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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 3 / 79 / 22 it is the complementary color CMYK 74 / 71 / 0 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 3 / 79 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 3 / 79 / 22: CMYK 0 / 5 / 82 / 20, CMYK 0 / 5 / 75 / 13, CMYK 0 / 4 / 68 / 7, CMYK 0 / 3 / 63 / 0 and CMYK 0 / 0 / 56 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 3 / 79 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 3 / 79 / 22: CMYK 0 / 3 / 79 / 22, CMYK 0 / 4 / 87 / 29, CMYK 0 / 5 / 98 / 35, CMYK 0 / 6 / 100 / 42 and CMYK 0 / 8 / 100 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 79 / 22

HEX #C7C12A

RGB 199 193 42

HSL 57.71, 0.65%, 0.47%

LAB 76.34, -14.08, 70.01

 

Complementary color

CMYK 74 / 71 / 0 / 16

HEX #383ED5

RGB 56 62 213

HSL 237.71, 0.65%, 0.53%

LAB 36.16, 47.55, -77.52

 

CMYK 0 / 5 / 82 / 20

HEX #CCC125

RGB 204 193 37

HSL 56.05, 0.69%, 0.47%

LAB 76.75, -12.08, 71.89

 

CMYK 0 / 5 / 75 / 13

HEX #DDD338

RGB 221 211 56

HSL 56.36, 0.71%, 0.54%

LAB 83.04, -13.24, 72.49

 

CMYK 0 / 4 / 68 / 7

HEX #EEE54B

RGB 238 229 75

HSL 56.69, 0.83%, 0.61%

LAB 89.26, -14.23, 72.38

 

CMYK 0 / 3 / 63 / 0

HEX #FFF75E

RGB 255 247 94

HSL 57.02, 1%, 0.68%

LAB 95.41, -15.07, 71.85

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 3 / 79 / 22

HEX #C7C12A

RGB 199 193 42

HSL 57.71, 0.65%, 0.47%

LAB 76.34, -14.08, 70.01

 

CMYK 0 / 4 / 87 / 29

HEX #B6AF17

RGB 182 175 23

HSL 57.36, 0.78%, 0.4%

LAB 69.94, -12.82, 68.72

 

CMYK 0 / 5 / 98 / 35

HEX #A59D04

RGB 165 157 4

HSL 57.02, 0.95%, 0.33%

LAB 63.44, -11.34, 66.02

 

CMYK 0 / 6 / 100 / 42

HEX #948B00

RGB 148 139 0

HSL 56.35, 1%, 0.29%

LAB 56.84, -9.58, 61.11

 

CMYK 0 / 8 / 100 / 49

HEX #837900

RGB 131 121 0

HSL 55.42, 1%, 0.26%

LAB 50.1, -7.69, 55.52

 

CMYK 0 / 3 / 79 / 22

HEX #C7C12A

RGB 199 193 42

HSL 57.71, 0.65%, 0.47%

LAB 76.34, -14.08, 70.01

 

CMYK 9 / 0 / 79 / 23

HEX #B3C529

RGB 179 197 41

HSL 66.92, 0.66%, 0.47%

LAB 75.87, -24.58, 69.28

 

CMYK 22 / 0 / 79 / 23

HEX #99C529

RGB 153 197 41

HSL 76.92, 0.66%, 0.47%

LAB 74.1, -35.18, 67.03

 

CMYK 36 / 0 / 79 / 23

HEX #7FC529

RGB 127 197 41

HSL 86.92, 0.66%, 0.47%

LAB 72.63, -44.96, 65.14

 

CMYK 49 / 0 / 79 / 23

HEX #65C529

RGB 101 197 41

HSL 96.92, 0.66%, 0.47%

LAB 71.46, -53.52, 63.62

 

CMYK 0 / 3 / 79 / 22

HEX #C7C12A

RGB 199 193 42

HSL 57.71, 0.65%, 0.47%

LAB 76.34, -14.08, 70.01

 

CMYK 0 / 3 / 79 / 2

HEX #FAF235

RGB 250 242 53

HSL 57.56, 0.95%, 0.59%

LAB 93.49, -16.52, 83.64

 

CMYK 0 / 2 / 78 / 82

HEX #2E2D0A

RGB 46 45 10

HSL 58.33, 0.64%, 0.11%

LAB 17.83, -5.06, 21.38

 

CMYK 0 / 3 / 79 / 62

HEX #615E14

RGB 97 94 20

HSL 57.66, 0.66%, 0.23%

LAB 38.89, -8.22, 39.93

 

CMYK 0 / 3 / 79 / 42

HEX #94901F

RGB 148 144 31

HSL 57.95, 0.65%, 0.35%

LAB 58.36, -11.52, 55.65

 

CMYK 0 / 3 / 79 / 22

HEX #C7C12A

RGB 199 193 42

HSL 57.71, 0.65%, 0.47%

LAB 76.34, -14.08, 70.01

 

CMYK 79 / 0 / 67 / 23

HEX #29C541

RGB 41 197 65

HSL 129.23, 0.66%, 0.47%

LAB 70.03, -64.57, 53.17

 

CMYK 36 / 79 / 0 / 23

HEX #7F29C5

RGB 127 41 197

HSL 273.08, 0.66%, 0.47%

LAB 38.07, 62.44, -64.83

 

CMYK 0 / 3 / 79 / 22

HEX #C7C12A

RGB 199 193 42

HSL 57.71, 0.65%, 0.47%

LAB 76.34, -14.08, 70.01

 

CMYK 79 / 0 / 4 / 23

HEX #29C5BD

RGB 41 197 189

HSL 176.92, 0.66%, 0.47%

LAB 72.28, -39.84, -7.14

 

CMYK 4 / 79 / 0 / 23

HEX #BD29C5

RGB 189 41 197

HSL 296.92, 0.66%, 0.47%

LAB 47.54, 73.43, -49.06

 

CMYK 0 / 3 / 79 / 22

HEX #C7C12A

RGB 199 193 42

HSL 57.71, 0.65%, 0.47%

LAB 76.34, -14.08, 70.01

 

CMYK 79 / 0 / 67 / 23

HEX #29C541

RGB 41 197 65

HSL 129.23, 0.66%, 0.47%

LAB 70.03, -64.57, 53.17

 

CMYK 79 / 75 / 0 / 23

HEX #2931C5

RGB 41 49 197

HSL 236.92, 0.66%, 0.47%

LAB 31.11, 48.39, -76.57

 

CMYK 0 / 79 / 12 / 23

HEX #C529AE

RGB 197 41 174

HSL 308.85, 0.66%, 0.47%

LAB 47.64, 71.56, -35.37

 

CMYK 0 / 3 / 79 / 22

HEX #C7C12A

RGB 199 193 42

HSL 57.71, 0.65%, 0.47%

LAB 76.34, -14.08, 70.01

 

CMYK 79 / 0 / 43 / 23

HEX #29C570

RGB 41 197 112

HSL 147.31, 0.66%, 0.47%

LAB 70.58, -58, 31.73

 

CMYK 79 / 75 / 0 / 23

HEX #2931C5

RGB 41 49 197

HSL 236.92, 0.66%, 0.47%

LAB 31.11, 48.39, -76.57

 

CMYK 0 / 79 / 36 / 23

HEX #C5297F

RGB 197 41 127

HSL 326.92, 0.66%, 0.47%

LAB 45.62, 65.7, -10.25

 

Description

Color code: CMYK 0 / 3 / 79 / 22 | qconv.com Color code: CMYK 0 / 3 / 79 / 22 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 193 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 193 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 79 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 79% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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