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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 225 185 97 0.75 it is the complementary color RGBA 30 70 158 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 225 185 97 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 225 185 97 0.75 shade: RGBA 230 185 92 0.75, RGBA 247 203 111 0.75, RGBA 255 221 130 0.75, RGBA 255 239 149 0.75 and RGBA 255 255 168 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 225 185 97 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 225 185 97 0.75 shade: RGBA 225 185 97 0.75, RGBA 208 167 78 0.75, RGBA 191 149 59 0.75, RGBA 174 131 40 0.75 and RGBA 157 113 21 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 225 185 97 0.75 shade: RGB 225 185 96, RGB 225 150 96, RGB 225 116 96 and RGB 225 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 225 185 97 0.75 shade: RGB 225 185 96, RGB 225 219 96, RGB 196 225 96, RGB 161 225 96 and RGB 126 225 96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 225 185 97 0.75 shade matches the following richer shades: RGB 225 185 96 and RGB 240 190 81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 225 185 97 0.75 shade: RGB 225 185 96, RGB 210 179 112, RGB 194 173 127, RGB 179 168 142 and RGB 164 162 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 225 185 97 0.75 shade: RGB 225 116 96, RGB 225 150 96, RGB 225 184 96, RGB 225 218 96 and RGB 197 225 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 225 185 97 0.75 shade: RGB 201 150 38, RGB 218 169 62, RGB 225 185 96, RGB 231 200 131 and RGB 238 215 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 225 185 97 0.75 shade: RGB 225 185 97, RGB 111 225 96 and RGB 133 96 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 225 185 97 0.75 shade: RGB 225 185 97, RGB 96 225 184 and RGB 184 96 225

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 225 185 97 0.75 shade: RGB 225 185 97, RGB 111 225 96, RGB 96 137 225 and RGB 210 96 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 225 185 97 0.75 shade: RGB 225 185 97, RGB 96 225 120, RGB 96 137 225 and RGB 225 96 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 43 / 9

HEX #E1B961BF

RGBA 225 185 97 0.75

HSLA 41.25, 0.68%, 0.63%, 0.75

LABA 77.02, 4.17, 49.41, 0.75

 

Complementary color

CMYK 61 / 42 / 0 / 29

HEX #1E469EBF

RGBA 30 70 158 0.75

HSLA 221.25, 0.68%, 0.37%, 0.75

LABA 32.09, 19.74, -51.77, 0.75

 

CMYK 0 / 15 / 45 / 7

HEX #E6B95CBF

RGBA 230 185 92 0.75

HSLA 40.43, 0.73%, 0.63%, 0.75

LABA 77.46, 5.88, 52.43, 0.75

 

CMYK 0 / 13 / 41 / 2

HEX #F7CB6FBF

RGBA 247 203 111 0.75

HSLA 40.59, 0.89%, 0.7%, 0.75

LABA 83.77, 4.92, 51.17, 0.75

 

CMYK 0 / 10 / 37 / 0

HEX #FFDD82BF

RGBA 255 221 130 0.75

HSLA 43.68, 1%, 0.75%, 0.75

LABA 89.2, 0.5, 48.73, 0.75

 

CMYK 0 / 5 / 31 / 0

HEX #FFEF95BF

RGBA 255 239 149 0.75

HSLA 50.94, 1%, 0.79%, 0.75

LABA 93.95, -6.76, 45.4, 0.75

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFA8BF

RGBA 255 255 168 0.75

HSLA 60, 1%, 0.83%, 0.75

LABA 98.28, -12.61, 41.64, 0.75

 

CMYK 0 / 13 / 43 / 9

HEX #E1B961BF

RGBA 225 185 97 0.75

HSLA 41.25, 0.68%, 0.63%, 0.75

LABA 77.02, 4.17, 49.41, 0.75

 

CMYK 0 / 15 / 47 / 14

HEX #D0A74EBF

RGBA 208 167 78 0.75

HSLA 41.08, 0.58%, 0.56%, 0.75

LABA 70.59, 5.18, 50.65, 0.75

 

