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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 2 / 76 / 3 it is the complementary color CMYK 96 / 93 / 0 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 2 / 76 / 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 2 / 76 / 3: CMYK 0 / 4 / 79 / 1, CMYK 0 / 0 / 71 / 0, CMYK 0 / 0 / 64 / 0, CMYK 0 / 0 / 56 / 0 and CMYK 0 / 0 / 49 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 2 / 76 / 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 2 / 76 / 3: CMYK 0 / 2 / 76 / 3, CMYK 0 / 3 / 83 / 10, CMYK 0 / 3 / 90 / 16, CMYK 0 / 4 / 99 / 23 and CMYK 0 / 5 / 100 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 76 / 3

HEX #F7F23B

RGB 247 242 59

HSL 58.4, 0.92%, 0.6%

LAB 93.27, -17.55, 81.7

 

Complementary color

CMYK 96 / 93 / 0 / 23

HEX #080DC4

RGB 8 13 196

HSL 238.4, 0.92%, 0.4%

LAB 24.72, 62.16, -86.65

 

CMYK 0 / 4 / 79 / 1

HEX #FCF236

RGB 252 242 54

HSL 56.97, 0.97%, 0.6%

LAB 93.65, -15.66, 83.58

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF49

RGB 255 255 73

HSL 60, 1%, 0.64%

LAB 97.33, -19.98, 81.37

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 0 / 2 / 76 / 3

HEX #F7F23B

RGB 247 242 59

HSL 58.4, 0.92%, 0.6%

LAB 93.27, -17.55, 81.7

 

CMYK 0 / 3 / 83 / 10

HEX #E6E028

RGB 230 224 40

HSL 58.11, 0.79%, 0.53%

LAB 87.14, -16.42, 80.8

 

CMYK 0 / 3 / 90 / 16

HEX #D5CE15

RGB 213 206 21

HSL 57.81, 0.82%, 0.46%

LAB 80.93, -15.12, 78.87

 

CMYK 0 / 4 / 99 / 23

HEX #C4BC02

RGB 196 188 2

HSL 57.53, 0.98%, 0.39%

LAB 74.64, -13.64, 75.71

 

CMYK 0 / 5 / 100 / 30

HEX #B3AA00

RGB 179 170 0

HSL 56.98, 1%, 0.35%

LAB 68.27, -11.92, 70.64

 

CMYK 0 / 2 / 76 / 3

HEX #F7F23B

RGB 247 242 59

HSL 58.4, 0.92%, 0.6%

LAB 93.27, -17.55, 81.7

 

CMYK 10 / 0 / 76 / 4

HEX #DDF63B

RGB 221 246 59

HSL 68.02, 0.91%, 0.6%

LAB 92.4, -29.98, 80.18

 

CMYK 23 / 0 / 76 / 4

HEX #BEF63B

RGB 190 246 59

HSL 77.97, 0.91%, 0.6%

LAB 90.4, -42.02, 77.61

 

CMYK 35 / 0 / 76 / 4

HEX #9FF63B

RGB 159 246 59

HSL 87.91, 0.91%, 0.6%

LAB 88.73, -53.14, 75.45

 

CMYK 48 / 0 / 76 / 4

HEX #7FF63B

RGB 127 246 59

HSL 98.18, 0.91%, 0.6%

LAB 87.36, -63.17, 73.66

 

CMYK 0 / 2 / 76 / 3

HEX #F7F23B

RGB 247 242 59

HSL 58.4, 0.92%, 0.6%

LAB 93.27, -17.55, 81.7

 

CMYK 0 / 2 / 77 / 83

HEX #2B2A0A

RGB 43 42 10

HSL 58.18, 0.62%, 0.1%

LAB 16.46, -4.72, 19.64

 

CMYK 0 / 2 / 77 / 63

HEX #5E5C16

RGB 94 92 22

HSL 58.33, 0.62%, 0.23%

LAB 38.01, -8.42, 38.2

 

CMYK 0 / 2 / 76 / 43

HEX #918E23

RGB 145 142 35

HSL 58.36, 0.61%, 0.35%

LAB 57.55, -11.64, 53.47

 

CMYK 0 / 2 / 76 / 23

HEX #C4C02F

RGB 196 192 47

HSL 58.39, 0.61%, 0.48%

LAB 75.85, -14.67, 67.97

 

CMYK 0 / 2 / 76 / 3

HEX #F7F23B

RGB 247 242 59

HSL 58.4, 0.92%, 0.6%

LAB 93.27, -17.55, 81.7

 

CMYK 76 / 0 / 63 / 4

HEX #3BF65A

RGB 59 246 90

HSL 129.95, 0.91%, 0.6%

LAB 85.8, -75, 60.35

 

CMYK 33 / 76 / 0 / 4

HEX #A53BF6

RGB 165 59 246

HSL 274.01, 0.91%, 0.6%

LAB 49.23, 72.78, -74.43

 

CMYK 0 / 2 / 76 / 3

HEX #F7F23B

RGB 247 242 59

HSL 58.4, 0.92%, 0.6%

LAB 93.27, -17.55, 81.7

 

CMYK 76 / 0 / 2 / 4

HEX #3BF6F0

RGB 59 246 240

HSL 178.07, 0.91%, 0.6%

LAB 88.51, -45.54, -10.17

 

CMYK 2 / 76 / 0 / 4

HEX #F03BF6

RGB 240 59 246

HSL 298.07, 0.91%, 0.6%

LAB 60.17, 86.16, -56.24

 

CMYK 0 / 2 / 76 / 3

HEX #F7F23B

RGB 247 242 59

HSL 58.4, 0.92%, 0.6%

LAB 93.27, -17.55, 81.7

 

CMYK 76 / 0 / 63 / 4

HEX #3BF65A

RGB 59 246 90

HSL 129.95, 0.91%, 0.6%

LAB 85.8, -75, 60.35

 

CMYK 76 / 74 / 0 / 4

HEX #3B41F6

RGB 59 65 246

HSL 238.07, 0.91%, 0.6%

LAB 40.19, 56.83, -89.64

 

CMYK 0 / 76 / 13 / 4

HEX #F63BD7

RGB 246 59 215

HSL 309.95, 0.91%, 0.6%

LAB 59.55, 82.86, -39.76

 

CMYK 0 / 2 / 76 / 3

HEX #F7F23B

RGB 247 242 59

HSL 58.4, 0.92%, 0.6%

LAB 93.27, -17.55, 81.7

 

CMYK 76 / 0 / 41 / 4

HEX #3BF692

RGB 59 246 146

HSL 147.91, 0.91%, 0.6%

LAB 86.46, -67.12, 35.37

 

CMYK 76 / 74 / 0 / 4

HEX #3B41F6

RGB 59 65 246

HSL 238.07, 0.91%, 0.6%

LAB 40.19, 56.83, -89.64

 

CMYK 0 / 76 / 35 / 4

HEX #F63B9F

RGB 246 59 159

HSL 327.91, 0.91%, 0.6%

LAB 57.29, 76.16, -10.97

 

Description

Color code: CMYK 0 / 2 / 76 / 3 | qconv.com Color code: CMYK 0 / 2 / 76 / 3 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 242 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 242 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 76 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 76% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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