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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 58 125 135 0.65 it is the complementary color RGBA 197 130 120 0.65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 58 125 135 0.65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 58 125 135 0.65: RGBA 63 125 130 0.65, RGBA 80 143 149 0.65, RGBA 97 161 168 0.65, RGBA 114 179 187 0.65 and RGBA 131 197 206 0.65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 58 125 135 0.65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 58 125 135 0.65: RGBA 58 125 135 0.65, RGBA 41 107 116 0.65, RGBA 24 89 97 0.65, RGBA 7 71 78 0.65 and RGBA 0 53 59 0.65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 5 / 0 / 31

HEX #3A7D87A5

RGBA 58 125 135 0.65

HSLA 187.79, 0.4%, 0.38%, 0.65

LABA 48.66, -18.12, -11.89, 0.65

 

Complementary color

CMYK 0 / 22 / 25 / 15

HEX #C58278A5

RGBA 197 130 120 0.65

HSLA 7.79, 0.4%, 0.62%, 0.65

LABA 60.95, 24.64, 16.05, 0.65

 

CMYK 34 / 2 / 0 / 32

HEX #3F7D82A5

RGBA 63 125 130 0.65

HSLA 184.48, 0.35%, 0.38%, 0.65

LABA 48.68, -18.48, -8.89, 0.65

 

CMYK 30 / 3 / 0 / 27

HEX #508F95A5

RGBA 80 143 149 0.65

HSLA 185.22, 0.3%, 0.45%, 0.65

LABA 55.6, -18.58, -9.51, 0.65

 

CMYK 27 / 3 / 0 / 22

HEX #61A1A8A5

RGBA 97 161 168 0.65

HSLA 185.92, 0.29%, 0.52%, 0.65

LABA 62.39, -18.62, -10.09, 0.65

 

CMYK 25 / 3 / 0 / 17

HEX #72B3BBA5

RGBA 114 179 187 0.65

HSLA 186.58, 0.35%, 0.59%, 0.65

LABA 69.04, -18.63, -10.63, 0.65

 

CMYK 24 / 3 / 0 / 12

HEX #83C5CEA5

RGBA 131 197 206 0.65

HSLA 187.2, 0.43%, 0.66%, 0.65

LABA 75.58, -18.61, -11.15, 0.65

 

CMYK 37 / 5 / 0 / 31

HEX #3A7D87A5

RGBA 58 125 135 0.65

HSLA 187.79, 0.4%, 0.38%, 0.65

LABA 48.66, -18.12, -11.89, 0.65

 

CMYK 42 / 5 / 0 / 35

HEX #296B74A5

RGBA 41 107 116 0.65

HSLA 187.2, 0.48%, 0.31%, 0.65

LABA 41.61, -17.7, -11.24, 0.65

 

CMYK 49 / 5 / 0 / 40

HEX #185961A5

RGBA 24 89 97 0.65

HSLA 186.58, 0.6%, 0.24%, 0.65

LABA 34.4, -16.98, -10.49, 0.65

 

CMYK 59 / 6 / 0 / 45

HEX #07474EA5

RGBA 7 71 78 0.65

HSLA 185.92, 0.84%, 0.17%, 0.65

LABA 27.02, -15.74, -9.58, 0.65

 

CMYK 65 / 7 / 0 / 50

HEX #00353BA5

RGBA 0 53 59 0.65

HSLA 186.1, 1%, 0.12%, 0.65

LABA 19.48, -13.48, -8.39, 0.65

 

CMYK 37 / 5 / 0 / 31

HEX #3A7D87A5

RGBA 58 125 135 0.65

HSLA 187.79, 0.4%, 0.38%, 0.65

LABA 48.66, -18.12, -11.89, 0.65

 

CMYK 37 / 11 / 0 / 31

HEX #3A7187A5

RGBA 58 113 135 0.65

HSLA 197.14, 0.4%, 0.38%, 0.65

LABA 44.88, -11.44, -17.62, 0.65

 

CMYK 37 / 17 / 0 / 31

HEX #3A6487A5

RGBA 58 100 135 0.65

HSLA 207.27, 0.4%, 0.38%, 0.65

LABA 40.84, -3.75, -23.87, 0.65

 

CMYK 37 / 23 / 0 / 31

HEX #3A5787A5

RGBA 58 87 135 0.65

HSLA 217.4, 0.4%, 0.38%, 0.65

LABA 36.86, 4.39, -30.08, 0.65

 

CMYK 37 / 29 / 0 / 31

HEX #3A4A87A5

RGBA 58 74 135 0.65

HSLA 227.53, 0.4%, 0.38%, 0.65

LABA 33.02, 12.89, -36.17, 0.65

 

