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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 55 62 14 0.48 it is the complementary color RGBA 200 193 241 0.48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 55 62 14 0.48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 55 62 14 0.48: RGBA 60 62 9 0.48, RGBA 77 80 28 0.48, RGBA 94 98 47 0.48, RGBA 111 116 66 0.48 and RGBA 128 134 85 0.48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 55 62 14 0.48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 55 62 14 0.48: RGBA 55 62 14 0.48, RGBA 38 44 0 0.48, RGBA 21 26 0 0.48, RGBA 4 8 0 0.48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 37 / 36

HEX #373E0E7A

RGBA 55 62 14 0.48

HSLA 68.75, 0.63%, 0.15%, 0.48

LABA 24.61, -10.64, 27.23, 0.48

 

Complementary color

CMYK 8 / 10 / 0 / 3

HEX #C8C1F17A

RGBA 200 193 241 0.48

HSLA 248.75, 0.63%, 0.85%, 0.48

LABA 80.05, 11.95, -22.84, 0.48

 

CMYK 2 / 0 / 41 / 36

HEX #3C3E097A

RGBA 60 62 9 0.48

HSLA 62.26, 0.75%, 0.14%, 0.48

LABA 25.03, -8.4, 29.98, 0.48

 

CMYK 2 / 0 / 31 / 33

HEX #4D501C7A

RGBA 77 80 28 0.48

HSLA 63.46, 0.48%, 0.21%, 0.48

LABA 32.7, -9.3, 29.46, 0.48

 

CMYK 2 / 0 / 25 / 30

HEX #5E622F7A

RGBA 94 98 47 0.48

HSLA 64.71, 0.35%, 0.28%, 0.48

LABA 40.11, -9.86, 28.25, 0.48

 

CMYK 2 / 0 / 21 / 26

HEX #6F74427A

RGBA 111 116 66 0.48

HSLA 66, 0.27%, 0.36%, 0.48

LABA 47.32, -10.23, 26.94, 0.48

 

CMYK 2 / 0 / 18 / 23

HEX #8086557A

RGBA 128 134 85 0.48

HSLA 67.35, 0.22%, 0.43%, 0.48

LABA 54.34, -10.49, 25.67, 0.48

 

CMYK 5 / 0 / 37 / 36

HEX #373E0E7A

RGBA 55 62 14 0.48

HSLA 68.75, 0.63%, 0.15%, 0.48

LABA 24.61, -10.64, 27.23, 0.48

 

CMYK 7 / 0 / 48 / 40

HEX #262C007A

RGBA 38 44 0 0.48

HSLA 68.18, 1%, 0.09%, 0.48

LABA 16.57, -9.63, 23.74, 0.48

 

CMYK 9 / 0 / 48 / 43

HEX #151A007A

RGBA 21 26 0 0.48

HSLA 71.54, 1%, 0.05%, 0.48

LABA 8.11, -7.17, 12.02, 0.48

 

CMYK 24 / 0 / 48 / 46

HEX #0408007A

RGBA 4 8 0 0.48

HSLA 90, 1%, 0.02%, 0.48

LABA 1.8, -2.16, 2.66, 0.48

 

CMYK 5 / 0 / 37 / 36

HEX #373E0E7A

RGBA 55 62 14 0.48

HSLA 68.75, 0.63%, 0.15%, 0.48

LABA 24.61, -10.64, 27.23, 0.48

 

CMYK 12 / 0 / 37 / 36

HEX #2F3E0E7A

RGBA 47 62 14 0.48

HSLA 78.75, 0.63%, 0.15%, 0.48

LABA 23.94, -14.59, 26.34, 0.48

 

CMYK 18 / 0 / 37 / 36

HEX #273E0E7A

RGBA 39 62 14 0.48

HSLA 88.75, 0.63%, 0.15%, 0.48

LABA 23.37, -18.28, 25.56, 0.48

 

CMYK 24 / 0 / 37 / 36

HEX #1F3E0E7A

RGBA 31 62 14 0.48

HSLA 98.75, 0.63%, 0.15%, 0.48

LABA 22.89, -21.62, 24.92, 0.48

 

CMYK 30 / 0 / 37 / 36

HEX #173E0E7A

RGBA 23 62 14 0.48

HSLA 108.75, 0.63%, 0.15%, 0.48

LABA 22.51, -24.47, 24.4, 0.48

 

CMYK 5 / 0 / 37 / 36

HEX #373E0E7A

RGBA 55 62 14 0.48

HSLA 68.75, 0.63%, 0.15%, 0.48

LABA 24.61, -10.64, 27.23, 0.48

 

