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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 234 131 241 0.75 it is the complementary color RGBA 21 124 14 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 234 131 241 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 234 131 241 0.75: RGBA 239 131 236 0.75, RGBA 255 149 255 0.75, RGBA 255 167 255 0.75, RGBA 255 185 255 0.75 and RGBA 255 203 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 234 131 241 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 234 131 241 0.75: RGBA 234 131 241 0.75, RGBA 217 113 222 0.75, RGBA 200 95 203 0.75, RGBA 183 77 184 0.75 and RGBA 166 59 165 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 34 / 0 / 4

HEX #EA83F1BF

RGBA 234 131 241 0.75

HSLA 296.18, 0.8%, 0.73%, 0.75

LABA 69.52, 55.28, -38.77, 0.75

 

Complementary color

CMYK 62 / 0 / 67 / 39

HEX #157C0EBF

RGBA 21 124 14 0.75

HSLA 116.18, 0.8%, 0.27%, 0.75

LABA 45.09, -47.95, 46.05, 0.75

 

CMYK 0 / 34 / 1 / 5

HEX #EF83ECBF

RGBA 239 131 236 0.75

HSLA 301.67, 0.77%, 0.73%, 0.75

LABA 69.92, 55.81, -35.36, 0.75

 

CMYK 0 / 31 / 0 / 0

HEX #FF95FFBF

RGBA 255 149 255 0.75

HSLA 300, 1%, 0.79%, 0.75

LABA 76.05, 54.83, -36.06, 0.75

 

CMYK 0 / 26 / 0 / 0

HEX #FFA7FFBF

RGBA 255 167 255 0.75

HSLA 300, 1%, 0.83%, 0.75

LABA 79.68, 45.7, -30.46, 0.75

 

CMYK 0 / 21 / 0 / 0

HEX #FFB9FFBF

RGBA 255 185 255 0.75

HSLA 300, 1%, 0.86%, 0.75

LABA 83.54, 36.35, -24.57, 0.75

 

CMYK 0 / 15 / 0 / 0

HEX #FFCBFFBF

RGBA 255 203 255 0.75

HSLA 300, 1%, 0.9%, 0.75

LABA 87.58, 26.9, -18.44, 0.75

 

CMYK 2 / 34 / 0 / 4

HEX #EA83F1BF

RGBA 234 131 241 0.75

HSLA 296.18, 0.8%, 0.73%, 0.75

LABA 69.52, 55.28, -38.77, 0.75

 

CMYK 2 / 37 / 0 / 10

HEX #D971DEBF

RGBA 217 113 222 0.75

HSLA 297.25, 0.62%, 0.66%, 0.75

LABA 63.21, 55.95, -38.27, 0.75

 

CMYK 1 / 40 / 0 / 15

HEX #C85FCBBF

RGBA 200 95 203 0.75

HSLA 298.33, 0.51%, 0.58%, 0.75

LABA 56.86, 56.53, -37.66, 0.75

 

CMYK 0 / 44 / 0 / 21

HEX #B74DB8BF

RGBA 183 77 184 0.75

HSLA 299.44, 0.43%, 0.51%, 0.75

LABA 50.49, 56.94, -36.89, 0.75

 

CMYK 0 / 48 / 0 / 26

HEX #A63BA5BF

RGBA 166 59 165 0.75

HSLA 300.56, 0.48%, 0.44%, 0.75

LABA 44.16, 57.06, -35.86, 0.75

 

CMYK 2 / 34 / 0 / 4

HEX #EA83F1BF

RGBA 234 131 241 0.75

HSLA 296.18, 0.8%, 0.73%, 0.75

LABA 69.52, 55.28, -38.77, 0.75

 

CMYK 0 / 34 / 3 / 4

HEX #F183E6BF

RGBA 241 131 230 0.75

HSLA 306, 0.8%, 0.73%, 0.75

LABA 69.93, 55.36, -32.03, 0.75

 

CMYK 0 / 34 / 9 / 4

HEX #F183D3BF

RGBA 241 131 211 0.75

HSLA 316.36, 0.8%, 0.73%, 0.75

LABA 69.21, 52.26, -22.62, 0.75

 

CMYK 0 / 34 / 15 / 4

HEX #F183C1BF

RGBA 241 131 193 0.75

HSLA 326.18, 0.8%, 0.73%, 0.75

LABA 68.59, 49.53, -13.52, 0.75

 

CMYK 0 / 34 / 21 / 4

HEX #F183AFBF

RGBA 241 131 175 0.75

HSLA 336, 0.8%, 0.73%, 0.75

LABA 68.04, 47.03, -4.24, 0.75

 

