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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 255 30 240 0 it is the complementary color RGBA 0 225 15 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 255 30 240 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 255 30 240 0: RGBA 255 30 235 0, RGBA 255 48 254 0, RGBA 255 66 255 0, RGBA 255 84 255 0 and RGBA 255 102 255 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 255 30 240 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 255 30 240 0: RGBA 255 30 240 0, RGBA 238 12 221 0, RGBA 221 0 202 0, RGBA 204 0 183 0 and RGBA 187 0 164 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #FF1EF000

RGBA 255 30 240 0

HSLA 304, 1%, 0.56%, 0

LABA 60.32, 93.75, -52.5, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #00E10F00

RGBA 0 225 15 0

HSLA 124, 1%, 0.44%, 0

LABA 78.39, -78.14, 74.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF1EEB00

RGBA 255 30 235 0

HSLA 305.33, 1%, 0.56%, 0

LABA 60.06, 93.07, -50.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF30FE00

RGBA 255 48 254 0

HSLA 300.29, 1%, 0.59%, 0

LABA 62.11, 92.69, -57.43, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF42FF00

RGBA 255 66 255 0

HSLA 300, 1%, 0.63%, 0

LABA 63.65, 88.52, -55.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF54FF00

RGBA 255 84 255 0

HSLA 300, 1%, 0.66%, 0

LABA 65.61, 82.94, -52.42, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF66FF00

RGBA 255 102 255 0

HSLA 300, 1%, 0.7%, 0

LABA 68.01, 76.24, -48.63, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF1EF000

RGBA 255 30 240 0

HSLA 304, 1%, 0.56%, 0

LABA 60.32, 93.75, -52.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EE0CDD00

RGBA 238 12 221 0

HSLA 304.51, 0.9%, 0.49%, 0

LABA 55.75, 90.14, -49.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DD00CA00

RGBA 221 0 202 0

HSLA 305.16, 1%, 0.43%, 0

LABA 51.42, 85.57, -45.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CC00B700

RGBA 204 0 183 0

HSLA 306.18, 1%, 0.4%, 0

LABA 47.31, 80.13, -41.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BB00A400

RGBA 187 0 164 0

HSLA 307.38, 1%, 0.37%, 0

LABA 43.13, 74.6, -36.66, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF1EF000

RGBA 255 30 240 0

HSLA 304, 1%, 0.56%, 0

LABA 60.32, 93.75, -52.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF1ECA00

RGBA 255 30 202 0

HSLA 314.13, 1%, 0.56%, 0

LABA 58.46, 88.93, -33.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF1EA500

RGBA 255 30 165 0

HSLA 324, 1%, 0.56%, 0

LABA 56.98, 84.96, -14.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF1E7F00

RGBA 255 30 127 0

HSLA 334.13, 1%, 0.56%, 0

LABA 55.81, 81.72, 5.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF1E5A00

RGBA 255 30 90 0

HSLA 344, 1%, 0.56%, 0

LABA 55, 79.45, 27.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF1EF000

RGBA 255 30 240 0

HSLA 304, 1%, 0.56%, 0

LABA 60.32, 93.75, -52.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #33063000

RGBA 51 6 48 0

HSLA 304, 0.79%, 0.11%, 0

LABA 9.38, 27.8, -15.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #660C6000

RGBA 102 12 96 0

HSLA 304, 0.79%, 0.22%, 0

LABA 23.45, 46.53, -26.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #99129000

RGBA 153 18 144 0

HSLA 304, 0.79%, 0.34%, 0

LABA 36.4, 63.31, -35.61, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CC18C000

RGBA 204 24 192 0

HSLA 304, 0.79%, 0.45%, 0

LABA 48.63, 78.92, -44.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF1EF000

RGBA 255 30 240 0

HSLA 304, 1%, 0.56%, 0

LABA 60.32, 93.75, -52.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF5A1E00

RGBA 255 90 30 0

HSLA 16, 1%, 0.56%, 0

LABA 60.49, 60.39, 63.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1EFFB400

RGBA 30 255 180 0

HSLA 160, 1%, 0.56%, 0

LABA 89.44, -66.12, 22.19, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF1EF000

RGBA 255 30 240 0

HSLA 304, 1%, 0.56%, 0

LABA 60.32, 93.75, -52.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F0FF1E00

RGBA 240 255 30 0

HSLA 64, 1%, 0.56%, 0

LABA 96.05, -27.35, 90.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1EF0FF00

RGBA 30 240 255 0

HSLA 184, 1%, 0.56%, 0

LABA 86.91, -40.62, -20.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF1EF000

RGBA 255 30 240 0

HSLA 304, 1%, 0.56%, 0

LABA 60.32, 93.75, -52.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF5A1E00

RGBA 255 90 30 0

HSLA 16, 1%, 0.56%, 0

LABA 60.49, 60.39, 63.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1EFF2D00

RGBA 30 255 45 0

HSLA 124, 1%, 0.56%, 0

LABA 87.96, -83.79, 77.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1EC3FF00

RGBA 30 195 255 0

HSLA 196, 1%, 0.56%, 0

LABA 73.89, -18.77, -40.45, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF1EF000

RGBA 255 30 240 0

HSLA 304, 1%, 0.56%, 0

LABA 60.32, 93.75, -52.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF9D1E00

RGBA 255 157 30 0

HSLA 33.87, 1%, 0.56%, 0

LABA 73.2, 28.44, 72.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1EFF2D00

RGBA 30 255 45 0

HSLA 124, 1%, 0.56%, 0

LABA 87.96, -83.79, 77.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1E7FFF00

RGBA 30 127 255 0

HSLA 214.13, 1%, 0.56%, 0

LABA 54.74, 20.41, -70.88, 0

 

Description

Color code: RGBA 255 30 240 0 | qconv.com Color code: RGBA 255 30 240 0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 30 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 30 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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NCS® to CMYK

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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