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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 2 21 0 0.2 it is the complementary color RGBA 253 234 255 0.2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 2 21 0 0.2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 2 21 0 0.2: RGBA 7 21 0 0.2, RGBA 24 39 14 0.2, RGBA 41 57 33 0.2, RGBA 58 75 52 0.2 and RGBA 75 93 71 0.2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 2 21 0 0.2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 2 21 0 0.2: RGBA 2 21 0 0.2, RGBA 0 3 0 0.2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 20 / 18

HEX #02150033

RGBA 2 21 0 0.2

HSLA 114.29, 1%, 0.04%, 0.2

LABA 4.96, -9.37, 7.26, 0.2

 

Complementary color

CMYK 0 / 2 / 0 / 0

HEX #FDEAFF33

RGBA 253 234 255 0.2

HSLA 294.29, 1%, 0.96%, 0.2

LABA 94.72, 10.06, -7.8, 0.2

 

CMYK 13 / 0 / 20 / 18

HEX #07150033

RGBA 7 21 0 0.2

HSLA 100, 1%, 0.04%, 0.2

LABA 5.25, -8.07, 7.72, 0.2

 

CMYK 8 / 0 / 13 / 17

HEX #18270E33

RGBA 24 39 14 0.2

HSLA 96, 0.47%, 0.1%, 0.2

LABA 13.69, -12.16, 13.92, 0.2

 

CMYK 6 / 0 / 8 / 16

HEX #29392133

RGBA 41 57 33 0.2

HSLA 100, 0.27%, 0.18%, 0.2

LABA 21.97, -12.02, 12.91, 0.2

 

CMYK 5 / 0 / 6 / 14

HEX #3A4B3433

RGBA 58 75 52 0.2

HSLA 104.35, 0.18%, 0.25%, 0.2

LABA 29.86, -11.83, 11.58, 0.2

 

CMYK 4 / 0 / 5 / 13

HEX #4B5D4733

RGBA 75 93 71 0.2

HSLA 109.09, 0.13%, 0.32%, 0.2

LABA 37.44, -11.67, 10.42, 0.2

 

CMYK 18 / 0 / 20 / 18

HEX #02150033

RGBA 2 21 0 0.2

HSLA 114.29, 1%, 0.04%, 0.2

LABA 4.96, -9.37, 7.26, 0.2

 

CMYK 20 / 0 / 20 / 20

HEX #00030033

RGBA 0 3 0 0.2

HSLA 120, 1%, 0.01%, 0.2

LABA 0.59, -1.2, 0.86, 0.2

 

CMYK 18 / 0 / 20 / 18

HEX #02150033

RGBA 2 21 0 0.2

HSLA 114.29, 1%, 0.04%, 0.2

LABA 4.96, -9.37, 7.26, 0.2

 

CMYK 20 / 0 / 19 / 18

HEX #00140133

RGBA 0 20 1 0.2

HSLA 123, 1%, 0.04%, 0.2

LABA 4.54, -9.09, 6.22, 0.2

 

CMYK 20 / 0 / 16 / 18

HEX #00140433

RGBA 0 20 4 0.2

HSLA 132, 1%, 0.04%, 0.2

LABA 4.6, -8.68, 5.09, 0.2

 

CMYK 20 / 0 / 12 / 18

HEX #00140833

RGBA 0 20 8 0.2

HSLA 144, 1%, 0.04%, 0.2

LABA 4.68, -8.12, 3.57, 0.2

 

CMYK 20 / 0 / 9 / 18

HEX #00140B33

RGBA 0 20 11 0.2

HSLA 153, 1%, 0.04%, 0.2

LABA 4.74, -7.7, 2.43, 0.2

 

CMYK 18 / 0 / 20 / 18

HEX #02150033

RGBA 2 21 0 0.2

HSLA 114.29, 1%, 0.04%, 0.2

LABA 4.96, -9.37, 7.26, 0.2

 

CMYK 18 / 0 / 20 / 14

HEX #07480033

RGBA 7 72 0 0.2

HSLA 114.17, 1%, 0.14%, 0.2

LABA 25.8, -33.39, 33.38, 0.2

 

