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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 248 245 20 0.07 it is the complementary color RGBA 7 10 235 0.07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 248 245 20 0.07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 248 245 20 0.07: RGBA 253 245 15 0.07, RGBA 255 255 34 0.07, RGBA 255 255 53 0.07, RGBA 255 255 72 0.07 and RGBA 255 255 91 0.07

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 248 245 20 0.07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 248 245 20 0.07: RGBA 248 245 20 0.07, RGBA 231 227 1 0.07, RGBA 214 209 0 0.07, RGBA 197 191 0 0.07 and RGBA 180 173 0 0.07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 6 / 0

HEX #F8F51411

RGBA 248 245 20 0.07

HSLA 59.21, 0.94%, 0.53%, 0.07

LABA 94.02, -19.5, 90.3, 0.07

 

Complementary color

CMYK 7 / 7 / 0 / 1

HEX #070AEB11

RGBA 7 10 235 0.07

HSLA 239.21, 0.94%, 0.47%, 0.07

LABA 30.06, 72.81, -100.31, 0.07

 

CMYK 0 / 0 / 7 / 0

HEX #FDF50F11

RGBA 253 245 15 0.07

HSLA 57.98, 0.98%, 0.53%, 0.07

LABA 94.41, -17.48, 91.29, 0.07

 

CMYK 0 / 0 / 6 / 0

HEX #FFFF2211

RGBA 255 255 34 0.07

HSLA 60, 1%, 0.57%, 0.07

LABA 97.19, -21.18, 91.01, 0.07

 

CMYK 0 / 0 / 6 / 0

HEX #FFFF3511

RGBA 255 255 53 0.07

HSLA 60, 1%, 0.6%, 0.07

LABA 97.24, -20.71, 87.06, 0.07

 

CMYK 0 / 0 / 5 / 0

HEX #FFFF4811

RGBA 255 255 72 0.07

HSLA 60, 1%, 0.64%, 0.07

LABA 97.33, -20.03, 81.69, 0.07

 

CMYK 0 / 0 / 5 / 0

HEX #FFFF5B11

RGBA 255 255 91 0.07

HSLA 60, 1%, 0.68%, 0.07

LABA 97.44, -19.1, 75.13, 0.07

 

CMYK 0 / 0 / 6 / 0

HEX #F8F51411

RGBA 248 245 20 0.07

HSLA 59.21, 0.94%, 0.53%, 0.07

LABA 94.02, -19.5, 90.3, 0.07

 

CMYK 0 / 0 / 7 / 1

HEX #E7E30111

RGBA 231 227 1 0.07

HSLA 58.96, 0.99%, 0.45%, 0.07

LABA 87.93, -18.05, 86.83, 0.07

 

CMYK 0 / 0 / 7 / 1

HEX #D6D10011

RGBA 214 209 0 0.07

HSLA 58.6, 1%, 0.42%, 0.07

LABA 81.78, -16.42, 81.8, 0.07

 

CMYK 0 / 0 / 7 / 2

HEX #C5BF0011

RGBA 197 191 0 0.07

HSLA 58.17, 1%, 0.39%, 0.07

LABA 75.53, -14.74, 76.61, 0.07

 

CMYK 0 / 0 / 7 / 2

HEX #B4AD0011

RGBA 180 173 0 0.07

HSLA 57.67, 1%, 0.35%, 0.07

LABA 69.18, -13.02, 71.34, 0.07

 

CMYK 0 / 0 / 6 / 0

HEX #F8F51411

RGBA 248 245 20 0.07

HSLA 59.21, 0.94%, 0.53%, 0.07

LABA 94.02, -19.5, 90.3, 0.07

 

CMYK 1 / 0 / 6 / 0

HEX #D6F71611

RGBA 214 247 22 0.07

HSLA 68.8, 0.93%, 0.53%, 0.07

LABA 92.08, -34.24, 87.49, 0.07

 

CMYK 2 / 0 / 6 / 0

HEX #B0F71611

RGBA 176 247 22 0.07

HSLA 78.93, 0.93%, 0.53%, 0.07

LABA 89.77, -48.79, 84.68, 0.07

 

CMYK 3 / 0 / 6 / 0

HEX #8AF71611

RGBA 138 247 22 0.07

HSLA 89.07, 0.93%, 0.53%, 0.07

LABA 87.96, -61.65, 82.46, 0.07

 

CMYK 4 / 0 / 6 / 0

HEX #65F71611

RGBA 101 247 22 0.07

HSLA 98.93, 0.93%, 0.53%, 0.07

LABA 86.68, -71.74, 80.87, 0.07

 

