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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 48 46 46 0.5 it is the complementary color RGBA 207 209 209 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 48 46 46 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 48 46 46 0.5: RGBA 53 46 41 0.5, RGBA 70 64 60 0.5, RGBA 87 82 79 0.5, RGBA 104 100 98 0.5 and RGBA 121 118 117 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 48 46 46 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 48 46 46 0.5: RGBA 48 46 46 0.5, RGBA 31 28 27 0.5, RGBA 14 10 8 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 2 / 41

HEX #302E2E7F

RGBA 48 46 46 0.5

HSLA 0, 0.02%, 0.18%, 0.5

LABA 19.14, 0.89, 0.32, 0.5

 

Complementary color

CMYK 0 / 0 / 0 / 9

HEX #CFD1D17F

RGBA 207 209 209 0.5

HSLA 180, 0.02%, 0.82%, 0.5

LABA 83.69, -0.68, -0.25, 0.5

 

CMYK 0 / 7 / 11 / 40

HEX #352E297F

RGBA 53 46 41 0.5

HSLA 25, 0.13%, 0.18%, 0.5

LABA 19.52, 2.15, 4.38, 0.5

 

CMYK 0 / 4 / 7 / 36

HEX #46403C7F

RGBA 70 64 60 0.5

HSLA 24, 0.08%, 0.25%, 0.5

LABA 27.56, 1.75, 3.37, 0.5

 

CMYK 0 / 3 / 5 / 33

HEX #57524F7F

RGBA 87 82 79 0.5

HSLA 22.5, 0.05%, 0.33%, 0.5

LABA 35.25, 1.44, 2.48, 0.5

 

CMYK 0 / 2 / 3 / 30

HEX #6864627F

RGBA 104 100 98 0.5

HSLA 20, 0.03%, 0.4%, 0.5

LABA 42.67, 1.18, 1.69, 0.5

 

CMYK 0 / 1 / 2 / 26

HEX #7976757F

RGBA 121 118 117 0.5

HSLA 15, 0.02%, 0.47%, 0.5

LABA 49.87, 0.95, 0.95, 0.5

 

CMYK 0 / 2 / 2 / 41

HEX #302E2E7F

RGBA 48 46 46 0.5

HSLA 0, 0.02%, 0.18%, 0.5

LABA 19.14, 0.89, 0.32, 0.5

 

CMYK 0 / 5 / 6 / 44

HEX #1F1C1B7F

RGBA 31 28 27 0.5

HSLA 15, 0.07%, 0.11%, 0.5

LABA 10.56, 1.21, 1.21, 0.5

 

CMYK 0 / 14 / 21 / 47

HEX #0E0A087F

RGBA 14 10 8 0.5

HSLA 20, 0.27%, 0.04%, 0.5

LABA 2.96, 0.89, 1.17, 0.5

 

CMYK 0 / 2 / 2 / 41

HEX #302E2E7F

RGBA 48 46 46 0.5

HSLA 0, 0.02%, 0.18%, 0.5

LABA 19.14, 0.89, 0.32, 0.5

 

CMYK 0 / 1 / 2 / 41

HEX #2E2D2C7F

RGBA 46 45 44 0.5

HSLA 30, 0.02%, 0.18%, 0.5

LABA 18.54, 0.22, 0.8, 0.5

 

CMYK 0 / 1 / 2 / 41

HEX #2E2D2C7F

RGBA 46 45 44 0.5

HSLA 30, 0.02%, 0.18%, 0.5

LABA 18.54, 0.22, 0.8, 0.5

 

CMYK 0 / 1 / 2 / 41

HEX #2E2D2C7F

RGBA 46 45 44 0.5

HSLA 30, 0.02%, 0.18%, 0.5

LABA 18.54, 0.22, 0.8, 0.5

 

CMYK 0 / 0 / 2 / 41

HEX #2E2E2C7F

RGBA 46 46 44 0.5

HSLA 60, 0.02%, 0.18%, 0.5

LABA 18.87, -0.46, 1.28, 0.5

 

CMYK 0 / 2 / 2 / 41

HEX #302E2E7F

RGBA 48 46 46 0.5

HSLA 0, 0.02%, 0.18%, 0.5

LABA 19.14, 0.89, 0.32, 0.5

 

CMYK 0 / 2 / 2 / 31

HEX #635F5F7F

RGBA 99 95 95 0.5

HSLA 0, 0.02%, 0.38%, 0.5

LABA 40.68, 1.59, 0.56, 0.5

 

