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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 192 202 it is the complementary color RGB 204 63 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 192 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 51 192 202: RGB 56 192 197, RGB 73 210 216, RGB 90 228 235, RGB 107 246 254 and RGB 124 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 192 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 51 192 202: RGB 51 192 202, RGB 34 174 183, RGB 17 156 164, RGB 0 138 145 and RGB 0 120 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 5 / 0 / 21

HEX #33C0CA

RGB 51 192 202

HSL 183.97, 0.6%, 0.5%

LAB 71.33, -32.7, -15.64

 

Complementary color

CMYK 0 / 69 / 74 / 20

HEX #CC3F35

RGB 204 63 53

HSL 3.97, 0.6%, 0.5%

LAB 47.82, 54.92, 37.74

 

CMYK 72 / 3 / 0 / 23

HEX #38C0C5

RGB 56 192 197

HSL 182.13, 0.56%, 0.5%

LAB 71.26, -33.6, -12.99

 

CMYK 66 / 3 / 0 / 15

HEX #49D2D8

RGB 73 210 216

HSL 182.52, 0.65%, 0.57%

LAB 77.56, -34.32, -13.8

 

CMYK 62 / 3 / 0 / 8

HEX #5AE4EB

RGB 90 228 235

HSL 182.9, 0.78%, 0.64%

LAB 83.79, -34.86, -14.54

 

CMYK 58 / 3 / 0 / 0

HEX #6BF6FE

RGB 107 246 254

HSL 183.27, 0.99%, 0.71%

LAB 89.95, -35.26, -15.22

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 75 / 5 / 0 / 21

HEX #33C0CA

RGB 51 192 202

HSL 183.97, 0.6%, 0.5%

LAB 71.33, -32.7, -15.64

 

CMYK 81 / 5 / 0 / 28

HEX #22AEB7

RGB 34 174 183

HSL 183.62, 0.69%, 0.43%

LAB 64.99, -31.56, -14.75

 

CMYK 90 / 5 / 0 / 36

HEX #119CA4

RGB 17 156 164

HSL 183.27, 0.81%, 0.35%

LAB 58.58, -30.04, -13.76

 

CMYK 100 / 5 / 0 / 43

HEX #008A91

RGB 0 138 145

HSL 182.9, 1%, 0.28%

LAB 52.09, -28.17, -12.67

 

CMYK 100 / 5 / 0 / 51

HEX #00787E

RGB 0 120 126

HSL 182.86, 1%, 0.25%

LAB 45.55, -25.53, -11.36

 

CMYK 75 / 5 / 0 / 21

HEX #33C0CA

RGB 51 192 202

HSL 183.97, 0.6%, 0.5%

LAB 71.33, -32.7, -15.64

 

CMYK 75 / 17 / 0 / 20

HEX #33AACC

RGB 51 170 204

HSL 193.33, 0.6%, 0.5%

LAB 64.81, -21.12, -26.66

 

CMYK 75 / 29 / 0 / 20

HEX #3391CC

RGB 51 145 204

HSL 203.14, 0.6%, 0.5%

LAB 57.38, -7.5, -38.21

 

CMYK 75 / 42 / 0 / 20

HEX #3377CC

RGB 51 119 204

HSL 213.33, 0.6%, 0.5%

LAB 49.81, 7.99, -50.2

 

CMYK 75 / 54 / 0 / 20

HEX #335ECC

RGB 51 94 204

HSL 223.14, 0.6%, 0.5%

LAB 42.87, 23.87, -61.37

 

CMYK 75 / 5 / 0 / 21

HEX #33C0CA

RGB 51 192 202

HSL 183.97, 0.6%, 0.5%

LAB 71.33, -32.7, -15.64

 

CMYK 75 / 5 / 0 / 1

HEX #40F0FD

RGB 64 240 253

HSL 184.13, 0.98%, 0.62%

LAB 87.24, -38.7, -18.86

 

CMYK 76 / 4 / 0 / 81

HEX #0C2F31

RGB 12 47 49

HSL 183.24, 0.61%, 0.12%

LAB 17.15, -11.53, -4.99

 

CMYK 75 / 5 / 0 / 61

HEX #195F64

RGB 25 95 100

HSL 184, 0.6%, 0.25%

LAB 36.58, -19.12, -9.07

 

CMYK 75 / 5 / 0 / 41

HEX #269097

RGB 38 144 151

HSL 183.72, 0.6%, 0.37%

LAB 54.65, -26.4, -12.23

 

CMYK 75 / 5 / 0 / 21

HEX #33C0CA

RGB 51 192 202

HSL 183.97, 0.6%, 0.5%

LAB 71.33, -32.7, -15.64

 

CMYK 56 / 75 / 0 / 20

HEX #5933CC

RGB 89 51 204

HSL 254.9, 0.6%, 0.5%

LAB 35.7, 54.41, -72.98

 

CMYK 0 / 26 / 75 / 20

HEX #CC9633

RGB 204 150 51

HSL 38.82, 0.6%, 0.5%

LAB 65.66, 11.13, 57.21

 

CMYK 75 / 5 / 0 / 21

HEX #33C0CA

RGB 51 192 202

HSL 183.97, 0.6%, 0.5%

LAB 71.33, -32.7, -15.64

 

CMYK 0 / 75 / 4 / 20

HEX #CC33C4

RGB 204 51 196

HSL 303.14, 0.6%, 0.5%

LAB 50.91, 73.53, -42.98

 

CMYK 4 / 0 / 75 / 20

HEX #C4CC33

RGB 196 204 51

HSL 63.14, 0.6%, 0.5%

LAB 79.13, -20.49, 69.73

 

CMYK 75 / 5 / 0 / 21

HEX #33C0CA

RGB 51 192 202

HSL 183.97, 0.6%, 0.5%

LAB 71.33, -32.7, -15.64

 

CMYK 56 / 75 / 0 / 20

HEX #5933CC

RGB 89 51 204

HSL 254.9, 0.6%, 0.5%

LAB 35.7, 54.41, -72.98

 

CMYK 0 / 72 / 75 / 20

HEX #CC3A33

RGB 204 58 51

HSL 2.75, 0.6%, 0.5%

LAB 47.11, 56.71, 38.08

 

CMYK 19 / 0 / 75 / 20

HEX #A5CC33

RGB 165 204 51

HSL 75.29, 0.6%, 0.5%

LAB 76.94, -33.19, 66.89

 

CMYK 75 / 5 / 0 / 21

HEX #33C0CA

RGB 51 192 202

HSL 183.97, 0.6%, 0.5%

LAB 71.33, -32.7, -15.64

 

CMYK 34 / 75 / 0 / 20

HEX #8733CC

RGB 135 51 204

HSL 272.94, 0.6%, 0.5%

LAB 41.02, 61.56, -64.05

 

CMYK 0 / 72 / 75 / 20

HEX #CC3A33

RGB 204 58 51

HSL 2.75, 0.6%, 0.5%

LAB 47.11, 56.71, 38.08

 

CMYK 42 / 0 / 75 / 20

HEX #77CC33

RGB 119 204 51

HSL 93.33, 0.6%, 0.5%

LAB 74.41, -50.04, 63.59

 

Description

Color code: RGBA 51 192 202 1 | qconv.com Color code: RGBA 51 192 202 1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 192 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 192 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 5 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 5% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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