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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 247 142 60 0.75 it is the complementary color RGBA 8 113 195 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 247 142 60 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 247 142 60 0.75 shade: RGBA 252 142 55 0.75, RGBA 255 160 74 0.75, RGBA 255 178 93 0.75, RGBA 255 196 112 0.75 and RGBA 255 214 131 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 247 142 60 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 247 142 60 0.75 shade: RGBA 247 142 60 0.75, RGBA 230 124 41 0.75, RGBA 213 106 22 0.75, RGBA 196 88 3 0.75 and RGBA 179 70 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 247 142 60 0.75 shade: RGB 247 141 59, RGB 247 91 59 and RGB 247 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 247 142 60 0.75 shade: RGB 247 141 59, RGB 247 192 59, RGB 247 243 59, RGB 200 247 59 and RGB 150 247 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 247 142 60 0.75 shade matches the following richer shades: RGB 247 141 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 247 142 60 0.75 shade: RGB 247 141 59, RGB 230 143 76, RGB 214 146 92, RGB 197 148 109 and RGB 181 150 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 247 142 60 0.75 shade: RGB 247 59 78, RGB 247 90 59, RGB 247 140 59, RGB 247 191 59 and RGB 247 241 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 247 142 60 0.75 shade: RGB 215 99 9, RGB 245 118 20, RGB 247 141 59, RGB 248 164 99 and RGB 250 187 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 247 142 60 0.75 shade: RGB 247 142 60, RGB 128 247 59 and RGB 65 59 247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 247 142 60 0.75 shade: RGB 247 142 60, RGB 59 247 140 and RGB 140 59 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 247 142 60 0.75 shade: RGB 247 142 60, RGB 128 247 59, RGB 59 166 247 and RGB 178 59 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 247 142 60 0.75 shade: RGB 247 142 60, RGB 72 247 59, RGB 59 166 247 and RGB 234 59 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 57 / 2

HEX #F78E3CBF

RGBA 247 142 60 0.75

HSLA 26.31, 0.92%, 0.6%, 0.75

LABA 69.07, 33.8, 58.55, 0.75

 

Complementary color

CMYK 72 / 32 / 0 / 18

HEX #0871C3BF

RGBA 8 113 195 0.75

HSLA 206.31, 0.92%, 0.4%, 0.75

LABA 46.71, 4.93, -50.03, 0.75

 

CMYK 0 / 33 / 59 / 1

HEX #FC8E37BF

RGBA 252 142 55 0.75

HSLA 26.5, 0.97%, 0.6%, 0.75

LABA 69.69, 35.61, 61.49, 0.75

 

CMYK 0 / 28 / 53 / 0

HEX #FFA04ABF

RGBA 255 160 74 0.75

HSLA 28.51, 1%, 0.65%, 0.75

LABA 74.12, 28.31, 57.85, 0.75

 

CMYK 0 / 23 / 48 / 0

HEX #FFB25DBF

RGBA 255 178 93 0.75

HSLA 31.48, 1%, 0.68%, 0.75

LABA 78.4, 19.96, 53.72, 0.75

 

CMYK 0 / 17 / 42 / 0

HEX #FFC470BF

RGBA 255 196 112 0.75

HSLA 35.24, 1%, 0.72%, 0.75

LABA 82.87, 11.88, 49.79, 0.75

 

CMYK 0 / 12 / 36 / 0

HEX #FFD683BF

RGBA 255 214 131 0.75

HSLA 40.16, 1%, 0.76%, 0.75

LABA 87.48, 4.16, 46.11, 0.75

 

CMYK 0 / 32 / 57 / 2

HEX #F78E3CBF

RGBA 247 142 60 0.75

HSLA 26.31, 0.92%, 0.6%, 0.75

LABA 69.07, 33.8, 58.55, 0.75

 

CMYK 0 / 35 / 62 / 7

HEX #E67C29BF

RGBA 230 124 41 0.75

HSLA 26.35, 0.79%, 0.53%, 0.75

LABA 62.84, 35.61, 59.67, 0.75

 

