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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 45 196 14 0.7 it is the complementary color RGBA 210 59 241 0.7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 45 196 14 0.7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 45 196 14 0.7: RGBA 50 196 9 0.7, RGBA 67 214 28 0.7, RGBA 84 232 47 0.7, RGBA 101 250 66 0.7 and RGBA 118 255 85 0.7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 45 196 14 0.7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 45 196 14 0.7: RGBA 45 196 14 0.7, RGBA 28 178 0 0.7, RGBA 11 160 0 0.7, RGBA 0 142 0 0.7 and RGBA 0 124 0 0.7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 65 / 16

HEX #2DC40EB2

RGBA 45 196 14 0.7

HSLA 109.78, 0.87%, 0.41%, 0.7

LABA 69.52, -66.82, 67.14, 0.7

 

Complementary color

CMYK 9 / 53 / 0 / 4

HEX #D23BF1B2

RGBA 210 59 241 0.7

HSLA 289.78, 0.87%, 0.59%, 0.7

LABA 55.26, 79.7, -61.57, 0.7

 

CMYK 52 / 0 / 67 / 16

HEX #32C409B2

RGBA 50 196 9 0.7

HSLA 106.84, 0.91%, 0.4%, 0.7

LABA 69.6, -66.18, 67.84, 0.7

 

CMYK 48 / 0 / 61 / 11

HEX #43D61CB2

RGBA 67 214 28 0.7

HSLA 107.42, 0.77%, 0.47%, 0.7

LABA 75.68, -68.24, 70.22, 0.7

 

CMYK 45 / 0 / 56 / 6

HEX #54E82FB2

RGBA 84 232 47 0.7

HSLA 108, 0.8%, 0.55%, 0.7

LABA 81.73, -69.74, 71.32, 0.7

 

CMYK 42 / 0 / 52 / 1

HEX #65FA42B2

RGBA 101 250 66 0.7

HSLA 108.59, 0.95%, 0.62%, 0.7

LABA 87.74, -70.81, 71.54, 0.7

 

CMYK 38 / 0 / 47 / 0

HEX #76FF55B2

RGBA 118 255 85 0.7

HSLA 108.35, 1%, 0.67%, 0.7

LABA 89.87, -67.02, 67.16, 0.7

 

CMYK 54 / 0 / 65 / 16

HEX #2DC40EB2

RGBA 45 196 14 0.7

HSLA 109.78, 0.87%, 0.41%, 0.7

LABA 69.52, -66.82, 67.14, 0.7

 

CMYK 59 / 0 / 70 / 21

HEX #1CB200B2

RGBA 28 178 0 0.7

HSLA 110.56, 1%, 0.35%, 0.7

LABA 63.42, -63.95, 63.76, 0.7

 

CMYK 65 / 0 / 70 / 26

HEX #0BA000B2

RGBA 11 160 0 0.7

HSLA 115.88, 1%, 0.31%, 0.7

LABA 57.28, -60.19, 58.79, 0.7

 

CMYK 70 / 0 / 70 / 31

HEX #008E00B2

RGBA 0 142 0 0.7

HSLA 120, 1%, 0.28%, 0.7

LABA 51.09, -55.74, 53.8, 0.7

 

CMYK 70 / 0 / 70 / 36

HEX #007C00B2

RGBA 0 124 0 0.7

HSLA 120, 1%, 0.24%, 0.7

LABA 44.82, -50.53, 48.77, 0.7

 

CMYK 54 / 0 / 65 / 16

HEX #2DC40EB2

RGBA 45 196 14 0.7

HSLA 109.78, 0.87%, 0.41%, 0.7

LABA 69.52, -66.82, 67.14, 0.7

 

CMYK 64 / 0 / 65 / 16

HEX #10C30DB2

RGBA 16 195 13 0.7

HSLA 119.01, 0.88%, 0.41%, 0.7

LABA 68.87, -69.43, 66.61, 0.7

 

CMYK 65 / 0 / 56 / 16

HEX #0DC328B2

RGBA 13 195 40 0.7

HSLA 128.9, 0.88%, 0.41%, 0.7

LABA 68.95, -68.43, 60.88, 0.7

 

CMYK 65 / 0 / 45 / 16

HEX #0DC347B2

RGBA 13 195 71 0.7

HSLA 139.12, 0.88%, 0.41%, 0.7

LABA 69.16, -65.68, 49.62, 0.7

 

CMYK 65 / 0 / 34 / 16

HEX #0DC365B2

RGBA 13 195 101 0.7

HSLA 149.01, 0.88%, 0.41%, 0.7

LABA 69.51, -61.44, 35.9, 0.7

 

