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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 255 89 249 0.30 it is the complementary color RGBA 0 166 6 0.30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 255 89 249 0.30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 255 89 249 0.30: RGBA 255 89 244 0.30, RGBA 255 107 255 0.30, RGBA 255 125 255 0.30, RGBA 255 143 255 0.30 and RGBA 255 161 255 0.30

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 255 89 249 0.30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 255 89 249 0.30: RGBA 255 89 249 0.30, RGBA 238 71 230 0.30, RGBA 221 53 211 0.30, RGBA 204 35 192 0.30 and RGBA 187 17 173 0.30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 1 / 0

HEX #FF59F94C

RGBA 255 89 249 0.30

HSLA 302.17, 1%, 0.67%, 0.30

LABA 65.94, 80.24, -48.6, 0.30

 

Complementary color

CMYK 30 / 0 / 29 / 10

HEX #00A6064C

RGBA 0 166 6 0.30

HSLA 122.17, 1%, 0.33%, 0.30

LABA 59.24, -62.34, 59.47, 0.30

 

CMYK 0 / 20 / 1 / 0

HEX #FF59F44C

RGBA 255 89 244 0.30

HSLA 303.98, 1%, 0.67%, 0.30

LABA 65.7, 79.47, -46.21, 0.30

 

CMYK 0 / 17 / 0 / 0

HEX #FF6BFF4C

RGBA 255 107 255 0.30

HSLA 300, 1%, 0.71%, 0.30

LABA 68.75, 74.2, -47.46, 0.30

 

CMYK 0 / 15 / 0 / 0

HEX #FF7DFF4C

RGBA 255 125 255 0.30

HSLA 300, 1%, 0.75%, 0.30

LABA 71.65, 66.33, -42.9, 0.30

 

CMYK 0 / 13 / 0 / 0

HEX #FF8FFF4C

RGBA 255 143 255 0.30

HSLA 300, 1%, 0.78%, 0.30

LABA 74.9, 57.79, -37.84, 0.30

 

CMYK 0 / 11 / 0 / 0

HEX #FFA1FF4C

RGBA 255 161 255 0.30

HSLA 300, 1%, 0.82%, 0.30

LABA 78.44, 48.78, -32.36, 0.30

 

CMYK 0 / 20 / 1 / 0

HEX #FF59F94C

RGBA 255 89 249 0.30

HSLA 302.17, 1%, 0.67%, 0.30

LABA 65.94, 80.24, -48.6, 0.30

 

CMYK 0 / 21 / 1 / 2

HEX #EE47E64C

RGBA 238 71 230 0.30

HSLA 302.87, 0.83%, 0.61%, 0.30

LABA 60.25, 79.76, -47.2, 0.30

 

CMYK 0 / 23 / 1 / 4

HEX #DD35D34C

RGBA 221 53 211 0.30

HSLA 303.57, 0.71%, 0.54%, 0.30

LABA 54.68, 78.73, -45.44, 0.30

 

CMYK 0 / 25 / 2 / 6

HEX #CC23C04C

RGBA 204 35 192 0.30

HSLA 304.26, 0.71%, 0.47%, 0.30

LABA 49.31, 76.94, -43.2, 0.30

 

CMYK 0 / 27 / 2 / 8

HEX #BB11AD4C

RGBA 187 17 173 0.30

HSLA 304.94, 0.83%, 0.4%, 0.30

LABA 44.21, 74.11, -40.32, 0.30

 

CMYK 0 / 20 / 1 / 0

HEX #FF59F94C

RGBA 255 89 249 0.30

HSLA 302.17, 1%, 0.67%, 0.30

LABA 65.94, 80.24, -48.6, 0.30

 

CMYK 0 / 20 / 4 / 0

HEX #FF56DD4C

RGBA 255 86 221 0.30

HSLA 312.07, 1%, 0.67%, 0.30

LABA 64.27, 77.17, -35.66, 0.30

 

CMYK 0 / 20 / 7 / 0

HEX #FF56C14C

RGBA 255 86 193 0.30

HSLA 322.01, 1%, 0.67%, 0.30

LABA 63.15, 73.45, -21.58, 0.30

 

CMYK 0 / 20 / 11 / 0

HEX #FF56A54C

RGBA 255 86 165 0.30

HSLA 331.95, 1%, 0.67%, 0.30

LABA 62.2, 70.2, -6.98, 0.30

 

CMYK 0 / 20 / 14 / 0

HEX #FF56894C

RGBA 255 86 137 0.30

HSLA 341.89, 1%, 0.67%, 0.30

LABA 61.41, 67.47, 8.11, 0.30

 