CMYK 0 / 0 / 6 / 0

HEX #F8F51411

RGBA 248 245 20 0.07

HSLA 59.21, 0.94%, 0.53%, 0.07

LABA 94.02, -19.5, 90.3, 0.07

 

CMYK 0 / 0 / 6 / 6

HEX #2C2B0411

RGBA 44 43 4 0.07

HSLA 58.5, 0.83%, 0.09%, 0.07

LABA 16.85, -5.33, 22.59, 0.07

 

CMYK 0 / 0 / 6 / 4

HEX #5F5E0811

RGBA 95 94 8 0.07

HSLA 59.31, 0.84%, 0.2%, 0.07

LABA 38.65, -9.65, 43.41, 0.07

 

CMYK 0 / 0 / 6 / 3

HEX #92900C11

RGBA 146 144 12 0.07

HSLA 59.1, 0.85%, 0.31%, 0.07

LABA 58.12, -12.97, 60.06, 0.07

 

CMYK 0 / 0 / 6 / 2

HEX #C5C31011

RGBA 197 195 16 0.07

HSLA 59.34, 0.85%, 0.42%, 0.07

LABA 76.64, -16.57, 75.7, 0.07

 

CMYK 0 / 0 / 6 / 0

HEX #F8F51411

RGBA 248 245 20 0.07

HSLA 59.21, 0.94%, 0.53%, 0.07

LABA 94.02, -19.5, 90.3, 0.07

 

CMYK 6 / 0 / 5 / 0

HEX #16F73F11

RGBA 22 247 63 0.07

HSLA 130.93, 0.93%, 0.53%, 0.07

LABA 85.53, -81, 69.89, 0.07

 

CMYK 3 / 6 / 0 / 0

HEX #9916F711

RGBA 153 22 247 0.07

HSLA 274.93, 0.93%, 0.53%, 0.07

LABA 44.32, 81.23, -83.08, 0.07

 

CMYK 0 / 0 / 6 / 0

HEX #F8F51411

RGBA 248 245 20 0.07

HSLA 59.21, 0.94%, 0.53%, 0.07

LABA 94.02, -19.5, 90.3, 0.07

 

CMYK 6 / 0 / 0 / 0

HEX #16F7F411

RGBA 22 247 244 0.07

HSLA 179.2, 0.93%, 0.53%, 0.07

LABA 88.55, -47.25, -12.24, 0.07

 

CMYK 0 / 6 / 0 / 0

HEX #F416F711

RGBA 244 22 247 0.07

HSLA 299.2, 0.93%, 0.53%, 0.07

LABA 58.53, 93.85, -59.37, 0.07

 

CMYK 0 / 0 / 6 / 0

HEX #F8F51411

RGBA 248 245 20 0.07

HSLA 59.21, 0.94%, 0.53%, 0.07

LABA 94.02, -19.5, 90.3, 0.07

 

CMYK 6 / 0 / 5 / 0

HEX #16F73F11

RGBA 22 247 63 0.07

HSLA 130.93, 0.93%, 0.53%, 0.07

LABA 85.53, -81, 69.89, 0.07

 

CMYK 6 / 6 / 0 / 0

HEX #161AF711

RGBA 22 26 247 0.07

HSLA 238.93, 0.93%, 0.53%, 0.07

LABA 33.19, 72.37, -101.87, 0.07

 

CMYK 0 / 6 / 1 / 0

HEX #F716CE11

RGBA 247 22 206 0.07

HSLA 310.93, 0.93%, 0.53%, 0.07

LABA 56.88, 88.89, -38.81, 0.07

 

CMYK 0 / 0 / 6 / 0

HEX #F8F51411

RGBA 248 245 20 0.07

HSLA 59.21, 0.94%, 0.53%, 0.07

LABA 94.02, -19.5, 90.3, 0.07

 

CMYK 6 / 0 / 3 / 0

HEX #16F78311

RGBA 22 247 131 0.07

HSLA 149.07, 0.93%, 0.53%, 0.07

LABA 86.17, -73.06, 42.26, 0.07

 

CMYK 6 / 6 / 0 / 0

HEX #161AF711

RGBA 22 26 247 0.07

HSLA 238.93, 0.93%, 0.53%, 0.07

LABA 33.19, 72.37, -101.87, 0.07

 

CMYK 0 / 6 / 3 / 0

HEX #F7168A11

RGBA 247 22 138 0.07

HSLA 329.07, 0.93%, 0.53%, 0.07

LABA 54.22, 81.85, -3.09, 0.07

 

Description

Color code: RGBA 248 245 20 0.07 | qconv.com Color code: RGBA 248 245 20 0.07 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 245 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 245 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 6 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 6% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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