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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 56 107 200 0.5 it is the complementary color RGBA 199 148 55 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 56 107 200 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 56 107 200 0.5: RGBA 61 107 195 0.5, RGBA 78 125 214 0.5, RGBA 95 143 233 0.5, RGBA 112 161 252 0.5 and RGBA 129 179 255 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 56 107 200 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 56 107 200 0.5: RGBA 56 107 200 0.5, RGBA 39 89 181 0.5, RGBA 22 71 162 0.5, RGBA 5 53 143 0.5 and RGBA 0 35 124 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 23 / 0 / 11

HEX #386BC87F

RGBA 56 107 200 0.5

HSLA 218.75, 0.57%, 0.5%, 0.5

LABA 46.35, 14.7, -53.44, 0.5

 

Complementary color

CMYK 0 / 13 / 36 / 11

HEX #C794377F

RGBA 199 148 55 0.5

HSLA 38.75, 0.57%, 0.5%, 0.5

LABA 64.64, 10.22, 54.36, 0.5

 

CMYK 34 / 23 / 0 / 12

HEX #3D6BC37F

RGBA 61 107 195 0.5

HSLA 219.4, 0.53%, 0.5%, 0.5

LABA 46.24, 13.61, -50.72, 0.5

 

CMYK 32 / 21 / 0 / 8

HEX #4E7DD67F

RGBA 78 125 214 0.5

HSLA 219.26, 0.62%, 0.57%, 0.5

LABA 53.1, 11.96, -50.55, 0.5

 

CMYK 30 / 19 / 0 / 4

HEX #5F8FE97F

RGBA 95 143 233 0.5

HSLA 219.13, 0.76%, 0.64%, 0.5

LABA 59.85, 10.62, -50.4, 0.5

 

CMYK 28 / 18 / 0 / 1

HEX #70A1FC7F

RGBA 112 161 252 0.5

HSLA 219, 0.96%, 0.71%, 0.5

LABA 66.49, 9.51, -50.27, 0.5

 

CMYK 25 / 15 / 0 / 0

HEX #81B3FF7F

RGBA 129 179 255 0.5

HSLA 216.19, 1%, 0.75%, 0.5

LABA 72.31, 3.84, -42.69, 0.5

 

CMYK 36 / 23 / 0 / 11

HEX #386BC87F

RGBA 56 107 200 0.5

HSLA 218.75, 0.57%, 0.5%, 0.5

LABA 46.35, 14.7, -53.44, 0.5

 

CMYK 39 / 25 / 0 / 15

HEX #2759B57F

RGBA 39 89 181 0.5

HSLA 218.87, 0.65%, 0.43%, 0.5

LABA 39.43, 17.02, -53.57, 0.5

 

CMYK 43 / 28 / 0 / 18

HEX #1647A27F

RGBA 22 71 162 0.5

HSLA 219, 0.76%, 0.36%, 0.5

LABA 32.45, 19.96, -53.61, 0.5

 

CMYK 48 / 31 / 0 / 22

HEX #05358F7F

RGBA 5 53 143 0.5

HSLA 219.13, 0.93%, 0.29%, 0.5

LABA 25.45, 23.63, -53.46, 0.5

 

CMYK 50 / 36 / 0 / 26

HEX #00237C7F

RGBA 0 35 124 0.5

HSLA 223.06, 1%, 0.24%, 0.5

LABA 18.62, 28.11, -52.78, 0.5

 

CMYK 36 / 23 / 0 / 11

HEX #386BC87F

RGBA 56 107 200 0.5

HSLA 218.75, 0.57%, 0.5%, 0.5

LABA 46.35, 14.7, -53.44, 0.5

 

CMYK 37 / 29 / 0 / 11

HEX #3653C87F

RGBA 54 83 200 0.5

HSLA 228.08, 0.57%, 0.5%, 0.5

LABA 39.82, 29.85, -64.01, 0.5

 

CMYK 37 / 35 / 0 / 11

HEX #363BC87F

RGBA 54 59 200 0.5

HSLA 237.95, 0.57%, 0.5%, 0.5

LABA 34.15, 44.76, -73.28, 0.5

 

CMYK 32 / 37 / 0 / 11

HEX #4A36C87F

RGBA 74 54 200 0.5

HSLA 248.22, 0.57%, 0.5%, 0.5

LABA 34.53, 49.79, -72.62, 0.5

 

CMYK 26 / 37 / 0 / 11

HEX #6236C87F

RGBA 98 54 200 0.5

HSLA 258.08, 0.57%, 0.5%, 0.5

LABA 36.75, 53.12, -68.88, 0.5

 

