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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 249 245 241 0.49 it is the complementary color RGBA 6 10 14 0.49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 249 245 241 0.49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 249 245 241 0.49: RGBA 254 245 236 0.49, RGBA 255 255 255 0.49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 249 245 241 0.49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 249 245 241 0.49: RGBA 249 245 241 0.49, RGBA 232 227 222 0.49, RGBA 215 209 203 0.49, RGBA 198 191 184 0.49 and RGBA 181 173 165 0.49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 2 / 1

HEX #F9F5F17C

RGBA 249 245 241 0.49

HSLA 30, 0.4%, 0.96%, 0.49

LABA 96.74, 0.64, 2.38, 0.49

 

Complementary color

CMYK 28 / 14 / 0 / 46

HEX #060A0E7C

RGBA 6 10 14 0.49

HSLA 210, 0.4%, 0.04%, 0.49

LABA 2.6, -0.42, -2.06, 0.49

 

CMYK 0 / 2 / 3 / 0

HEX #FEF5EC7C

RGBA 254 245 236 0.49

HSLA 30, 0.9%, 0.96%, 0.49

LABA 97, 1.5, 5.39, 0.49

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF7C

RGBA 255 255 255 0.49

HSLA 0, 0%, 1%, 0.49

LABA 100, 0.01, -0.01, 0.49

RAL® 9010

CMYK 0 / 1 / 2 / 1

HEX #F9F5F17C

RGBA 249 245 241 0.49

HSLA 30, 0.4%, 0.96%, 0.49

LABA 96.74, 0.64, 2.38, 0.49

 

CMYK 0 / 1 / 2 / 4

HEX #E8E3DE7C

RGBA 232 227 222 0.49

HSLA 30, 0.18%, 0.89%, 0.49

LABA 90.49, 0.82, 3.03, 0.49

 

CMYK 0 / 1 / 3 / 8

HEX #D7D1CB7C

RGBA 215 209 203 0.49

HSLA 30, 0.13%, 0.82%, 0.49

LABA 84.15, 1.01, 3.69, 0.49

 

CMYK 0 / 2 / 3 / 11

HEX #C6BFB87C

RGBA 198 191 184 0.49

HSLA 30, 0.11%, 0.75%, 0.49

LABA 77.71, 1.22, 4.39, 0.49

 

CMYK 0 / 2 / 4 / 14

HEX #B5ADA57C

RGBA 181 173 165 0.49

HSLA 30, 0.1%, 0.68%, 0.49

LABA 71.16, 1.44, 5.12, 0.49

 

CMYK 0 / 1 / 2 / 1

HEX #F9F5F17C

RGBA 249 245 241 0.49

HSLA 30, 0.4%, 0.96%, 0.49

LABA 96.74, 0.64, 2.38, 0.49

 

CMYK 0 / 0 / 2 / 1

HEX #F8F6F07C

RGBA 248 246 240 0.49

HSLA 45, 0.36%, 0.96%, 0.49

LABA 96.89, -0.37, 3.1, 0.49

 

CMYK 0 / 0 / 2 / 1

HEX #F8F7F07C

RGBA 248 247 240 0.49

HSLA 52.5, 0.36%, 0.96%, 0.49

LABA 97.13, -0.88, 3.46, 0.49

 

CMYK 0 / 0 / 2 / 1

HEX #F8F8F07C

RGBA 248 248 240 0.49

HSLA 60, 0.36%, 0.96%, 0.49

LABA 97.38, -1.38, 3.83, 0.49

 

CMYK 0 / 0 / 2 / 1

HEX #F7F8F07C

RGBA 247 248 240 0.49

HSLA 67.5, 0.36%, 0.96%, 0.49

LABA 97.31, -1.72, 3.71, 0.49

 

CMYK 0 / 1 / 2 / 1

HEX #F9F5F17C

RGBA 249 245 241 0.49

HSLA 30, 0.4%, 0.96%, 0.49

LABA 96.74, 0.64, 2.38, 0.49

 

CMYK 0 / 1 / 1 / 40

HEX #2D2C2C7C

RGBA 45 44 44 0.49

HSLA 0, 0.01%, 0.17%, 0.49

LABA 18.1, 0.45, 0.16, 0.49

NCS® S8500-N

CMYK 0 / 1 / 2 / 31

HEX #605E5D7C

RGBA 96 94 93 0.49

HSLA 20, 0.02%, 0.37%, 0.49

LABA 40.05, 0.59, 0.85, 0.49

 

