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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 42 196 162 0.75 it is the complementary color RGBA 213 59 93 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 42 196 162 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 42 196 162 0.75 shade: RGBA 47 196 157 0.75, RGBA 64 214 176 0.75, RGBA 81 232 195 0.75, RGBA 98 250 214 0.75 and RGBA 115 255 233 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 42 196 162 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 42 196 162 0.75 shade: RGBA 42 196 162 0.75, RGBA 25 178 143 0.75, RGBA 8 160 124 0.75, RGBA 0 142 105 0.75 and RGBA 0 124 86 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 42 196 162 0.75 shade: RGB 42 198 163, RGB 42 198 121, RGB 42 198 79, RGB 47 198 42 and RGB 89 198 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 42 196 162 0.75 shade: RGB 42 198 163, RGB 42 190 198, RGB 42 148 198, RGB 42 106 198 and RGB 42 64 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 42 196 162 0.75 shade matches the following richer shades: RGB 42 198 163, RGB 23 217 174 and RGB 3 237 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 42 196 162 0.75 shade: RGB 42 198 163, RGB 61 178 153, RGB 81 159 142, RGB 100 140 131 and RGB 120 120 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 42 196 162 0.75 shade: RGB 42 198 78, RGB 42 198 120, RGB 42 198 161, RGB 42 193 198 and RGB 42 151 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 42 196 162 0.75 shade: RGB 28 130 107, RGB 35 164 135, RGB 42 198 163, RGB 66 215 182 and RGB 100 222 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 42 196 162 0.75 shade: RGB 42 196 162, RGB 42 47 198 and RGB 198 99 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 42 196 162 0.75 shade: RGB 42 196 162, RGB 161 42 198 and RGB 198 161 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 42 196 162 0.75 shade: RGB 42 196 162, RGB 42 47 198, RGB 198 42 78 and RGB 198 193 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 42 196 162 0.75 shade: RGB 42 196 162, RGB 83 42 198, RGB 198 42 78 and RGB 156 198 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 13 / 17

HEX #2AC4A2BF

RGBA 42 196 162 0.75

HSLA 166.75, 0.65%, 0.47%, 0.75

LABA 71.27, -46.6, 6.08, 0.75

 

Complementary color

CMYK 0 / 54 / 42 / 12

HEX #D53B5DBF

RGBA 213 59 93 0.75

HSLA 346.75, 0.65%, 0.53%, 0.75

LABA 49.57, 61.45, 16.61, 0.75

 

CMYK 57 / 0 / 15 / 17

HEX #2FC49DBF

RGBA 47 196 157 0.75

HSLA 164.3, 0.61%, 0.48%, 0.75

LABA 71.23, -47.3, 8.74, 0.75

 

CMYK 53 / 0 / 13 / 12

HEX #40D6B0BF

RGBA 64 214 176 0.75

HSLA 164.8, 0.65%, 0.55%, 0.75

LABA 77.47, -47.96, 7.5, 0.75

 

CMYK 49 / 0 / 12 / 7

HEX #51E8C3BF

RGBA 81 232 195 0.75

HSLA 165.3, 0.77%, 0.61%, 0.75

LABA 83.65, -48.4, 6.36, 0.75

 

CMYK 46 / 0 / 11 / 1

HEX #62FAD6BF

RGBA 98 250 214 0.75

HSLA 165.79, 0.94%, 0.68%, 0.75

LABA 89.78, -48.68, 5.32, 0.75

 

CMYK 41 / 0 / 6 / 0

HEX #73FFE9BF

RGBA 115 255 233 0.75

HSLA 170.57, 1%, 0.73%, 0.75

LABA 92.15, -43.21, -1.02, 0.75

 

CMYK 59 / 0 / 13 / 17

HEX #2AC4A2BF

RGBA 42 196 162 0.75

HSLA 166.75, 0.65%, 0.47%, 0.75

LABA 71.27, -46.6, 6.08, 0.75

 

CMYK 64 / 0 / 15 / 23

HEX #19B28FBF

RGBA 25 178 143 0.75

HSLA 166.27, 0.75%, 0.4%, 0.75

LABA 64.99, -45.48, 7.45, 0.75

 

CMYK 71 / 0 / 17 / 28

HEX #08A07CBF

RGBA 8 160 124 0.75

HSLA 165.79, 0.9%, 0.33%, 0.75

LABA 58.65, -43.91, 8.99, 0.75

 

