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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C23FB it is the complementary color #C3DC04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C23FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C23FB shade: #4123F6, #5235FF, #6347FF, #7459FF and #856BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C23FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C23FB shade: #3C23FB, #2B11E8, #1A00D5, #0900C2 and #0000AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C23FB shade: #3C23FB, #7623FB, #B023FB, #EA23FB and #FB23D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C23FB shade: #3C23FB and #2323FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C23FB shade matches the following richer shades: #3C23FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C23FB shade: #3C23FB, #4A35E8, #5847D6, #665AC4 and #746CB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C23FB shade: #2380FB, #2347FB, #3923FB, #7223FB and #AC23FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C23FB shade: #1B04C7, #2005EF, #3C23FB, #604CFB and #8474FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C23FB shade: #3C23FB, #FB23BA and #64FB23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C23FB shade: #3C23FB, #FB3923 and #23FB39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C23FB shade: #3C23FB, #FB23BA, #E5FB23 and #23FB64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C23FB shade: #3C23FB, #FB2379, #E5FB23 and #23FBA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 86 / 0 / 2

HEX #3C23FB

RGB 60 35 251

HSL 246.94, 0.96%, 0.56%

LAB 36.23, 71.66, -99.01

 

Complementary color

CMYK 11 / 0 / 98 / 14

HEX #C3DC04

RGB 195 220 4

HSL 66.94, 0.96%, 0.44%

LAB 83.34, -29.66, 81.95

 

CMYK 74 / 86 / 0 / 4

HEX #4123F6

RGB 65 35 246

HSL 248.53, 0.92%, 0.55%

LAB 35.95, 70.57, -96.66

 

CMYK 68 / 79 / 0 / 0

HEX #5235FF

RGB 82 53 255

HSL 248.61, 1%, 0.6%

LAB 40.51, 67.11, -94.11

 

CMYK 61 / 72 / 0 / 0

HEX #6347FF

RGB 99 71 255

HSL 249.13, 1%, 0.64%

LAB 44.77, 60.32, -87.03

 

CMYK 55 / 65 / 0 / 0

HEX #7459FF

RGB 116 89 255

HSL 249.76, 1%, 0.67%

LAB 49.59, 53.21, -79.08

 

CMYK 48 / 58 / 0 / 0

HEX #856BFF

RGB 133 107 255

HSL 250.54, 1%, 0.71%

LAB 54.78, 46.25, -70.57

 

CMYK 76 / 86 / 0 / 2

HEX #3C23FB

RGB 60 35 251

HSL 246.94, 0.96%, 0.56%

LAB 36.23, 71.66, -99.01

 

CMYK 81 / 93 / 0 / 9

HEX #2B11E8

RGB 43 17 232

HSL 247.26, 0.86%, 0.49%

LAB 31.21, 71.21, -96.65

 

CMYK 88 / 100 / 0 / 16

HEX #1A00D5

RGB 26 0 213

HSL 247.32, 1%, 0.42%

LAB 26.8, 69.34, -93.09

 

CMYK 95 / 100 / 0 / 24

HEX #0900C2

RGB 9 0 194

HSL 242.78, 1%, 0.38%

LAB 23.52, 64.53, -87.48

 

CMYK 100 / 100 / 0 / 31

HEX #0000AF

RGB 0 0 175

HSL 240, 1%, 0.34%

LAB 20.42, 59.72, -81.33

 

CMYK 76 / 86 / 0 / 2

HEX #3C23FB

RGB 60 35 251

HSL 246.94, 0.96%, 0.56%

LAB 36.23, 71.66, -99.01

 

CMYK 53 / 86 / 0 / 2

HEX #7623FB

RGB 118 35 251

HSL 263.06, 0.96%, 0.56%

LAB 41.25, 75.67, -90.54

 

CMYK 30 / 86 / 0 / 2

HEX #B023FB

RGB 176 35 251

HSL 279.17, 0.96%, 0.56%

LAB 48.76, 82.37, -77.93

 

CMYK 7 / 86 / 0 / 2

HEX #EA23FB

RGB 234 35 251

HSL 295.28, 0.96%, 0.56%

LAB 57.71, 91.07, -63

 

CMYK 0 / 86 / 17 / 2

HEX #FB23D1

RGB 251 35 209

HSL 311.67, 0.96%, 0.56%

LAB 58.33, 88.25, -38.2

 

CMYK 76 / 86 / 0 / 2

HEX #3C23FB

RGB 60 35 251

HSL 246.94, 0.96%, 0.56%

LAB 36.23, 71.66, -99.01

 

CMYK 86 / 86 / 0 / 2

HEX #2323FB

RGB 35 35 251

HSL 240, 0.96%, 0.56%

LAB 35.05, 70.79, -101.01

 

CMYK 76 / 86 / 0 / 2

HEX #3C23FB

RGB 60 35 251

HSL 246.94, 0.96%, 0.56%

LAB 36.23, 71.66, -99.01

 

CMYK 76 / 86 / 0 / 2

HEX #3C23FB

RGB 60 35 251

HSL 246.94, 0.96%, 0.56%

LAB 36.23, 71.66, -99.01

 

CMYK 68 / 77 / 0 / 9

HEX #4A35E8

RGB 74 53 232

HSL 247.04, 0.8%, 0.56%

LAB 37.53, 59.87, -86.09

 

