / 0 / 5 / 2

HEX #3CEBC54C

RGBA 60 235 197 0.3

HSLA 166.97, 0.81%, 0.58%, 0.3

LABA 84.18, -52.03, 6.01, 0.3

 

CMYK 22 / 0 / 1 / 2

HEX #3CEBE24C

RGBA 60 235 226 0.3

HSLA 176.91, 0.81%, 0.58%, 0.3

LABA 84.93, -44.48, -8.15, 0.3

 

CMYK 22 / 3 / 0 / 2

HEX #3CD7EB4C

RGBA 60 215 235 0.3

HSLA 186.86, 0.81%, 0.58%, 0.3

LABA 79.36, -32.77, -21.28, 0.3

 

CMYK 22 / 6 / 0 / 2

HEX #3CB9EB4C

RGBA 60 185 235 0.3

HSLA 197.14, 0.81%, 0.58%, 0.3

LABA 70.63, -17.76, -34.67, 0.3

 

CMYK 23 / 0 / 8 / 2

HEX #3BECAB4C

RGBA 59 236 171 0.3

HSLA 157.97, 0.82%, 0.58%, 0.3

LABA 83.89, -58.55, 19.18, 0.3

 

CMYK 23 / 0 / 8 / 26

HEX #0820174C

RGBA 8 32 23 0.3

HSLA 157.5, 0.6%, 0.08%, 0.3

LABA 10.16, -12.18, 3.34, 0.3

 

CMYK 22 / 0 / 8 / 20

HEX #15533C4C

RGBA 21 83 60 0.3

HSLA 157.74, 0.6%, 0.2%, 0.3

LABA 31.05, -25.77, 7.91, 0.3

 

CMYK 22 / 0 / 8 / 14

HEX #2286614C

RGBA 34 134 97 0.3

HSLA 157.8, 0.6%, 0.33%, 0.3

LABA 49.8, -37.46, 11.95, 0.3

 

CMYK 23 / 0 / 8 / 8

HEX #2EB9864C

RGBA 46 185 134 0.3

HSLA 157.99, 0.6%, 0.45%, 0.3

LABA 67.28, -48.38, 15.65, 0.3

 

CMYK 23 / 0 / 8 / 2

HEX #3BECAB4C

RGBA 59 236 171 0.3

HSLA 157.97, 0.82%, 0.58%, 0.3

LABA 83.89, -58.55, 19.18, 0.3

 

CMYK 22 / 18 / 0 / 2

HEX #3C5CEB4C

RGBA 60 92 235 0.3

HSLA 229.03, 0.81%, 0.58%, 0.3

LABA 45.1, 37.4, -75.37, 0.3

 

CMYK 0 / 17 / 22 / 2

HEX #EB623C4C

RGBA 235 98 60 0.3

HSLA 13.03, 0.81%, 0.58%, 0.3

LABA 58.72, 50.89, 47.37, 0.3

 

CMYK 23 / 0 / 8 / 2

HEX #3BECAB4C

RGBA 59 236 171 0.3

HSLA 157.97, 0.82%, 0.58%, 0.3

LABA 83.89, -58.55, 19.18, 0.3

 

CMYK 9 / 22 / 0 / 2

HEX #A83CEB4C

RGBA 168 60 235 0.3

HSLA 277.03, 0.81%, 0.58%, 0.3

LABA 48.95, 70.6, -68.68, 0.3

 

CMYK 0 / 9 / 22 / 2

HEX #EBA83C4C

RGBA 235 168 60 0.3

HSLA 37.03, 0.81%, 0.58%, 0.3

LABA 73.54, 15.18, 62.48, 0.3

 

CMYK 23 / 0 / 8 / 2

HEX #3BECAB4C

RGBA 59 236 171 0.3

HSLA 157.97, 0.82%, 0.58%, 0.3

LABA 83.89, -58.55, 19.18, 0.3

 

CMYK 22 / 18 / 0 / 2

HEX #3C5CEB4C

RGBA 60 92 235 0.3

HSLA 229.03, 0.81%, 0.58%, 0.3

LABA 45.1, 37.4, -75.37, 0.3

 

CMYK 0 / 22 / 14 / 2

HEX #EB3C7F4C

RGBA 235 60 127 0.3

HSLA 337.03, 0.81%, 0.58%, 0.3

LABA 54.48, 70, 3.59, 0.3

 

CMYK 0 / 4 / 22 / 2

HEX #EBCB3C4C

RGBA 235 203 60 0.3

HSLA 49.03, 0.81%, 0.58%, 0.3

LABA 82.22, -3.11, 70.82, 0.3

 

CMYK 23 / 0 / 8 / 2

HEX #3BECAB4C

RGBA 59 236 171 0.3

HSLA 157.97, 0.82%, 0.58%, 0.3

LABA 83.89, -58.55, 19.18, 0.3

 

CMYK 20 / 22 / 0 / 2

HEX #503CEB4C

RGBA 80 60 235 0.3

HSLA 246.86, 0.81%, 0.58%, 0.3

LABA 39.47, 57.89, -84.57, 0.3

 

CMYK 0 / 22 / 14 / 2

HEX #EB3C7F4C

RGBA 235 60 127 0.3

HSLA 337.03, 0.81%, 0.58%, 0.3

LABA 54.48, 70, 3.59, 0.3

 

CMYK 3 / 0 / 22 / 2

HEX #D7EB3C4C

RGBA 215 235 60 0.3

HSLA 66.86, 0.81%, 0.58%, 0.3

LABA 89.01, -27.21, 76.61, 0.3

 

Description

Color code: RGBA 59 236 171 0.3 | qconv.com Color code: RGBA 59 236 171 0.3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 236 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 236 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 8 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 8% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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