CMYK 54 / 0 / 65 / 16

HEX #2DC40EB2

RGBA 45 196 14 0.7

HSLA 109.78, 0.87%, 0.41%, 0.7

LABA 69.52, -66.82, 67.14, 0.7

 

CMYK 54 / 0 / 65 / 2

HEX #39F712B2

RGBA 57 247 18 0.7

HSLA 109.78, 0.93%, 0.52%, 0.7

LABA 85.72, -79.88, 80.19, 0.7

 

CMYK 54 / 0 / 65 / 58

HEX #0A2B03B2

RGBA 10 43 3 0.7

HSLA 109.5, 0.87%, 0.09%, 0.7

LABA 14.39, -21.25, 19.38, 0.7

 

CMYK 54 / 0 / 65 / 44

HEX #165E07B2

RGBA 22 94 7 0.7

HSLA 109.66, 0.86%, 0.2%, 0.7

LABA 34.38, -38, 38.37, 0.7

 

CMYK 54 / 0 / 65 / 30

HEX #21910AB2

RGBA 33 145 10 0.7

HSLA 109.78, 0.87%, 0.3%, 0.7

LABA 52.5, -53.05, 53.37, 0.7

 

CMYK 54 / 0 / 65 / 16

HEX #2DC40EB2

RGBA 45 196 14 0.7

HSLA 109.78, 0.87%, 0.41%, 0.7

LABA 69.52, -66.82, 67.14, 0.7

 

CMYK 65 / 1 / 0 / 16

HEX #0DC0C3B2

RGBA 13 192 195 0.7

HSLA 180.99, 0.88%, 0.41%, 0.7

LABA 70.68, -37.54, -12.83, 0.7

 

CMYK 0 / 65 / 27 / 16

HEX #C30D77B2

RGBA 195 13 119 0.7

HSLA 325.05, 0.88%, 0.41%, 0.7

LABA 43.1, 69.77, -9.15, 0.7

 

CMYK 54 / 0 / 65 / 16

HEX #2DC40EB2

RGBA 45 196 14 0.7

HSLA 109.78, 0.87%, 0.41%, 0.7

LABA 69.52, -66.82, 67.14, 0.7

 

CMYK 65 / 53 / 0 / 16

HEX #0D2EC3B2

RGBA 13 46 195 0.7

HSLA 229.12, 0.88%, 0.41%, 0.7

LABA 29.36, 48.09, -78.33, 0.7

 

CMYK 0 / 65 / 53 / 16

HEX #C30D2EB2

RGBA 195 13 46 0.7

HSLA 349.12, 0.88%, 0.41%, 0.7

LABA 41.35, 65, 34.12, 0.7

 

CMYK 54 / 0 / 65 / 16

HEX #2DC40EB2

RGBA 45 196 14 0.7

HSLA 109.78, 0.87%, 0.41%, 0.7

LABA 69.52, -66.82, 67.14, 0.7

 

CMYK 65 / 1 / 0 / 16

HEX #0DC0C3B2

RGBA 13 192 195 0.7

HSLA 180.99, 0.88%, 0.41%, 0.7

LABA 70.68, -37.54, -12.83, 0.7

 

CMYK 12 / 65 / 0 / 16

HEX #A20DC3B2

RGBA 162 13 195 0.7

HSLA 289.12, 0.88%, 0.41%, 0.7

LABA 41.07, 73.91, -58.55, 0.7

 

CMYK 0 / 64 / 65 / 16

HEX #C3100DB2

RGBA 195 16 13 0.7

HSLA 0.99, 0.88%, 0.41%, 0.7

LABA 41.22, 63.87, 50.73, 0.7

 

CMYK 54 / 0 / 65 / 16

HEX #2DC40EB2

RGBA 45 196 14 0.7

HSLA 109.78, 0.87%, 0.41%, 0.7

LABA 69.52, -66.82, 67.14, 0.7

 

CMYK 65 / 21 / 0 / 16

HEX #0D89C3B2

RGBA 13 137 195 0.7

HSLA 199.12, 0.88%, 0.41%, 0.7

LABA 53.94, -9.3, -38.56, 0.7

 

CMYK 12 / 65 / 0 / 16

HEX #A20DC3B2

RGBA 162 13 195 0.7

HSLA 289.12, 0.88%, 0.41%, 0.7

LABA 41.07, 73.91, -58.55, 0.7

 

CMYK 0 / 45 / 65 / 16

HEX #C3470DB2

RGBA 195 71 13 0.7

HSLA 19.12, 0.88%, 0.41%, 0.7

LABA 47.15, 47.42, 54.52, 0.7

 

Description

Color code: RGBA 45 196 14 0.7 | qconv.com Color code: RGBA 45 196 14 0.7 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 196 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 196 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 65 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 65% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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