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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 241 240 249 0.96 it is the complementary color RGBA 14 15 6 0.96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 241 240 249 0.96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 241 240 249 0.96: RGBA 246 240 244 0.96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 241 240 249 0.96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 241 240 249 0.96: RGBA 241 240 249 0.96, RGBA 224 222 230 0.96, RGBA 207 204 211 0.96, RGBA 190 186 192 0.96 and RGBA 173 168 173 0.96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 3 / 0 / 2

HEX #F1F0F9F4

RGBA 241 240 249 0.96

HSLA 246.67, 0.43%, 0.96%, 0.96

LABA 95.1, 1.95, -4.22, 0.96

 

Complementary color

CMYK 6 / 0 / 58 / 90

HEX #0E0F06F4

RGBA 14 15 6 0.96

HSLA 66.67, 0.43%, 0.04%, 0.96

LABA 4.05, -1.69, 3.57, 0.96

 

CMYK 0 / 2 / 1 / 3

HEX #F6F0F4F4

RGBA 246 240 244 0.96

HSLA 320, 0.25%, 0.95%, 0.96

LABA 95.35, 2.71, -1.22, 0.96

 

CMYK 3 / 3 / 0 / 2

HEX #F1F0F9F4

RGBA 241 240 249 0.96

HSLA 246.67, 0.43%, 0.96%, 0.96

LABA 95.1, 1.95, -4.22, 0.96

 

CMYK 3 / 3 / 0 / 9

HEX #E0DEE6F4

RGBA 224 222 230 0.96

HSLA 255, 0.14%, 0.89%, 0.96

LABA 88.83, 2.13, -3.67, 0.96

 

CMYK 2 / 3 / 0 / 17

HEX #CFCCD3F4

RGBA 207 204 211 0.96

HSLA 265.71, 0.07%, 0.81%, 0.96

LABA 82.46, 2.32, -3.11, 0.96

 

CMYK 1 / 3 / 0 / 24

HEX #BEBAC0F4

RGBA 190 186 192 0.96

HSLA 280, 0.05%, 0.74%, 0.96

LABA 75.99, 2.52, -2.54, 0.96

 

CMYK 0 / 3 / 0 / 31

HEX #ADA8ADF4

RGBA 173 168 173 0.96

HSLA 300, 0.03%, 0.67%, 0.96

LABA 69.4, 2.73, -1.94, 0.96

 

CMYK 3 / 3 / 0 / 2

HEX #F1F0F9F4

RGBA 241 240 249 0.96

HSLA 246.67, 0.43%, 0.96%, 0.96

LABA 95.1, 1.95, -4.22, 0.96

 

CMYK 3 / 3 / 0 / 2

HEX #F2F0F9F4

RGBA 242 240 249 0.96

HSLA 253.33, 0.43%, 0.96%, 0.96

LABA 95.18, 2.28, -4.1, 0.96

 

CMYK 2 / 3 / 0 / 2

HEX #F4F0F9F4

RGBA 244 240 249 0.96

HSLA 266.67, 0.43%, 0.96%, 0.96

LABA 95.33, 2.94, -3.86, 0.96

 

CMYK 2 / 3 / 0 / 2

HEX #F5F0F9F4

RGBA 245 240 249 0.96

HSLA 273.33, 0.43%, 0.96%, 0.96

LABA 95.4, 3.27, -3.74, 0.96

 

CMYK 1 / 3 / 0 / 2

HEX #F7F0F9F4

RGBA 247 240 249 0.96

HSLA 286.67, 0.43%, 0.96%, 0.96

LABA 95.55, 3.93, -3.5, 0.96

 

CMYK 3 / 3 / 0 / 2

HEX #F1F0F9F4

RGBA 241 240 249 0.96

HSLA 246.67, 0.43%, 0.96%, 0.96

LABA 95.1, 1.95, -4.22, 0.96

 

CMYK 2 / 4 / 0 / 79

HEX #2C2B2DF4

RGBA 44 43 45 0.96

HSLA 270, 0.02%, 0.17%, 0.96

LABA 17.7, 0.93, -1.14, 0.96

 