CMYK 0 / 2 / 2 / 21

HEX #9690907F

RGBA 150 144 144 0.5

HSLA 0, 0.03%, 0.58%, 0.5

LABA 60.29, 2.21, 0.78, 0.5

 

CMYK 0 / 2 / 2 / 11

HEX #C9C1C17F

RGBA 201 193 193 0.5

HSLA 0, 0.07%, 0.77%, 0.5

LABA 78.7, 2.8, 0.99, 0.5

 

CMYK 0 / 2 / 2 / 1

HEX #FCF2F27F

RGBA 252 242 242 0.5

HSLA 0, 0.63%, 0.97%, 0.5

LABA 96.25, 3.35, 1.18, 0.5

 

CMYK 0 / 2 / 2 / 41

HEX #302E2E7F

RGBA 48 46 46 0.5

HSLA 0, 0.02%, 0.18%, 0.5

LABA 19.14, 0.89, 0.32, 0.5

 

CMYK 0 / 0 / 2 / 41

HEX #2E2E2C7F

RGBA 46 46 44 0.5

HSLA 60, 0.02%, 0.18%, 0.5

LABA 18.87, -0.46, 1.28, 0.5

 

CMYK 2 / 1 / 0 / 41

HEX #2C2D2E7F

RGBA 44 45 46 0.5

HSLA 210, 0.02%, 0.18%, 0.5

LABA 18.41, -0.2, -0.8, 0.5

 

CMYK 0 / 2 / 2 / 41

HEX #302E2E7F

RGBA 48 46 46 0.5

HSLA 0, 0.02%, 0.18%, 0.5

LABA 19.14, 0.89, 0.32, 0.5

 

CMYK 2 / 0 / 2 / 41

HEX #2C2E2C7F

RGBA 44 46 44 0.5

HSLA 120, 0.02%, 0.18%, 0.5

LABA 18.68, -1.36, 0.98, 0.5

 

CMYK 2 / 2 / 0 / 41

HEX #2C2C2E7F

RGBA 44 44 46 0.5

HSLA 240, 0.02%, 0.18%, 0.5

LABA 18.07, 0.49, -1.29, 0.5

 

CMYK 0 / 2 / 2 / 41

HEX #302E2E7F

RGBA 48 46 46 0.5

HSLA 0, 0.02%, 0.18%, 0.5

LABA 19.14, 0.89, 0.32, 0.5

 

CMYK 0 / 0 / 2 / 41

HEX #2E2E2C7F

RGBA 46 46 44 0.5

HSLA 60, 0.02%, 0.18%, 0.5

LABA 18.87, -0.46, 1.28, 0.5

 

CMYK 2 / 0 / 0 / 41

HEX #2C2E2E7F

RGBA 44 46 46 0.5

HSLA 180, 0.02%, 0.18%, 0.5

LABA 18.74, -0.88, -0.31, 0.5

 

CMYK 1 / 2 / 0 / 41

HEX #2D2C2E7F

RGBA 45 44 46 0.5

HSLA 270, 0.02%, 0.18%, 0.5

LABA 18.17, 0.93, -1.14, 0.5

 

CMYK 0 / 2 / 2 / 41

HEX #302E2E7F

RGBA 48 46 46 0.5

HSLA 0, 0.02%, 0.18%, 0.5

LABA 19.14, 0.89, 0.32, 0.5

 

CMYK 1 / 0 / 2 / 41

HEX #2D2E2C7F

RGBA 45 46 44 0.5

HSLA 90, 0.02%, 0.18%, 0.5

LABA 18.77, -0.91, 1.13, 0.5

 

CMYK 2 / 0 / 0 / 41

HEX #2C2E2E7F

RGBA 44 46 46 0.5

HSLA 180, 0.02%, 0.18%, 0.5

LABA 18.74, -0.88, -0.31, 0.5

 

CMYK 1 / 2 / 0 / 41

HEX #2D2C2E7F

RGBA 45 44 46 0.5

HSLA 270, 0.02%, 0.18%, 0.5

LABA 18.17, 0.93, -1.14, 0.5

 

Description

Color code: RGBA 48 46 46 0.5 | qconv.com Color code: RGBA 48 46 46 0.5 | qconv.com - big

With this color almost no shade stands out particularly. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 46 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 46 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 2 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 2% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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