CMYK 0 / 1 / 2 / 21

HEX #93918E7C

RGBA 147 145 142 0.49

HSLA 36, 0.02%, 0.57%, 0.49

LABA 60.25, 0.16, 1.84, 0.49

 

CMYK 0 / 1 / 1 / 11

HEX #C6C3C07C

RGBA 198 195 192 0.49

HSLA 30, 0.05%, 0.76%, 0.49

LABA 78.95, 0.5, 1.86, 0.49

 

CMYK 0 / 1 / 2 / 1

HEX #F9F5F17C

RGBA 249 245 241 0.49

HSLA 30, 0.4%, 0.96%, 0.49

LABA 96.74, 0.64, 2.38, 0.49

 

CMYK 1 / 0 / 2 / 1

HEX #F3F8F07C

RGBA 243 248 240 0.49

HSLA 97.5, 0.36%, 0.96%, 0.49

LABA 97.02, -3.05, 3.25, 0.49

 

CMYK 1 / 2 / 0 / 1

HEX #F1F0F87C

RGBA 241 240 248 0.49

HSLA 247.5, 0.36%, 0.96%, 0.49

LABA 95.08, 1.77, -3.74, 0.49

 

CMYK 0 / 1 / 2 / 1

HEX #F9F5F17C

RGBA 249 245 241 0.49

HSLA 30, 0.4%, 0.96%, 0.49

LABA 96.74, 0.64, 2.38, 0.49

 

CMYK 2 / 0 / 1 / 1

HEX #F0F8F47C

RGBA 240 248 244 0.49

HSLA 150, 0.36%, 0.96%, 0.49

LABA 96.9, -3.34, 0.99, 0.49

 

CMYK 1 / 2 / 0 / 1

HEX #F4F0F87C

RGBA 244 240 248 0.49

HSLA 270, 0.36%, 0.96%, 0.49

LABA 95.3, 2.76, -3.38, 0.49

 

CMYK 0 / 1 / 2 / 1

HEX #F9F5F17C

RGBA 249 245 241 0.49

HSLA 30, 0.4%, 0.96%, 0.49

LABA 96.74, 0.64, 2.38, 0.49

 

CMYK 1 / 0 / 2 / 1

HEX #F3F8F07C

RGBA 243 248 240 0.49

HSLA 97.5, 0.36%, 0.96%, 0.49

LABA 97.02, -3.05, 3.25, 0.49

 

CMYK 2 / 1 / 0 / 1

HEX #F0F4F87C

RGBA 240 244 248 0.49

HSLA 210, 0.36%, 0.96%, 0.49

LABA 96, -0.6, -2.39, 0.49

 

CMYK 0 / 2 / 0 / 1

HEX #F6F0F87C

RGBA 246 240 248 0.49

HSLA 285, 0.36%, 0.96%, 0.49

LABA 95.45, 3.42, -3.14, 0.49

 

CMYK 0 / 1 / 2 / 1

HEX #F9F5F17C

RGBA 249 245 241 0.49

HSLA 30, 0.4%, 0.96%, 0.49

LABA 96.74, 0.64, 2.38, 0.49

 

CMYK 2 / 0 / 2 / 1

HEX #F0F8F07C

RGBA 240 248 240 0.49

HSLA 120, 0.36%, 0.96%, 0.49

LABA 96.8, -4.05, 2.91, 0.49

 

CMYK 2 / 1 / 0 / 1

HEX #F0F4F87C

RGBA 240 244 248 0.49

HSLA 210, 0.36%, 0.96%, 0.49

LABA 96, -0.6, -2.39, 0.49

 

CMYK 0 / 2 / 0 / 1

HEX #F8F0F87C

RGBA 248 240 248 0.49

HSLA 300, 0.36%, 0.96%, 0.49

LABA 95.6, 4.08, -2.9, 0.49

 

Description

Color code: RGBA 249 245 241 0.49 | qconv.com Color code: RGBA 249 245 241 0.49 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 245 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 245 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 2 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 2% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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