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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 245 60 224 .5 it is the complementary color RGBA 10 195 31 .5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 245 60 224 .5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 245 60 224 .5: RGBA 250 60 219 .5, RGBA 255 78 238 .5, RGBA 255 96 255 .5, RGBA 255 114 255 .5 and RGBA 255 132 255 .5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 245 60 224 .5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 245 60 224 .5: RGBA 245 60 224 .5, RGBA 228 42 205 .5, RGBA 211 24 186 .5, RGBA 194 6 167 .5 and RGBA 177 0 148 .5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 4 / 2

HEX #F53CE07F

RGBA 245 60 224 .5

HSLA 306.81, 0.9%, 0.6%, .5

LABA 59.91, 83.63, -44.28, .5

 

Complementary color

CMYK 47 / 0 / 42 / 12

HEX #0AC31F7F

RGBA 10 195 31 .5

HSLA 126.81, 0.9%, 0.4%, .5

LABA 68.89, -69.07, 63.25, .5

 

CMYK 0 / 38 / 6 / 1

HEX #FA3CDB7F

RGBA 250 60 219 .5

HSLA 309.79, 0.95%, 0.61%, .5

LABA 60.49, 83.98, -40.5, .5

 

CMYK 0 / 35 / 3 / 0

HEX #FF4EEE7F

RGBA 255 78 238 .5

HSLA 305.76, 1%, 0.65%, .5

LABA 64.07, 82.37, -45.46, .5

 

CMYK 0 / 31 / 0 / 0

HEX #FF60FF7F

RGBA 255 96 255 .5

HSLA 300, 1%, 0.69%, .5

LABA 67.16, 78.59, -49.97, .5

 

CMYK 0 / 28 / 0 / 0

HEX #FF72FF7F

RGBA 255 114 255 .5

HSLA 300, 1%, 0.72%, .5

LABA 69.83, 71.23, -45.76, .5

 

CMYK 0 / 24 / 0 / 0

HEX #FF84FF7F

RGBA 255 132 255 .5

HSLA 300, 1%, 0.76%, .5

LABA 72.88, 63.08, -40.99, .5

 

CMYK 0 / 38 / 4 / 2

HEX #F53CE07F

RGBA 245 60 224 .5

HSLA 306.81, 0.9%, 0.6%, .5

LABA 59.91, 83.63, -44.28, .5

 

CMYK 0 / 41 / 5 / 5

HEX #E42ACD7F

RGBA 228 42 205 .5

HSLA 307.42, 0.78%, 0.53%, .5

LABA 54.61, 81.96, -42.04, .5

 

CMYK 0 / 44 / 6 / 9

HEX #D318BA7F

RGBA 211 24 186 .5

HSLA 308.02, 0.8%, 0.46%, .5

LABA 49.55, 79.38, -39.23, .5

 

CMYK 0 / 48 / 7 / 12

HEX #C206A77F

RGBA 194 6 167 .5

HSLA 308.62, 0.94%, 0.39%, .5

LABA 44.79, 75.71, -35.75, .5

 

CMYK 0 / 50 / 8 / 15

HEX #B100947F

RGBA 177 0 148 .5

HSLA 309.83, 1%, 0.35%, .5

LABA 40.39, 70.67, -31.46, .5

 

CMYK 0 / 38 / 4 / 2

HEX #F53CE07F

RGBA 245 60 224 .5

HSLA 306.81, 0.9%, 0.6%, .5

LABA 59.91, 83.63, -44.28, .5

 

CMYK 0 / 38 / 10 / 2

HEX #F43DC37F

RGBA 244 61 195 .5

HSLA 316.07, 0.89%, 0.6%, .5

LABA 58.52, 79.25, -30, .5

 

CMYK 0 / 38 / 16 / 2

HEX #F43DA57F

RGBA 244 61 165 .5

HSLA 325.9, 0.89%, 0.6%, .5

LABA 57.35, 75.72, -14.42, .5

 

CMYK 0 / 38 / 23 / 2

HEX #F43D867F

RGBA 244 61 134 .5

HSLA 336.07, 0.89%, 0.6%, .5

LABA 56.38, 72.69, 2.39, .5

 

CMYK 0 / 38 / 29 / 2

HEX #F43D687F

RGBA 244 61 104 .5

HSLA 345.9, 0.89%, 0.6%, .5

LABA 55.65, 70.39, 19.2, .5

 