CMYK 75 / 0 / 20 / 33

HEX #008E69BF

RGBA 0 142 105 0.75

HSLA 164.37, 1%, 0.28%, 0.75

LABA 52.25, -41.8, 10.72, 0.75

 

CMYK 75 / 0 / 23 / 39

HEX #007C56BF

RGBA 0 124 86 0.75

HSLA 161.61, 1%, 0.24%, 0.75

LABA 45.75, -39.24, 12.63, 0.75

 

CMYK 79 / 0 / 18 / 22

HEX #2AC6A3

RGB 42 198 163

HSL 166.54, 0.65%, 0.47%

LAB 71.91, -47.18, 6.46

 

CMYK 79 / 0 / 39 / 22

HEX #2AC679

RGB 42 198 121

HSL 150.38, 0.65%, 0.47%

LAB 71.05, -56.58, 27.7

 

CMYK 79 / 0 / 60 / 22

HEX #2AC64F

RGB 42 198 79

HSL 134.23, 0.65%, 0.47%

LAB 70.49, -63.21, 47.67

 

CMYK 76 / 0 / 79 / 22

HEX #2FC62A

RGB 47 198 42

HSL 118.08, 0.65%, 0.47%

LAB 70.29, -65.94, 61.69

 

CMYK 55 / 0 / 79 / 22

HEX #59C62A

RGB 89 198 42

HSL 101.92, 0.65%, 0.47%

LAB 71.34, -57.24, 63.06

 

CMYK 79 / 0 / 18 / 22

HEX #2AC6A3

RGB 42 198 163

HSL 166.54, 0.65%, 0.47%

LAB 71.91, -47.18, 6.46

 

CMYK 79 / 4 / 0 / 22

HEX #2ABEC6

RGB 42 190 198

HSL 183.08, 0.65%, 0.47%

LAB 70.45, -33.88, -14.78

 

CMYK 79 / 25 / 0 / 22

HEX #2A94C6

RGB 42 148 198

HSL 199.23, 0.65%, 0.47%

LAB 57.8, -12.33, -34.19

 

CMYK 79 / 46 / 0 / 22

HEX #2A6AC6

RGB 42 106 198

HSL 215.38, 0.65%, 0.47%

LAB 45.47, 12.86, -53.73

 

CMYK 79 / 68 / 0 / 22

HEX #2A40C6

RGB 42 64 198

HSL 231.54, 0.65%, 0.47%

LAB 34.47, 39.95, -71.62

 

CMYK 79 / 0 / 18 / 22

HEX #2AC6A3

RGB 42 198 163

HSL 166.54, 0.65%, 0.47%

LAB 71.91, -47.18, 6.46

 

CMYK 89 / 0 / 20 / 15

HEX #17D9AE

RGB 23 217 174

HSL 166.7, 0.81%, 0.47%

LAB 77.79, -53.55, 8.95

 

CMYK 99 / 0 / 22 / 7

HEX #03EDB9

RGB 3 237 185

HSL 166.67, 0.98%, 0.47%

LAB 84.01, -59.29, 12

 

CMYK 79 / 0 / 18 / 22

HEX #2AC6A3

RGB 42 198 163

HSL 166.54, 0.65%, 0.47%

LAB 71.91, -47.18, 6.46

 

CMYK 66 / 0 / 14 / 30

HEX #3DB299

RGB 61 178 153

HSL 167.18, 0.49%, 0.47%

LAB 65.85, -38.57, 3.25

 

CMYK 49 / 0 / 11 / 38

HEX #519F8E

RGB 81 159 142

HSL 166.92, 0.33%, 0.47%

LAB 60.34, -28.34, 1.47

 

CMYK 29 / 0 / 6 / 45

HEX #648C83

RGB 100 140 131

HSL 166.5, 0.17%, 0.47%

LAB 55.18, -15.84, 0.34

 

CMYK 0 / 0 / 0 / 53

HEX #787878

RGB 120 120 120

HSL 0, 0%, 0.47%

LAB 50.43, 0, -0.01

 

CMYK 79 / 0 / 61 / 22

HEX #2AC64E

RGB 42 198 78

HSL 133.85, 0.65%, 0.47%

LAB 70.48, -63.33, 48.11

 

CMYK 79 / 0 / 39 / 22

HEX #2AC678

RGB 42 198 120

HSL 150, 0.65%, 0.47%

LAB 71.03, -56.77, 28.2

 