CMYK 2 / 34 / 0 / 4

HEX #EA83F1BF

RGBA 234 131 241 0.75

HSLA 296.18, 0.8%, 0.73%, 0.75

LABA 69.52, 55.28, -38.77, 0.75

 

CMYK 2 / 34 / 0 / 64

HEX #241425BF

RGBA 36 20 37 0.75

HSLA 296.47, 0.3%, 0.11%, 0.75

LABA 9.07, 11.89, -8.44, 0.75

 

CMYK 3 / 34 / 0 / 49

HEX #553058BF

RGBA 85 48 88 0.75

HSLA 295.5, 0.29%, 0.27%, 0.75

LABA 26.01, 24.07, -17.21, 0.75

 

CMYK 2 / 34 / 0 / 34

HEX #874C8BBF

RGBA 135 76 139 0.75

HSLA 296.19, 0.29%, 0.42%, 0.75

LABA 41.51, 35.14, -24.72, 0.75

 

CMYK 2 / 34 / 0 / 19

HEX #B867BEBF

RGBA 184 103 190 0.75

HSLA 295.86, 0.4%, 0.57%, 0.75

LABA 55.69, 45.6, -32.2, 0.75

 

CMYK 2 / 34 / 0 / 4

HEX #EA83F1BF

RGBA 234 131 241 0.75

HSLA 296.18, 0.8%, 0.73%, 0.75

LABA 69.52, 55.28, -38.77, 0.75

 

CMYK 0 / 30 / 34 / 4

HEX #F19183BF

RGBA 241 145 131 0.75

HSLA 7.64, 0.8%, 0.73%, 0.75

LABA 69.89, 34.76, 22.98, 0.75

 

CMYK 34 / 0 / 16 / 4

HEX #83F1BDBF

RGBA 131 241 189 0.75

HSLA 151.64, 0.8%, 0.73%, 0.75

LABA 87.68, -43.28, 15.44, 0.75

 

CMYK 2 / 34 / 0 / 4

HEX #EA83F1BF

RGBA 234 131 241 0.75

HSLA 296.18, 0.8%, 0.73%, 0.75

LABA 69.52, 55.28, -38.77, 0.75

 

CMYK 0 / 2 / 34 / 4

HEX #F1E983BF

RGBA 241 233 131 0.75

HSLA 55.64, 0.8%, 0.73%, 0.75

LABA 91.06, -10.99, 50.27, 0.75

 

CMYK 34 / 0 / 2 / 4

HEX #83F1E9BF

RGBA 131 241 233 0.75

HSLA 175.64, 0.8%, 0.73%, 0.75

LABA 88.74, -33.5, -5.97, 0.75

 

CMYK 2 / 34 / 0 / 4

HEX #EA83F1BF

RGBA 234 131 241 0.75

HSLA 296.18, 0.8%, 0.73%, 0.75

LABA 69.52, 55.28, -38.77, 0.75

 

CMYK 0 / 30 / 34 / 4

HEX #F19183BF

RGBA 241 145 131 0.75

HSLA 7.64, 0.8%, 0.73%, 0.75

LABA 69.89, 34.76, 22.98, 0.75

 

CMYK 32 / 0 / 34 / 4

HEX #8AF183BF

RGBA 138 241 131 0.75

HSLA 116.18, 0.8%, 0.73%, 0.75

LABA 86.97, -51.19, 43.81, 0.75

 

CMYK 34 / 5 / 0 / 4

HEX #83E2F1BF

RGBA 131 226 241 0.75

HSLA 188.18, 0.8%, 0.73%, 0.75

LABA 84.78, -24.31, -16.08, 0.75

 

CMYK 2 / 34 / 0 / 4

HEX #EA83F1BF

RGBA 234 131 241 0.75

HSLA 296.18, 0.8%, 0.73%, 0.75

LABA 69.52, 55.28, -38.77, 0.75

 

CMYK 0 / 20 / 34 / 4

HEX #F1B283BF

RGBA 241 178 131 0.75

HSLA 25.64, 0.8%, 0.73%, 0.75

LABA 77.39, 17.36, 32.96, 0.75

 

CMYK 32 / 0 / 34 / 4

HEX #8AF183BF

RGBA 138 241 131 0.75

HSLA 116.18, 0.8%, 0.73%, 0.75

LABA 86.97, -51.19, 43.81, 0.75

 

CMYK 34 / 15 / 0 / 4

HEX #83C1F1BF

RGBA 131 193 241 0.75

HSLA 206.18, 0.8%, 0.73%, 0.75

LABA 75.65, -7.34, -29.96, 0.75

 

Description

Color code: RGBA 234 131 241 0.75 | qconv.com Color code: RGBA 234 131 241 0.75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 131 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 131 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 34 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 34% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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