CMYK 37 / 5 / 0 / 31

HEX #3A7D87A5

RGBA 58 125 135 0.65

HSLA 187.79, 0.4%, 0.38%, 0.65

LABA 48.66, -18.12, -11.89, 0.65

 

CMYK 37 / 5 / 0 / 18

HEX #50ACBAA5

RGBA 80 172 186 0.65

HSLA 187.92, 0.43%, 0.52%, 0.65

LABA 65.56, -23.17, -15.46, 0.65

 

CMYK 37 / 5 / 0 / 5

HEX #66DBEDA5

RGBA 102 219 237 0.65

HSLA 188, 0.79%, 0.66%, 0.65

LABA 81.62, -27.94, -18.82, 0.65

 

CMYK 37 / 4 / 0 / 57

HEX #0E1F21A5

RGBA 14 31 33 0.65

HSLA 186.32, 0.4%, 0.09%, 0.65

LABA 10.43, -6.4, -3.59, 0.65

 

CMYK 37 / 5 / 0 / 44

HEX #244E54A5

RGBA 36 78 84 0.65

HSLA 187.5, 0.4%, 0.24%, 0.65

LABA 30.55, -12.67, -8.03, 0.65

 

CMYK 37 / 5 / 0 / 31

HEX #3A7D87A5

RGBA 58 125 135 0.65

HSLA 187.79, 0.4%, 0.38%, 0.65

LABA 48.66, -18.12, -11.89, 0.65

 

CMYK 26 / 37 / 0 / 31

HEX #523A87A5

RGBA 82 58 135 0.65

HSLA 258.7, 0.4%, 0.38%, 0.65

LABA 30.81, 29.2, -39.6, 0.65

 

CMYK 0 / 11 / 37 / 31

HEX #87713AA5

RGBA 135 113 58 0.65

HSLA 42.86, 0.4%, 0.38%, 0.65

LABA 48.59, 1.4, 33.37, 0.65

 

CMYK 37 / 5 / 0 / 31

HEX #3A7D87A5

RGBA 58 125 135 0.65

HSLA 187.79, 0.4%, 0.38%, 0.65

LABA 48.66, -18.12, -11.89, 0.65

 

CMYK 0 / 37 / 4 / 31

HEX #873A7EA5

RGBA 135 58 126 0.65

HSLA 307.01, 0.4%, 0.38%, 0.65

LABA 37.27, 42.21, -23.35, 0.65

 

CMYK 4 / 0 / 37 / 31

HEX #7E873AA5

RGBA 126 135 58 0.65

HSLA 67.01, 0.4%, 0.38%, 0.65

LABA 54.1, -14.85, 39.57, 0.65

 

CMYK 37 / 5 / 0 / 31

HEX #3A7D87A5

RGBA 58 125 135 0.65

HSLA 187.79, 0.4%, 0.38%, 0.65

LABA 48.66, -18.12, -11.89, 0.65

 

CMYK 26 / 37 / 0 / 31

HEX #523A87A5

RGBA 82 58 135 0.65

HSLA 258.7, 0.4%, 0.38%, 0.65

LABA 30.81, 29.2, -39.6, 0.65

 

CMYK 0 / 33 / 37 / 31

HEX #87433AA5

RGBA 135 67 58 0.65

HSLA 7.01, 0.4%, 0.38%, 0.65

LABA 36.88, 28.13, 18.8, 0.65

 

CMYK 12 / 0 / 37 / 31

HEX #6F873AA5

RGBA 111 135 58 0.65

HSLA 78.7, 0.4%, 0.38%, 0.65

LABA 52.96, -21.28, 37.96, 0.65

 

CMYK 37 / 5 / 0 / 31

HEX #3A7D87A5

RGBA 58 125 135 0.65

HSLA 187.79, 0.4%, 0.38%, 0.65

LABA 48.66, -18.12, -11.89, 0.65

 

CMYK 14 / 37 / 0 / 31

HEX #693A87A5

RGBA 105 58 135 0.65

HSLA 276.62, 0.4%, 0.38%, 0.65

LABA 33.52, 35.37, -35.11, 0.65

 

CMYK 0 / 33 / 37 / 31

HEX #87433AA5

RGBA 135 67 58 0.65

HSLA 7.01, 0.4%, 0.38%, 0.65

LABA 36.88, 28.13, 18.8, 0.65

 

CMYK 23 / 0 / 37 / 31

HEX #57873AA5

RGBA 87 135 58 0.65

HSLA 97.4, 0.4%, 0.38%, 0.65

LABA 51.45, -30.77, 35.82, 0.65

 

Description

Color code: RGBA 58 125 135 0.65 | qconv.com Color code: RGBA 58 125 135 0.65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 125 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 125 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 5 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 5% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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