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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 250 189 35 .5 it is the complementary color RGBA 5 66 220 .5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 250 189 35 .5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 250 189 35 .5: RGBA 255 189 30 .5, RGBA 255 207 49 .5, RGBA 255 225 68 .5, RGBA 255 243 87 .5 and RGBA 255 255 106 .5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 250 189 35 .5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 250 189 35 .5: RGBA 250 189 35 .5, RGBA 233 171 16 .5, RGBA 216 153 0 .5, RGBA 199 135 0 .5 and RGBA 182 117 0 .5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 43 / 1

HEX #FABD237F

RGBA 250 189 35 .5

HSLA 42.98, 0.96%, 0.56%, .5

LABA 80.09, 9.74, 76.94, .5

 

Complementary color

CMYK 49 / 35 / 0 / 7

HEX #0542DC7F

RGBA 5 66 220 .5

HSLA 222.98, 0.96%, 0.44%, .5

LABA 36.17, 44.91, -81.58, .5

 

CMYK 0 / 13 / 44 / 0

HEX #FFBD1E7F

RGBA 255 189 30 .5

HSLA 42.4, 1%, 0.56%, .5

LABA 80.6, 11.76, 78.69, .5

 

CMYK 0 / 9 / 40 / 0

HEX #FFCF317F

RGBA 255 207 49 .5

HSLA 46.02, 1%, 0.6%, .5

LABA 85.05, 2.92, 77.58, .5

 

CMYK 0 / 6 / 37 / 0

HEX #FFE1447F

RGBA 255 225 68 .5

HSLA 50.37, 1%, 0.63%, .5

LABA 89.64, -5.52, 75.73, .5

 

CMYK 0 / 2 / 33 / 0

HEX #FFF3577F

RGBA 255 243 87 .5

HSLA 55.71, 1%, 0.67%, .5

LABA 94.33, -13.51, 73.46, .5

 

CMYK 0 / 0 / 29 / 0

HEX #FFFF6A7F

RGBA 255 255 106 .5

HSLA 60, 1%, 0.71%, .5

LABA 97.56, -18.18, 69.3, .5

 

CMYK 0 / 12 / 43 / 1

HEX #FABD237F

RGBA 250 189 35 .5

HSLA 42.98, 0.96%, 0.56%, .5

LABA 80.09, 9.74, 76.94, .5

 

CMYK 0 / 13 / 47 / 4

HEX #E9AB107F

RGBA 233 171 16 .5

HSLA 42.86, 0.87%, 0.49%, .5

LABA 73.86, 11.56, 75.12, .5

 

CMYK 0 / 15 / 50 / 8

HEX #D899007F

RGBA 216 153 0 .5

HSLA 42.5, 1%, 0.42%, .5

LABA 67.56, 13.61, 71.87, .5

 

CMYK 0 / 16 / 50 / 11

HEX #C787007F

RGBA 199 135 0 .5

HSLA 40.7, 1%, 0.39%, .5

LABA 61.19, 15.89, 66.66, .5

 

CMYK 0 / 18 / 50 / 14

HEX #B675007F

RGBA 182 117 0 .5

HSLA 38.57, 1%, 0.36%, .5

LABA 54.73, 18.26, 61.38, .5

 

CMYK 0 / 12 / 43 / 1

HEX #FABD237F

RGBA 250 189 35 .5

HSLA 42.98, 0.96%, 0.56%, .5

LABA 80.09, 9.74, 76.94, .5

 

CMYK 0 / 6 / 43 / 1

HEX #FADD237F

RGBA 250 221 35 .5

HSLA 51.91, 0.96%, 0.56%, .5

LABA 88.04, -6.64, 83.33, .5

 

CMYK 1 / 0 / 43 / 1

HEX #F3FA237F

RGBA 243 250 35 .5

HSLA 61.95, 0.96%, 0.56%, .5

LABA 94.97, -23.69, 88.67, .5

 

CMYK 9 / 0 / 43 / 1

HEX #CFFA237F

RGBA 207 250 35 .5

HSLA 72, 0.96%, 0.56%, .5

LABA 92.47, -38.09, 85.6, .5

 

CMYK 16 / 0 / 43 / 1

HEX #ABFA237F

RGBA 171 250 35 .5

HSLA 82.05, 0.96%, 0.56%, .5

LABA 90.39, -51.53, 83.02, .5

 