CMYK 36 / 23 / 0 / 11

HEX #386BC87F

RGBA 56 107 200 0.5

HSLA 218.75, 0.57%, 0.5%, 0.5

LABA 46.35, 14.7, -53.44, 0.5

 

CMYK 36 / 23 / 0 / 1

HEX #4686FB7F

RGBA 70 134 251 0.5

HSLA 218.78, 0.96%, 0.63%, 0.5

LABA 57.38, 18.21, -64.35, 0.5

 

CMYK 36 / 23 / 0 / 41

HEX #0D192F7F

RGBA 13 25 47 0.5

HSLA 218.82, 0.57%, 0.12%, 0.5

LABA 8.87, 3.31, -16.32, 0.5

 

CMYK 36 / 23 / 0 / 31

HEX #1B34627F

RGBA 27 52 98 0.5

HSLA 218.87, 0.57%, 0.25%, 0.5

LABA 22.2, 7.58, -30.14, 0.5

 

CMYK 36 / 23 / 0 / 21

HEX #2A50957F

RGBA 42 80 149 0.5

HSLA 218.69, 0.56%, 0.37%, 0.5

LABA 34.8, 11, -41.92, 0.5

 

CMYK 36 / 23 / 0 / 11

HEX #386BC87F

RGBA 56 107 200 0.5

HSLA 218.75, 0.57%, 0.5%, 0.5

LABA 46.35, 14.7, -53.44, 0.5

 

CMYK 6 / 37 / 0 / 11

HEX #AF36C87F

RGBA 175 54 200 0.5

HSLA 289.73, 0.57%, 0.5%, 0.5

LABA 46.87, 67.24, -52, 0.5

 

CMYK 9 / 0 / 37 / 11

HEX #A6C8367F

RGBA 166 200 54 0.5

HSLA 73.97, 0.57%, 0.5%, 0.5

LABA 75.87, -30.77, 64.9, 0.5

 

CMYK 36 / 23 / 0 / 11

HEX #386BC87F

RGBA 56 107 200 0.5

HSLA 218.75, 0.57%, 0.5%, 0.5

LABA 46.35, 14.7, -53.44, 0.5

 

CMYK 0 / 37 / 23 / 11

HEX #C8366C7F

RGBA 200 54 108 0.5

HSLA 337.81, 0.57%, 0.5%, 0.5

LABA 46.98, 60.64, 3.46, 0.5

 

CMYK 23 / 0 / 37 / 11

HEX #6CC8367F

RGBA 108 200 54 0.5

HSLA 97.81, 0.57%, 0.5%, 0.5

LABA 72.74, -51.76, 60.75, 0.5

 

CMYK 36 / 23 / 0 / 11

HEX #386BC87F

RGBA 56 107 200 0.5

HSLA 218.75, 0.57%, 0.5%, 0.5

LABA 46.35, 14.7, -53.44, 0.5

 

CMYK 6 / 37 / 0 / 11

HEX #AF36C87F

RGBA 175 54 200 0.5

HSLA 289.73, 0.57%, 0.5%, 0.5

LABA 46.87, 67.24, -52, 0.5

 

CMYK 0 / 14 / 37 / 11

HEX #C892367F

RGBA 200 146 54 0.5

HSLA 37.81, 0.57%, 0.5%, 0.5

LABA 64.24, 11.69, 54.42, 0.5

 

CMYK 30 / 0 / 37 / 11

HEX #4FC8367F

RGBA 79 200 54 0.5

HSLA 109.73, 0.57%, 0.5%, 0.5

LABA 71.72, -59.68, 59.4, 0.5

 

CMYK 36 / 23 / 0 / 11

HEX #386BC87F

RGBA 56 107 200 0.5

HSLA 218.75, 0.57%, 0.5%, 0.5

LABA 46.35, 14.7, -53.44, 0.5

 

CMYK 0 / 37 / 5 / 11

HEX #C836B47F

RGBA 200 54 180 0.5

HSLA 308.22, 0.57%, 0.5%, 0.5

LABA 49.75, 69.33, -35.54, 0.5

 

CMYK 0 / 14 / 37 / 11

HEX #C892367F

RGBA 200 146 54 0.5

HSLA 37.81, 0.57%, 0.5%, 0.5

LABA 64.24, 11.69, 54.42, 0.5

 

CMYK 37 / 0 / 32 / 11

HEX #36C84A7F

RGBA 54 200 74 0.5

HSLA 128.22, 0.57%, 0.5%, 0.5

LABA 71.27, -62.76, 50.83, 0.5

 

Description

Color code: RGBA 56 107 200 0.5 | qconv.com Color code: RGBA 56 107 200 0.5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 107 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 107 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 23 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 23% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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