CMYK 6 / 0 / 37 / 27

HEX #64711A7A

RGBA 100 113 26 0.48

HSLA 68.97, 0.63%, 0.27%, 0.48

LABA 45.07, -17.05, 43.6, 0.48

 

CMYK 6 / 0 / 37 / 17

HEX #91A4257A

RGBA 145 164 37 0.48

HSLA 68.98, 0.63%, 0.39%, 0.48

LABA 63.92, -22.91, 58.72, 0.48

 

CMYK 5 / 0 / 37 / 8

HEX #BFD7317A

RGBA 191 215 49 0.48

HSLA 68.67, 0.67%, 0.52%, 0.48

LABA 81.78, -27.95, 72.64, 0.48

 

CMYK 4 / 0 / 39 / 46

HEX #0A0B027A

RGBA 10 11 2 0.48

HSLA 66.67, 0.69%, 0.03%, 0.48

LABA 2.78, -1.52, 3.32, 0.48

 

CMYK 5 / 0 / 37 / 36

HEX #373E0E7A

RGBA 55 62 14 0.48

HSLA 68.75, 0.63%, 0.15%, 0.48

LABA 24.61, -10.64, 27.23, 0.48

 

CMYK 37 / 0 / 25 / 36

HEX #0E3E1E7A

RGBA 14 62 30 0.48

HSLA 140, 0.63%, 0.15%, 0.48

LABA 22.42, -24.44, 15.13, 0.48

 

CMYK 10 / 37 / 0 / 36

HEX #310E3E7A

RGBA 49 14 62 0.48

HSLA 283.75, 0.63%, 0.15%, 0.48

LABA 11.38, 26.47, -22.9, 0.48

 

CMYK 5 / 0 / 37 / 36

HEX #373E0E7A

RGBA 55 62 14 0.48

HSLA 68.75, 0.63%, 0.15%, 0.48

LABA 24.61, -10.64, 27.23, 0.48

 

CMYK 37 / 5 / 0 / 36

HEX #0E373E7A

RGBA 14 55 62 0.48

HSLA 188.75, 0.63%, 0.15%, 0.48

LABA 20.73, -11.27, -8.5, 0.48

 

CMYK 0 / 37 / 5 / 36

HEX #3E0E377A

RGBA 62 14 55 0.48

HSLA 308.75, 0.63%, 0.15%, 0.48

LABA 13.32, 28.67, -14.68, 0.48

 

CMYK 5 / 0 / 37 / 36

HEX #373E0E7A

RGBA 55 62 14 0.48

HSLA 68.75, 0.63%, 0.15%, 0.48

LABA 24.61, -10.64, 27.23, 0.48

 

CMYK 37 / 0 / 25 / 36

HEX #0E3E1E7A

RGBA 14 62 30 0.48

HSLA 140, 0.63%, 0.15%, 0.48

LABA 22.42, -24.44, 15.13, 0.48

 

CMYK 33 / 37 / 0 / 36

HEX #140E3E7A

RGBA 20 14 62 0.48

HSLA 247.5, 0.63%, 0.15%, 0.48

LABA 7.32, 19.51, -29.67, 0.48

 

CMYK 0 / 37 / 12 / 36

HEX #3E0E2E7A

RGBA 62 14 46 0.48

HSLA 320, 0.63%, 0.15%, 0.48

LABA 12.83, 27.09, -8.91, 0.48

 

CMYK 5 / 0 / 37 / 36

HEX #373E0E7A

RGBA 55 62 14 0.48

HSLA 68.75, 0.63%, 0.15%, 0.48

LABA 24.61, -10.64, 27.23, 0.48

 

CMYK 37 / 0 / 14 / 36

HEX #0E3E2C7A

RGBA 14 62 44 0.48

HSLA 157.5, 0.63%, 0.15%, 0.48

LABA 22.72, -21.08, 6.52, 0.48

 

CMYK 33 / 37 / 0 / 36

HEX #140E3E7A

RGBA 20 14 62 0.48

HSLA 247.5, 0.63%, 0.15%, 0.48

LABA 7.32, 19.51, -29.67, 0.48

 

CMYK 0 / 37 / 24 / 36

HEX #3E0E1F7A

RGBA 62 14 31 0.48

HSLA 338.75, 0.63%, 0.15%, 0.48

LABA 12.2, 24.94, 1.24, 0.48

 

Description

Color code: RGBA 55 62 14 0.48 | qconv.com Color code: RGBA 55 62 14 0.48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 62 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 62 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 37 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 37% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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