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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 251 36 53 0 it is the complementary color RGBA 4 219 202 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 251 36 53 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 251 36 53 0 shade: RGBA 255 36 48 0, RGBA 255 54 67 0, RGBA 255 72 86 0, RGBA 255 90 105 0 and RGBA 255 108 124 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 251 36 53 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 251 36 53 0 shade: RGBA 251 36 53 0, RGBA 234 18 34 0, RGBA 217 0 15 0, RGBA 200 0 0 0 and RGBA 183 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 251 36 53 0 shade: RGB 251 35 52 and RGB 251 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 251 36 53 0 shade: RGB 251 35 52, RGB 251 35 110, RGB 251 35 168, RGB 251 35 226 and RGB 217 35 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 251 36 53 0 shade matches the following richer shades: RGB 251 35 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 251 36 53 0 shade: RGB 251 35 52, RGB 232 53 67, RGB 214 71 83, RGB 196 90 98 and RGB 178 108 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 251 36 53 0 shade: RGB 251 35 168, RGB 251 35 110, RGB 251 35 53, RGB 251 75 35 and RGB 251 132 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 251 36 53 0 shade: RGB 199 4 19, RGB 239 5 23, RGB 251 35 52, RGB 251 76 89 and RGB 252 116 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 251 36 53 0 shade: RGB 251 36 53, RGB 225 251 35 and RGB 35 139 251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 251 36 53 0 shade: RGB 251 36 53, RGB 53 251 35 and RGB 35 53 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 251 36 53 0 shade: RGB 251 36 53, RGB 225 251 35, RGB 35 251 233 and RGB 60 35 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 251 36 53 0 shade: RGB 251 36 53, RGB 161 251 35, RGB 35 251 233 and RGB 125 35 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #FB243500

RGBA 251 36 53 0

HSLA 355.26, 0.96%, 0.56%, 0

LABA 54.06, 76, 47.05, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #04DBCA00

RGBA 4 219 202 0

HSLA 175.26, 0.96%, 0.44%, 0

LABA 79.01, -47.64, -4.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF243000

RGBA 255 36 48 0

HSLA 356.71, 1%, 0.57%, 0

LABA 54.8, 76.89, 50.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF364300

RGBA 255 54 67 0

HSLA 356.12, 1%, 0.61%, 0

LABA 56.39, 73.5, 42.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF485600

RGBA 255 72 86 0

HSLA 355.41, 1%, 0.64%, 0

LABA 58.57, 68.95, 33.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF5A6900

RGBA 255 90 105 0

HSLA 354.55, 1%, 0.68%, 0

LABA 61.3, 63.44, 26.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF6C7C00

RGBA 255 108 124 0

HSLA 353.47, 1%, 0.71%, 0

LABA 64.52, 57.22, 19.92, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FB243500

RGBA 251 36 53 0

HSLA 355.26, 0.96%, 0.56%, 0

LABA 54.06, 76, 47.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EA122200

RGBA 234 18 34 0

HSLA 355.56, 0.86%, 0.49%, 0

LABA 49.55, 73.93, 51.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D9000F00

RGBA 217 0 15 0

HSLA 355.85, 1%, 0.43%, 0

LABA 45.34, 71.05, 54.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C8000000

RGBA 200 0 0 0

HSLA 0, 1%, 0.39%, 0

LABA 41.66, 66.71, 55.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B7000000

RGBA 183 0 0 0

HSLA 0, 1%, 0.36%, 0

LABA 37.96, 62.44, 52.38, 0

 

CMYK 0 / 86 / 79 / 2

HEX #FB2334

RGB 251 35 52

HSL 355.28, 0.96%, 0.56%

LAB 53.98, 76.15, 47.52

 

CMYK 0 / 86 / 86 / 2

HEX #FB2323

RGB 251 35 35

HSL 0, 0.96%, 0.56%

LAB 53.85, 75.76, 55.88

 

CMYK 0 / 86 / 79 / 2

HEX #FB2334

RGB 251 35 52

HSL 355.28, 0.96%, 0.56%

LAB 53.98, 76.15, 47.52

 

CMYK 0 / 86 / 56 / 2

HEX #FB236E

RGB 251 35 110

HSL 339.17, 0.96%, 0.56%

LAB 54.9, 78.81, 14.8

 

CMYK 0 / 86 / 33 / 2

HEX #FB23A8

RGB 251 35 168

HSL 323.06, 0.96%, 0.56%

LAB 56.62, 83.62, -17.16

 

CMYK 0 / 86 / 10 / 2

HEX #FB23E2

RGB 251 35 226

HSL 306.94, 0.96%, 0.56%

LAB 59.16, 90.43, -46.53

 

CMYK 14 / 86 / 0 / 2

HEX #D923FB

RGB 217 35 251

HSL 290.56, 0.96%, 0.56%

LAB 54.99, 88.36, -67.52

 

CMYK 0 / 86 / 79 / 2

HEX #FB2334

RGB 251 35 52

HSL 355.28, 0.96%, 0.56%

LAB 53.98, 76.15, 47.52

 

CMYK 0 / 86 / 79 / 2

HEX #FB2334

RGB 251 35 52

HSL 355.28, 0.96%, 0.56%

LAB 53.98, 76.15, 47.52

 

CMYK 0 / 77 / 71 / 9

HEX #E83543

RGB 232 53 67

HSL 355.31, 0.8%, 0.56%

LAB 51.96, 67.38, 35.86

 