CMYK 18 / 0 / 20 / 10

HEX #0C7B0033

RGBA 12 123 0 0.2

HSLA 114.15, 1%, 0.24%, 0.2

LABA 44.58, -49.23, 48.62, 0.2

 

CMYK 18 / 0 / 20 / 6

HEX #11AE0033

RGBA 17 174 0 0.2

HSLA 114.14, 1%, 0.34%, 0.2

LABA 61.99, -63.78, 62.58, 0.2

 

CMYK 18 / 0 / 20 / 2

HEX #15E10033

RGBA 21 225 0 0.2

HSLA 114.4, 1%, 0.44%, 0.2

LABA 78.47, -77.55, 75.79, 0.2

 

CMYK 18 / 0 / 20 / 18

HEX #02150033

RGBA 2 21 0 0.2

HSLA 114.29, 1%, 0.04%, 0.2

LABA 4.96, -9.37, 7.26, 0.2

 

CMYK 20 / 2 / 0 / 18

HEX #00121433

RGBA 0 18 20 0.2

HSLA 186, 1%, 0.04%, 0.2

LABA 4.36, -4.78, -3.02, 0.2

 

CMYK 0 / 20 / 10 / 18

HEX #14000A33

RGBA 20 0 10 0.2

HSLA 330, 1%, 0.04%, 0.2

LABA 1.54, 7.42, -1.66, 0.2

 

CMYK 18 / 0 / 20 / 18

HEX #02150033

RGBA 2 21 0 0.2

HSLA 114.29, 1%, 0.04%, 0.2

LABA 4.96, -9.37, 7.26, 0.2

 

CMYK 20 / 18 / 0 / 18

HEX #00021433

RGBA 0 2 20 0.2

HSLA 234, 1%, 0.04%, 0.2

LABA 0.85, 2.4, -8.15, 0.2

 

CMYK 0 / 20 / 18 / 18

HEX #14000233

RGBA 20 0 2 0.2

HSLA 354, 1%, 0.04%, 0.2

LABA 1.38, 6.31, 1.37, 0.2

 

CMYK 18 / 0 / 20 / 18

HEX #02150033

RGBA 2 21 0 0.2

HSLA 114.29, 1%, 0.04%, 0.2

LABA 4.96, -9.37, 7.26, 0.2

 

CMYK 20 / 2 / 0 / 18

HEX #00121433

RGBA 0 18 20 0.2

HSLA 186, 1%, 0.04%, 0.2

LABA 4.36, -4.78, -3.02, 0.2

 

CMYK 2 / 20 / 0 / 18

HEX #12001433

RGBA 18 0 20 0.2

HSLA 294, 1%, 0.04%, 0.2

LABA 1.62, 8.42, -6.89, 0.2

 

CMYK 0 / 18 / 20 / 18

HEX #14020033

RGBA 20 2 0 0.2

HSLA 6, 1%, 0.04%, 0.2

LABA 1.74, 5.23, 2.7, 0.2

 

CMYK 18 / 0 / 20 / 18

HEX #02150033

RGBA 2 21 0 0.2

HSLA 114.29, 1%, 0.04%, 0.2

LABA 4.96, -9.37, 7.26, 0.2

 

CMYK 20 / 8 / 0 / 18

HEX #000C1433

RGBA 0 12 20 0.2

HSLA 204, 1%, 0.04%, 0.2

LABA 2.83, -1.65, -5.26, 0.2

 

CMYK 2 / 20 / 0 / 18

HEX #12001433

RGBA 18 0 20 0.2

HSLA 294, 1%, 0.04%, 0.2

LABA 1.62, 8.42, -6.89, 0.2

 

CMYK 0 / 12 / 20 / 18

HEX #14080033

RGBA 20 8 0 0.2

HSLA 24, 1%, 0.04%, 0.2

LABA 2.91, 2.82, 4.41, 0.2

 

Description

Color code: RGBA 2 21 0 0.2 | qconv.com Color code: RGBA 2 21 0 0.2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 21 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 21 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 20 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 20% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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