CMYK 0 / 38 / 67 / 12

HEX #D56A16BF

RGBA 213 106 22 0.75

HSLA 26.39, 0.81%, 0.46%, 0.75

LABA 56.6, 37.58, 60.01, 0.75

 

CMYK 0 / 41 / 74 / 17

HEX #C45803BF

RGBA 196 88 3 0.75

HSLA 26.42, 0.97%, 0.39%, 0.75

LABA 50.36, 39.66, 59.01, 0.75

 

CMYK 0 / 46 / 75 / 22

HEX #B34600BF

RGBA 179 70 0 0.75

HSLA 23.46, 1%, 0.35%, 0.75

LABA 44.18, 41.81, 54.77, 0.75

 

CMYK 0 / 43 / 76 / 3

HEX #F78D3B

RGB 247 141 59

HSL 26.17, 0.92%, 0.6%

LAB 68.85, 34.28, 58.77

 

CMYK 0 / 63 / 76 / 3

HEX #F75B3B

RGB 247 91 59

HSL 10.21, 0.92%, 0.6%

LAB 59.5, 58.07, 49.3

 

CMYK 0 / 76 / 76 / 3

HEX #F73B3B

RGB 247 59 59

HSL 0, 0.92%, 0.6%

LAB 55.3, 69.59, 44.87

 

CMYK 0 / 43 / 76 / 3

HEX #F78D3B

RGB 247 141 59

HSL 26.17, 0.92%, 0.6%

LAB 68.85, 34.28, 58.77

 

CMYK 0 / 22 / 76 / 3

HEX #F7C03B

RGB 247 192 59

HSL 42.45, 0.92%, 0.6%

LAB 80.62, 7.62, 70.08

 

CMYK 0 / 2 / 76 / 3

HEX #F7F33B

RGB 247 243 59

HSL 58.72, 0.92%, 0.6%

LAB 93.53, -18.03, 81.93

 

CMYK 19 / 0 / 76 / 3

HEX #C8F73B

RGB 200 247 59

HSL 75, 0.92%, 0.6%

LAB 91.29, -38.66, 78.65

 

CMYK 39 / 0 / 76 / 3

HEX #96F73B

RGB 150 247 59

HSL 90.96, 0.92%, 0.6%

LAB 88.6, -56.52, 75.18

 

CMYK 0 / 43 / 76 / 3

HEX #F78D3B

RGB 247 141 59

HSL 26.17, 0.92%, 0.6%

LAB 68.85, 34.28, 58.77

 

CMYK 0 / 43 / 76 / 3

HEX #F78D3B

RGB 247 141 59

HSL 26.17, 0.92%, 0.6%

LAB 68.85, 34.28, 58.77

 

CMYK 0 / 38 / 67 / 10

HEX #E68F4C

RGB 230 143 76

HSL 26.1, 0.75%, 0.6%

LAB 67.27, 27.17, 48.56

 

CMYK 0 / 32 / 57 / 16

HEX #D6925C

RGB 214 146 92

HSL 26.56, 0.6%, 0.6%

LAB 66.23, 20.06, 38.73

 

CMYK 0 / 25 / 45 / 23

HEX #C5946D

RGB 197 148 109

HSL 26.59, 0.43%, 0.6%

LAB 65.08, 13.52, 27.76

 

CMYK 0 / 17 / 31 / 29

HEX #B5967D

RGB 181 150 125

HSL 26.79, 0.27%, 0.6%

LAB 64.26, 7.83, 17.53

 

CMYK 0 / 76 / 68 / 3

HEX #F73B4E

RGB 247 59 78

HSL 353.94, 0.92%, 0.6%

LAB 55.54, 70.36, 34.45

 

CMYK 0 / 64 / 76 / 3

HEX #F75A3B

RGB 247 90 59

HSL 9.89, 0.92%, 0.6%

LAB 59.34, 58.49, 49.14

 

CMYK 0 / 43 / 76 / 3

HEX #F78C3B

RGB 247 140 59

HSL 25.85, 0.92%, 0.6%

LAB 68.64, 34.79, 58.56

 

CMYK 0 / 23 / 76 / 3

HEX #F7BF3B

RGB 247 191 59

HSL 42.13, 0.92%, 0.6%

LAB 80.38, 8.14, 69.85

 