CMYK 79 / 0 / 19 / 22

HEX #2AC6A1

RGB 42 198 161

HSL 165.77, 0.65%, 0.47%

LAB 71.86, -47.69, 7.47

 

CMYK 79 / 3 / 0 / 22

HEX #2AC1C6

RGB 42 193 198

HSL 181.92, 0.65%, 0.47%

LAB 71.36, -35.29, -13.42

 

CMYK 79 / 24 / 0 / 22

HEX #2A97C6

RGB 42 151 198

HSL 198.08, 0.65%, 0.47%

LAB 58.7, -13.99, -32.78

 

CMYK 78 / 0 / 18 / 49

HEX #1C826B

RGB 28 130 107

HSL 166.47, 0.65%, 0.31%

LAB 48.6, -33.95, 4.42

 

CMYK 79 / 0 / 18 / 36

HEX #23A487

RGB 35 164 135

HSL 166.51, 0.65%, 0.39%

LAB 60.48, -40.71, 5.46

 

CMYK 79 / 0 / 18 / 22

HEX #2AC6A3

RGB 42 198 163

HSL 166.54, 0.65%, 0.47%

LAB 71.91, -47.18, 6.46

 

CMYK 69 / 0 / 15 / 16

HEX #42D7B6

RGB 66 215 182

HSL 166.71, 0.65%, 0.55%

LAB 77.96, -46.63, 4.99

 

CMYK 55 / 0 / 12 / 13

HEX #64DEC3

RGB 100 222 195

HSL 166.72, 0.65%, 0.63%

LAB 81.23, -40.62, 2.93

 

CMYK 79 / 0 / 17 / 23

HEX #2AC4A2

RGB 42 196 162

HSL 166.75, 0.65%, 0.47%

LAB 71.27, -46.6, 6.08

 

CMYK 79 / 76 / 0 / 22

HEX #2A2FC6

RGB 42 47 198

HSL 238.08, 0.65%, 0.47%

LAB 30.88, 49.89, -77.53

 

CMYK 0 / 50 / 79 / 22

HEX #C6632A

RGB 198 99 42

HSL 21.92, 0.65%, 0.47%

LAB 53.06, 35.71, 48.52

 

CMYK 79 / 0 / 17 / 23

HEX #2AC4A2

RGB 42 196 162

HSL 166.75, 0.65%, 0.47%

LAB 71.27, -46.6, 6.08

 

CMYK 19 / 79 / 0 / 22

HEX #A12AC6

RGB 161 42 198

HSL 285.77, 0.65%, 0.47%

LAB 43.23, 68.11, -56.82

 

CMYK 0 / 19 / 79 / 22

HEX #C6A12A

RGB 198 161 42

HSL 45.77, 0.65%, 0.47%

LAB 67.77, 2.19, 62.31

 

CMYK 79 / 0 / 17 / 23

HEX #2AC4A2

RGB 42 196 162

HSL 166.75, 0.65%, 0.47%

LAB 71.27, -46.6, 6.08

 

CMYK 79 / 76 / 0 / 22

HEX #2A2FC6

RGB 42 47 198

HSL 238.08, 0.65%, 0.47%

LAB 30.88, 49.89, -77.53

 

CMYK 0 / 79 / 61 / 22

HEX #C62A4E

RGB 198 42 78

HSL 346.15, 0.65%, 0.47%

LAB 44.54, 61.52, 18.54

 

CMYK 0 / 3 / 79 / 22

HEX #C6C12A

RGB 198 193 42

HSL 58.08, 0.65%, 0.47%

LAB 76.26, -14.51, 69.91

 

CMYK 79 / 0 / 17 / 23

HEX #2AC4A2

RGB 42 196 162

HSL 166.75, 0.65%, 0.47%

LAB 71.27, -46.6, 6.08

 

CMYK 58 / 79 / 0 / 22

HEX #532AC6

RGB 83 42 198

HSL 255.77, 0.65%, 0.47%

LAB 33.08, 56.17, -73.81

 

CMYK 0 / 79 / 61 / 22

HEX #C62A4E

RGB 198 42 78

HSL 346.15, 0.65%, 0.47%

LAB 44.54, 61.52, 18.54

 

CMYK 21 / 0 / 79 / 22

HEX #9CC62A

RGB 156 198 42

HSL 76.15, 0.65%, 0.47%

LAB 74.59, -34.41, 67.25

 

Description

Color code: RGBA 42 196 162 0.75 | qconv.com Color code: RGBA 42 196 162 0.75 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 196 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 196 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 13 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 13% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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