CMYK 0 / 67 / 61 / 16

HEX #D64753

RGB 214 71 83

HSL 354.97, 0.64%, 0.56%

LAB 51.18, 56.6, 24.79

 

CMYK 0 / 54 / 50 / 23

HEX #C45A62

RGB 196 90 98

HSL 355.47, 0.47%, 0.56%

LAB 51.76, 43.09, 16.14

 

CMYK 0 / 39 / 37 / 30

HEX #B26C71

RGB 178 108 113

HSL 355.71, 0.31%, 0.56%

LAB 53.37, 28.49, 9.14

 

CMYK 0 / 86 / 33 / 2

HEX #FB23A8

RGB 251 35 168

HSL 323.06, 0.96%, 0.56%

LAB 56.62, 83.62, -17.16

 

CMYK 0 / 86 / 56 / 2

HEX #FB236E

RGB 251 35 110

HSL 339.17, 0.96%, 0.56%

LAB 54.9, 78.81, 14.8

 

CMYK 0 / 86 / 79 / 2

HEX #FB2335

RGB 251 35 53

HSL 355, 0.96%, 0.56%

LAB 53.99, 76.18, 46.99

 

CMYK 0 / 70 / 86 / 2

HEX #FB4B23

RGB 251 75 35

HSL 11.11, 0.96%, 0.56%

LAB 57.72, 64.91, 59

 

CMYK 0 / 47 / 86 / 2

HEX #FB8423

RGB 251 132 35

HSL 26.94, 0.96%, 0.56%

LAB 67.38, 39.72, 66.77

 

CMYK 0 / 98 / 90 / 22

HEX #C70413

RGB 199 4 19

HSL 355.38, 0.96%, 0.4%

LAB 41.65, 66.27, 49.06

 

CMYK 0 / 98 / 90 / 6

HEX #EF0517

RGB 239 5 23

HSL 355.38, 0.96%, 0.48%

LAB 50.12, 76.1, 57.17

 

CMYK 0 / 86 / 79 / 2

HEX #FB2334

RGB 251 35 52

HSL 355.28, 0.96%, 0.56%

LAB 53.98, 76.15, 47.52

 

CMYK 0 / 70 / 65 / 2

HEX #FB4C59

RGB 251 76 89

HSL 355.54, 0.96%, 0.64%

LAB 58.41, 66.54, 31.83

 

CMYK 0 / 54 / 50 / 1

HEX #FC747F

RGB 252 116 127

HSL 355.15, 0.96%, 0.72%

LAB 65.53, 52.8, 19.53

 

CMYK 0 / 86 / 79 / 2

HEX #FB2435

RGB 251 36 53

HSL 355.26, 0.96%, 0.56%

LAB 54.06, 76, 47.05

 

CMYK 10 / 0 / 86 / 2

HEX #E1FB23

RGB 225 251 35

HSL 67.22, 0.96%, 0.56%

LAB 93.94, -31.43, 87.3

 

CMYK 86 / 45 / 0 / 2

HEX #238BFB

RGB 35 139 251

HSL 211.11, 0.96%, 0.56%

LAB 57.83, 11.8, -63.68

 

CMYK 0 / 86 / 79 / 2

HEX #FB2435

RGB 251 36 53

HSL 355.26, 0.96%, 0.56%

LAB 54.06, 76, 47.05

 

CMYK 79 / 0 / 86 / 2

HEX #35FB23

RGB 53 251 35

HSL 115, 0.96%, 0.56%

LAB 86.93, -81.02, 78.58

 

CMYK 86 / 79 / 0 / 2

HEX #2335FB

RGB 35 53 251

HSL 235, 0.96%, 0.56%

LAB 37.61, 63.23, -96.76

 

CMYK 0 / 86 / 79 / 2

HEX #FB2435

RGB 251 36 53

HSL 355.26, 0.96%, 0.56%

LAB 54.06, 76, 47.05

 

CMYK 10 / 0 / 86 / 2

HEX #E1FB23

RGB 225 251 35

HSL 67.22, 0.96%, 0.56%

LAB 93.94, -31.43, 87.3

 

CMYK 86 / 0 / 7 / 2

HEX #23FBE9

RGB 35 251 233

HSL 175, 0.96%, 0.56%

LAB 89.5, -51.4, -5.09

 

CMYK 76 / 86 / 0 / 2

HEX #3C23FB

RGB 60 35 251

HSL 246.94, 0.96%, 0.56%

LAB 36.23, 71.66, -99.01

 

CMYK 0 / 86 / 79 / 2

HEX #FB2435

RGB 251 36 53

HSL 355.26, 0.96%, 0.56%

LAB 54.06, 76, 47.05

 

CMYK 36 / 0 / 86 / 2

HEX #A1FB23

RGB 161 251 35

HSL 85, 0.96%, 0.56%

LAB 90.18, -55.4, 82.64

 

CMYK 86 / 0 / 7 / 2

HEX #23FBE9

RGB 35 251 233

HSL 175, 0.96%, 0.56%

LAB 89.5, -51.4, -5.09

 

CMYK 50 / 86 / 0 / 2

HEX #7D23FB

RGB 125 35 251

HSL 265, 0.96%, 0.56%

LAB 42.04, 76.34, -89.2

 

Description

Color code: RGBA 251 36 53 0 | qconv.com Color code: RGBA 251 36 53 0 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 36 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 36 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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