CMYK 0 / 20 / 1 / 0

HEX #FF59F94C

RGBA 255 89 249 0.30

HSLA 302.17, 1%, 0.67%, 0.30

LABA 65.94, 80.24, -48.6, 0.30

 

CMYK 0 / 19 / 1 / 24

HEX #3312324C

RGBA 51 18 50 0.30

HSLA 301.82, 0.48%, 0.14%, 0.30

LABA 11.73, 22.02, -13.69, 0.30

 

CMYK 0 / 19 / 1 / 18

HEX #6624644C

RGBA 102 36 100 0.30

HSLA 301.82, 0.48%, 0.27%, 0.30

LABA 26.75, 38.53, -23.7, 0.30

 

CMYK 0 / 20 / 1 / 12

HEX #9935954C

RGBA 153 53 149 0.30

HSLA 302.4, 0.49%, 0.4%, 0.30

LABA 40.39, 53.51, -32.34, 0.30

 

CMYK 0 / 20 / 1 / 6

HEX #CC47C74C

RGBA 204 71 199 0.30

HSLA 302.26, 0.57%, 0.54%, 0.30

LABA 53.46, 67.22, -40.68, 0.30

 

CMYK 0 / 20 / 1 / 0

HEX #FF59F94C

RGBA 255 89 249 0.30

HSLA 302.17, 1%, 0.67%, 0.30

LABA 65.94, 80.24, -48.6, 0.30

 

CMYK 0 / 15 / 20 / 0

HEX #FF7D564C

RGBA 255 125 86 0.30

HSLA 13.85, 1%, 0.67%, 0.30

LABA 66.98, 46.66, 44.03, 0.30

 

CMYK 20 / 0 / 7 / 0

HEX #56FFC14C

RGBA 86 255 193 0.30

HSLA 157.99, 1%, 0.67%, 0.30

LABA 90.48, -57.45, 17.12, 0.30

 

CMYK 0 / 20 / 1 / 0

HEX #FF59F94C

RGBA 255 89 249 0.30

HSLA 302.17, 1%, 0.67%, 0.30

LABA 65.94, 80.24, -48.6, 0.30

 

CMYK 1 / 0 / 20 / 0

HEX #F9FF564C

RGBA 249 255 86 0.30

HSLA 62.13, 1%, 0.67%, 0.30

LABA 96.96, -21.77, 76.35, 0.30

 

CMYK 20 / 1 / 0 / 0

HEX #56F9FF4C

RGBA 86 249 255 0.30

HSLA 182.13, 1%, 0.67%, 0.30

LABA 90.3, -39.61, -15.27, 0.30

 

CMYK 0 / 20 / 1 / 0

HEX #FF59F94C

RGBA 255 89 249 0.30

HSLA 302.17, 1%, 0.67%, 0.30

LABA 65.94, 80.24, -48.6, 0.30

 

CMYK 0 / 15 / 20 / 0

HEX #FF7D564C

RGBA 255 125 86 0.30

HSLA 13.85, 1%, 0.67%, 0.30

LABA 66.98, 46.66, 44.03, 0.30

 

CMYK 20 / 0 / 19 / 0

HEX #56FF5C4C

RGBA 86 255 92 0.30

HSLA 122.13, 1%, 0.67%, 0.30

LABA 89.05, -73.39, 63.28, 0.30

 

CMYK 20 / 5 / 0 / 0

HEX #56D7FF4C

RGBA 86 215 255 0.30

HSLA 194.2, 1%, 0.67%, 0.30

LABA 80.63, -23.4, -29.94, 0.30

 

CMYK 0 / 20 / 1 / 0

HEX #FF59F94C

RGBA 255 89 249 0.30

HSLA 302.17, 1%, 0.67%, 0.30

LABA 65.94, 80.24, -48.6, 0.30

 

CMYK 0 / 9 / 20 / 0

HEX #FFB0564C

RGBA 255 176 86 0.30

HSLA 31.95, 1%, 0.67%, 0.30

LABA 77.86, 20.59, 56.41, 0.30

 

CMYK 20 / 0 / 19 / 0

HEX #56FF5C4C

RGBA 86 255 92 0.30

HSLA 122.13, 1%, 0.67%, 0.30

LABA 89.05, -73.39, 63.28, 0.30

 

CMYK 20 / 11 / 0 / 0

HEX #56A5FF4C

RGBA 86 165 255 0.30

HSLA 211.95, 1%, 0.67%, 0.30

LABA 66.6, 3.5, -51.8, 0.30

 

Description

Color code: RGBA 255 89 249 0.30 | qconv.com Color code: RGBA 255 89 249 0.30 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 89 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 89 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 1 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 1% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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