CMYK 0 / 38 / 4 / 2

HEX #F53CE07F

RGBA 245 60 224 .5

HSLA 306.81, 0.9%, 0.6%, .5

LABA 59.91, 83.63, -44.28, .5

 

CMYK 0 / 38 / 5 / 42

HEX #290A257F

RGBA 41 10 37 .5

HSLA 307.74, 0.61%, 0.1%, .5

LABA 7.43, 20.32, -10.91, .5

 

CMYK 0 / 38 / 4 / 32

HEX #5C17547F

RGBA 92 23 84 .5

HSLA 306.96, 0.6%, 0.23%, .5

LABA 22.05, 38.58, -20.66, .5

 

CMYK 0 / 38 / 4 / 22

HEX #8F23837F

RGBA 143 35 131 .5

HSLA 306.67, 0.61%, 0.35%, .5

LABA 35.36, 54.84, -29.34, .5

 

CMYK 0 / 38 / 4 / 12

HEX #C230B17F

RGBA 194 48 177 .5

HSLA 306.99, 0.6%, 0.47%, .5

LABA 47.95, 69.4, -36.68, .5

 

CMYK 0 / 38 / 4 / 2

HEX #F53CE07F

RGBA 245 60 224 .5

HSLA 306.81, 0.9%, 0.6%, .5

LABA 59.91, 83.63, -44.28, .5

 

CMYK 0 / 26 / 38 / 2

HEX #F4743D7F

RGBA 244 116 61 .5

HSLA 18.03, 0.89%, 0.6%, .5

LABA 63.39, 45.73, 52.21, .5

 

CMYK 38 / 0 / 11 / 2

HEX #3DF4BD7F

RGBA 61 244 189 .5

HSLA 161.97, 0.89%, 0.6%, .5

LABA 86.69, -57.41, 13.77, .5

 

CMYK 0 / 38 / 4 / 2

HEX #F53CE07F

RGBA 245 60 224 .5

HSLA 306.81, 0.9%, 0.6%, .5

LABA 59.91, 83.63, -44.28, .5

 

CMYK 4 / 0 / 38 / 2

HEX #E2F43D7F

RGBA 226 244 61 .5

HSLA 65.9, 0.89%, 0.6%, .5

LABA 92.22, -26.97, 79.56, .5

 

CMYK 38 / 4 / 0 / 2

HEX #3DE2F47F

RGBA 61 226 244 .5

HSLA 185.9, 0.89%, 0.6%, .5

LABA 82.87, -35.17, -20.74, .5

 

CMYK 0 / 38 / 4 / 2

HEX #F53CE07F

RGBA 245 60 224 .5

HSLA 306.81, 0.9%, 0.6%, .5

LABA 59.91, 83.63, -44.28, .5

 

CMYK 0 / 26 / 38 / 2

HEX #F4743D7F

RGBA 244 116 61 .5

HSLA 18.03, 0.89%, 0.6%, .5

LABA 63.39, 45.73, 52.21, .5

 

CMYK 38 / 0 / 34 / 2

HEX #3DF44F7F

RGBA 61 244 79 .5

HSLA 125.9, 0.89%, 0.6%, .5

LABA 85.13, -75.19, 63.98, .5

 

CMYK 38 / 11 / 0 / 2

HEX #3DBDF47F

RGBA 61 189 244 .5

HSLA 198.03, 0.89%, 0.6%, .5

LABA 72.17, -16.79, -37.15, .5

 

CMYK 0 / 38 / 4 / 2

HEX #F53CE07F

RGBA 245 60 224 .5

HSLA 306.81, 0.9%, 0.6%, .5

LABA 59.91, 83.63, -44.28, .5

 

CMYK 0 / 15 / 38 / 2

HEX #F4AB3D7F

RGBA 244 171 61 .5

HSLA 36.07, 0.89%, 0.6%, .5

LABA 75.26, 17.43, 64.1, .5

 

CMYK 38 / 0 / 34 / 2

HEX #3DF44F7F

RGBA 61 244 79 .5

HSLA 125.9, 0.89%, 0.6%, .5

LABA 85.13, -75.19, 63.98, .5

 

CMYK 38 / 23 / 0 / 2

HEX #3D86F47F

RGBA 61 134 244 .5

HSLA 216.07, 0.89%, 0.6%, .5

LABA 56.66, 14.6, -61.67, .5

 

Description

Color code: RGBA 245 60 224 .5 | qconv.com Color code: RGBA 245 60 224 .5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 60 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 60 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 4 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 4% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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