CMYK 59 / 67 / 0 / 16

HEX #5847D6

RGB 88 71 214

HSL 247.13, 0.64%, 0.56%

LAB 40.31, 46.63, -71.2

 

CMYK 48 / 54 / 0 / 23

HEX #665AC4

RGB 102 90 196

HSL 246.79, 0.47%, 0.56%

LAB 44.41, 32.48, -54.1

 

CMYK 35 / 39 / 0 / 30

HEX #746CB2

RGB 116 108 178

HSL 246.86, 0.31%, 0.56%

LAB 49.07, 19.86, -36.16

 

CMYK 86 / 49 / 0 / 2

HEX #2380FB

RGB 35 128 251

HSL 214.17, 0.96%, 0.56%

LAB 54.82, 18.56, -68.53

 

CMYK 86 / 72 / 0 / 2

HEX #2347FB

RGB 35 71 251

HSL 230, 0.96%, 0.56%

LAB 40.94, 53.72, -91.23

 

CMYK 77 / 86 / 0 / 2

HEX #3923FB

RGB 57 35 251

HSL 246.11, 0.96%, 0.56%

LAB 36.06, 71.53, -99.31

 

CMYK 55 / 86 / 0 / 2

HEX #7223FB

RGB 114 35 251

HSL 261.94, 0.96%, 0.56%

LAB 40.81, 75.3, -91.28

 

CMYK 31 / 86 / 0 / 2

HEX #AC23FB

RGB 172 35 251

HSL 278.06, 0.96%, 0.56%

LAB 48.18, 81.83, -78.89

 

CMYK 86 / 98 / 0 / 22

HEX #1B04C7

RGB 27 4 199

HSL 247.08, 0.96%, 0.4%

LAB 25.09, 65.11, -87.78

 

CMYK 87 / 98 / 0 / 6

HEX #2005EF

RGB 32 5 239

HSL 246.92, 0.96%, 0.48%

LAB 30.99, 74.85, -101.01

 

CMYK 76 / 86 / 0 / 2

HEX #3C23FB

RGB 60 35 251

HSL 246.94, 0.96%, 0.56%

LAB 36.23, 71.66, -99.01

 

CMYK 62 / 70 / 0 / 2

HEX #604CFB

RGB 96 76 251

HSL 246.86, 0.96%, 0.64%

LAB 45.11, 56.19, -84.25

 

CMYK 48 / 54 / 0 / 1

HEX #8474FC

RGB 132 116 252

HSL 247.06, 0.96%, 0.72%

LAB 56.51, 40.05, -66.13

 

CMYK 76 / 86 / 0 / 2

HEX #3C23FB

RGB 60 35 251

HSL 246.94, 0.96%, 0.56%

LAB 36.23, 71.66, -99.01

 

CMYK 0 / 86 / 26 / 2

HEX #FB23BA

RGB 251 35 186

HSL 318.06, 0.96%, 0.56%

LAB 57.32, 85.54, -26.57

 

CMYK 60 / 0 / 86 / 2

HEX #64FB23

RGB 100 251 35

HSL 101.94, 0.96%, 0.56%

LAB 87.88, -72.91, 79.77

 

CMYK 76 / 86 / 0 / 2

HEX #3C23FB

RGB 60 35 251

HSL 246.94, 0.96%, 0.56%

LAB 36.23, 71.66, -99.01

 

CMYK 0 / 77 / 86 / 2

HEX #FB3923

RGB 251 57 35

HSL 6.11, 0.96%, 0.56%

LAB 55.64, 70.67, 57.33

 

CMYK 86 / 0 / 77 / 2

HEX #23FB39

RGB 35 251 57

HSL 126.11, 0.96%, 0.56%

LAB 86.82, -81.68, 73.03

 

CMYK 76 / 86 / 0 / 2

HEX #3C23FB

RGB 60 35 251

HSL 246.94, 0.96%, 0.56%

LAB 36.23, 71.66, -99.01

 

CMYK 0 / 86 / 26 / 2

HEX #FB23BA

RGB 251 35 186

HSL 318.06, 0.96%, 0.56%

LAB 57.32, 85.54, -26.57

 

CMYK 9 / 0 / 86 / 2

HEX #E5FB23

RGB 229 251 35

HSL 66.11, 0.96%, 0.56%

LAB 94.22, -29.83, 87.64

 

CMYK 86 / 0 / 60 / 2

HEX #23FB64

RGB 35 251 100

HSL 138.06, 0.96%, 0.56%

LAB 87.13, -77.84, 57.6

 

CMYK 76 / 86 / 0 / 2

HEX #3C23FB

RGB 60 35 251

HSL 246.94, 0.96%, 0.56%

LAB 36.23, 71.66, -99.01

 

CMYK 0 / 86 / 52 / 2

HEX #FB2379

RGB 251 35 121

HSL 336.11, 0.96%, 0.56%

LAB 55.17, 79.55, 8.57

 

CMYK 9 / 0 / 86 / 2

HEX #E5FB23

RGB 229 251 35

HSL 66.11, 0.96%, 0.56%

LAB 94.22, -29.83, 87.64

 

CMYK 86 / 0 / 35 / 2

HEX #23FBA4

RGB 35 251 164

HSL 155.83, 0.96%, 0.56%

LAB 87.98, -67.7, 28.33

 

Description

Color code: HEX #3C23FB | qconv.com Color code: HEX #3C23FB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 35 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 35 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 86 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 86% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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