CMYK 3 / 3 / 0 / 60

HEX #5D5D60F4

RGBA 93 93 96 0.96

HSLA 240, 0.02%, 0.37%, 0.96

LABA 39.58, 0.64, -1.72, 0.96

 

CMYK 3 / 3 / 0 / 41

HEX #8E8E93F4

RGBA 142 142 147 0.96

HSLA 240, 0.02%, 0.57%, 0.96

LABA 59.16, 0.99, -2.66, 0.96

 

CMYK 3 / 3 / 0 / 21

HEX #C0BFC6F4

RGBA 192 191 198 0.96

HSLA 248.57, 0.06%, 0.76%, 0.96

LABA 77.61, 1.66, -3.4, 0.96

 

CMYK 3 / 3 / 0 / 2

HEX #F1F0F9F4

RGBA 241 240 249 0.96

HSLA 246.67, 0.43%, 0.96%, 0.96

LABA 95.1, 1.95, -4.22, 0.96

 

CMYK 0 / 3 / 1 / 2

HEX #F9F0F6F4

RGBA 249 240 246 0.96

HSLA 320, 0.43%, 0.96%, 0.96

LABA 95.63, 4.06, -1.82, 0.96

 

CMYK 2 / 0 / 3 / 2

HEX #F3F9F0F4

RGBA 243 249 240 0.96

HSLA 100, 0.43%, 0.96%, 0.96

LABA 97.27, -3.56, 3.61, 0.96

 

CMYK 3 / 3 / 0 / 2

HEX #F1F0F9F4

RGBA 241 240 249 0.96

HSLA 246.67, 0.43%, 0.96%, 0.96

LABA 95.1, 1.95, -4.22, 0.96

 

CMYK 0 / 3 / 3 / 2

HEX #F9F1F0F4

RGBA 249 241 240 0.96

HSLA 6.67, 0.43%, 0.96%, 0.96

LABA 95.72, 2.51, 1.42, 0.96

 

CMYK 3 / 0 / 3 / 2

HEX #F0F9F1F4

RGBA 240 249 241 0.96

HSLA 126.67, 0.43%, 0.96%, 0.96

LABA 97.08, -4.38, 2.79, 0.96

 

CMYK 3 / 3 / 0 / 2

HEX #F1F0F9F4

RGBA 241 240 249 0.96

HSLA 246.67, 0.43%, 0.96%, 0.96

LABA 95.1, 1.95, -4.22, 0.96

 

CMYK 0 / 3 / 1 / 2

HEX #F9F0F6F4

RGBA 249 240 246 0.96

HSLA 320, 0.43%, 0.96%, 0.96

LABA 95.63, 4.06, -1.82, 0.96

 

CMYK 0 / 0 / 3 / 2

HEX #F8F9F0F4

RGBA 248 249 240 0.96

HSLA 66.67, 0.43%, 0.96%, 0.96

LABA 97.63, -1.89, 4.19, 0.96

 

CMYK 3 / 0 / 2 / 2

HEX #F0F9F3F4

RGBA 240 249 243 0.96

HSLA 140, 0.43%, 0.96%, 0.96

LABA 97.13, -4.03, 1.83, 0.96

 

CMYK 3 / 3 / 0 / 2

HEX #F1F0F9F4

RGBA 241 240 249 0.96

HSLA 246.67, 0.43%, 0.96%, 0.96

LABA 95.1, 1.95, -4.22, 0.96

 

CMYK 0 / 3 / 2 / 2

HEX #F9F0F3F4

RGBA 249 240 243 0.96

HSLA 340, 0.43%, 0.96%, 0.96

LABA 95.55, 3.54, -0.38, 0.96

 

CMYK 0 / 0 / 3 / 2

HEX #F8F9F0F4

RGBA 248 249 240 0.96

HSLA 66.67, 0.43%, 0.96%, 0.96

LABA 97.63, -1.89, 4.19, 0.96

 

CMYK 3 / 0 / 2 / 2

HEX #F0F9F5F4

RGBA 240 249 245 0.96

HSLA 153.33, 0.43%, 0.96%, 0.96

LABA 97.17, -3.67, 0.88, 0.96

 

Description

Color code: RGBA 241 240 249 0.96 | qconv.com Color code: RGBA 241 240 249 0.96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 240 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 240 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 3 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 3% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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