CMYK 0 / 2 / 76 / 3

HEX #F7F13B

RGB 247 241 59

HSL 58.09, 0.92%, 0.6%

LAB 93.01, -17.07, 81.46

 

CMYK 0 / 54 / 96 / 16

HEX #D76309

RGB 215 99 9

HSL 26.21, 0.92%, 0.44%

LAB 55.47, 41.69, 62.43

 

CMYK 0 / 52 / 92 / 4

HEX #F57614

RGB 245 118 20

HSL 26.13, 0.92%, 0.52%

LAB 63.69, 44.07, 67.8

 

CMYK 0 / 43 / 76 / 3

HEX #F78D3B

RGB 247 141 59

HSL 26.17, 0.92%, 0.6%

LAB 68.85, 34.28, 58.77

 

CMYK 0 / 34 / 60 / 3

HEX #F8A463

RGB 248 164 99

HSL 26.17, 0.91%, 0.68%

LAB 74.45, 24.85, 45.99

 

CMYK 0 / 25 / 45 / 2

HEX #FABB8A

RGB 250 187 138

HSL 26.25, 0.92%, 0.76%

LAB 80.57, 16.87, 33.63

 

CMYK 0 / 43 / 76 / 3

HEX #F78E3C

RGB 247 142 60

HSL 26.31, 0.92%, 0.6%

LAB 69.07, 33.8, 58.55

 

CMYK 48 / 0 / 76 / 3

HEX #80F73B

RGB 128 247 59

HSL 97.98, 0.92%, 0.6%

LAB 87.69, -63.25, 73.99

 

CMYK 74 / 76 / 0 / 3

HEX #413BF7

RGB 65 59 247

HSL 241.91, 0.92%, 0.6%

LAB 39.53, 60.68, -91.29

 

CMYK 0 / 43 / 76 / 3

HEX #F78E3C

RGB 247 142 60

HSL 26.31, 0.92%, 0.6%

LAB 69.07, 33.8, 58.55

 

CMYK 76 / 0 / 43 / 3

HEX #3BF78C

RGB 59 247 140

HSL 145.85, 0.92%, 0.6%

LAB 86.67, -68.5, 38.6

 

CMYK 43 / 76 / 0 / 3

HEX #8C3BF7

RGB 140 59 247

HSL 265.85, 0.92%, 0.6%

LAB 46.2, 69.14, -80.06

 

CMYK 0 / 43 / 76 / 3

HEX #F78E3C

RGB 247 142 60

HSL 26.31, 0.92%, 0.6%

LAB 69.07, 33.8, 58.55

 

CMYK 48 / 0 / 76 / 3

HEX #80F73B

RGB 128 247 59

HSL 97.98, 0.92%, 0.6%

LAB 87.69, -63.25, 73.99

 

CMYK 76 / 33 / 0 / 3

HEX #3BA6F7

RGB 59 166 247

HSL 205.85, 0.92%, 0.6%

LAB 65.68, -3.43, -48.95

 

CMYK 28 / 76 / 0 / 3

HEX #B23BF7

RGB 178 59 247

HSL 277.98, 0.92%, 0.6%

LAB 51.05, 75.14, -71.95

 

CMYK 0 / 43 / 76 / 3

HEX #F78E3C

RGB 247 142 60

HSL 26.31, 0.92%, 0.6%

LAB 69.07, 33.8, 58.55

 

CMYK 71 / 0 / 76 / 3

HEX #48F73B

RGB 72 247 59

HSL 115.85, 0.92%, 0.6%

LAB 86.11, -75.98, 71.92

 

CMYK 76 / 33 / 0 / 3

HEX #3BA6F7

RGB 59 166 247

HSL 205.85, 0.92%, 0.6%

LAB 65.68, -3.43, -48.95

 

CMYK 5 / 76 / 0 / 3

HEX #EA3BF7

RGB 234 59 247

HSL 295.85, 0.92%, 0.6%

LAB 59.28, 85.18, -58.26

 

Description

Color code: RGBA 247 142 60 0.75 | qconv.com Color code: RGBA 247 142 60 0.75 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 142 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 142 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 57% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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