CMYK 0 / 12 / 43 / 1

HEX #FABD237F

RGBA 250 189 35 .5

HSLA 42.98, 0.96%, 0.56%, .5

LABA 80.09, 9.74, 76.94, .5

 

CMYK 0 / 12 / 43 / 41

HEX #2E23067F

RGBA 46 35 6 .5

HSLA 43.5, 0.77%, 0.1%, .5

LABA 14.38, 1.35, 18.69, .5

 

CMYK 0 / 12 / 43 / 31

HEX #61490E7F

RGBA 97 73 14 .5

HSLA 42.65, 0.75%, 0.22%, .5

LABA 32.56, 4.09, 36.41, .5

 

CMYK 0 / 12 / 43 / 21

HEX #9470157F

RGBA 148 112 21 .5

HSLA 42.99, 0.75%, 0.33%, .5

LABA 49.42, 5.9, 50.97, .5

 

CMYK 0 / 12 / 43 / 11

HEX #C7961C7F

RGBA 199 150 28 .5

HSLA 42.81, 0.75%, 0.45%, .5

LABA 64.99, 8.14, 64.21, .5

 

CMYK 0 / 12 / 43 / 1

HEX #FABD237F

RGBA 250 189 35 .5

HSLA 42.98, 0.96%, 0.56%, .5

LABA 80.09, 9.74, 76.94, .5

 

CMYK 39 / 0 / 43 / 1

HEX #38FA237F

RGBA 56 250 35 .5

HSLA 114.14, 0.96%, 0.56%, .5

LABA 86.67, -80.37, 78.36, .5

 

CMYK 30 / 43 / 0 / 1

HEX #6323FA7F

RGBA 99 35 250 .5

HSLA 257.86, 0.96%, 0.56%, .5

LABA 39.17, 73.79, -93.48, .5

 

CMYK 0 / 12 / 43 / 1

HEX #FABD237F

RGBA 250 189 35 .5

HSLA 42.98, 0.96%, 0.56%, .5

LABA 80.09, 9.74, 76.94, .5

 

CMYK 43 / 0 / 13 / 1

HEX #23FAB97F

RGBA 35 250 185 .5

HSLA 161.86, 0.96%, 0.56%, .5

LABA 88.08, -62.9, 17.75, .5

 

CMYK 13 / 43 / 0 / 1

HEX #B923FA7F

RGBA 185 35 250 .5

HSLA 281.86, 0.96%, 0.56%, .5

LABA 50, 83.42, -75.29, .5

 

CMYK 0 / 12 / 43 / 1

HEX #FABD237F

RGBA 250 189 35 .5

HSLA 42.98, 0.96%, 0.56%, .5

LABA 80.09, 9.74, 76.94, .5

 

CMYK 39 / 0 / 43 / 1

HEX #38FA237F

RGBA 56 250 35 .5

HSLA 114.14, 0.96%, 0.56%, .5

LABA 86.67, -80.37, 78.36, .5

 

CMYK 43 / 30 / 0 / 1

HEX #2363FA7F

RGBA 35 99 250 .5

HSLA 222.14, 0.96%, 0.56%, .5

LABA 47.21, 36.42, -80.35, .5

 

CMYK 4 / 43 / 0 / 1

HEX #E423FA7F

RGBA 228 35 250 .5

HSLA 293.86, 0.96%, 0.56%, .5

LABA 56.68, 89.94, -64.15, .5

 

CMYK 0 / 12 / 43 / 1

HEX #FABD237F

RGBA 250 189 35 .5

HSLA 42.98, 0.96%, 0.56%, .5

LABA 80.09, 9.74, 76.94, .5

 

CMYK 43 / 0 / 34 / 1

HEX #23FA4E7F

RGBA 35 250 78 .5

HSLA 132, 0.96%, 0.56%, .5

LABA 86.64, -79.81, 65.86, .5

 

CMYK 43 / 30 / 0 / 1

HEX #2363FA7F

RGBA 35 99 250 .5

HSLA 222.14, 0.96%, 0.56%, .5

LABA 47.21, 36.42, -80.35, .5

 

CMYK 0 / 43 / 9 / 1

HEX #FA23CF7F

RGBA 250 35 207 .5

HSLA 312, 0.96%, 0.56%, .5

LABA 58.07, 87.81, -37.49, .5

 

Description

Color code: RGBA 250 189 35 .5 | qconv.com Color code: RGBA 250 189 35 .5 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 189 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 189 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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