CMYK 0 / 16 / 52 / 19

HEX #BF953BBF

RGBA 191 149 59 0.75

HSLA 40.91, 0.53%, 0.49%, 0.75

LABA 64.07, 6.38, 51.76, 0.75

 

CMYK 0 / 19 / 58 / 24

HEX #AE8328BF

RGBA 174 131 40 0.75

HSLA 40.75, 0.63%, 0.42%, 0.75

LABA 57.45, 7.8, 52.53, 0.75

 

CMYK 0 / 21 / 65 / 29

HEX #9D7115BF

RGBA 157 113 21 0.75

HSLA 40.59, 0.76%, 0.35%, 0.75

LABA 50.73, 9.51, 52.49, 0.75

 

CMYK 0 / 18 / 57 / 12

HEX #E1B960

RGB 225 185 96

HSL 41.4, 0.68%, 0.63%

LAB 77.01, 4.09, 49.88

 

CMYK 0 / 33 / 57 / 12

HEX #E19660

RGB 225 150 96

HSL 25.12, 0.68%, 0.63%

LAB 68.51, 22.73, 39.71

 

CMYK 0 / 48 / 57 / 12

HEX #E17460

RGB 225 116 96

HSL 9.3, 0.68%, 0.63%

LAB 61.08, 40.58, 30.41

 

CMYK 0 / 57 / 57 / 12

HEX #E16060

RGB 225 96 96

HSL 0, 0.68%, 0.63%

LAB 57.29, 50.32, 25.49

 

CMYK 0 / 18 / 57 / 12

HEX #E1B960

RGB 225 185 96

HSL 41.4, 0.68%, 0.63%

LAB 77.01, 4.09, 49.88

 

CMYK 0 / 3 / 57 / 12

HEX #E1DB60

RGB 225 219 96

HSL 57.21, 0.68%, 0.63%

LAB 85.76, -13.34, 59.87

 

CMYK 13 / 0 / 57 / 12

HEX #C4E160

RGB 196 225 96

HSL 73.49, 0.68%, 0.63%

LAB 85.22, -27.86, 58.67

 

CMYK 28 / 0 / 57 / 12

HEX #A1E160

RGB 161 225 96

HSL 89.77, 0.68%, 0.63%

LAB 83.06, -40.96, 55.64

 

CMYK 44 / 0 / 57 / 12

HEX #7EE160

RGB 126 225 96

HSL 106.05, 0.68%, 0.63%

LAB 81.36, -52.49, 53.25

 

CMYK 0 / 18 / 57 / 12

HEX #E1B960

RGB 225 185 96

HSL 41.4, 0.68%, 0.63%

LAB 77.01, 4.09, 49.88

 

CMYK 0 / 21 / 66 / 6

HEX #F0BE51

RGB 240 190 81

HSL 41.13, 0.84%, 0.63%

LAB 79.58, 6.75, 60.06

 

CMYK 0 / 18 / 57 / 12

HEX #E1B960

RGB 225 185 96

HSL 41.4, 0.68%, 0.63%

LAB 77.01, 4.09, 49.88

 

CMYK 0 / 15 / 47 / 18

HEX #D2B370

RGB 210 179 112

HSL 41.02, 0.52%, 0.63%

LAB 74.26, 2.43, 38.23

 

CMYK 0 / 11 / 35 / 24

HEX #C2AD7F

RGB 194 173 127

HSL 41.19, 0.35%, 0.63%

LAB 71.48, 0.79, 26.44

 

CMYK 0 / 6 / 21 / 30

HEX #B3A88E

RGB 179 168 142

HSL 42.16, 0.2%, 0.63%

LAB 69.14, -0.35, 14.87

 

CMYK 0 / 1 / 4 / 36

HEX #A4A29E

RGB 164 162 158

HSL 40, 0.03%, 0.63%

LAB 66.67, -0.02, 2.32

 

CMYK 0 / 48 / 57 / 12

HEX #E17460

RGB 225 116 96

HSL 9.3, 0.68%, 0.63%

LAB 61.08, 40.58, 30.41

 

CMYK 0 / 33 / 57 / 12

HEX #E19660

RGB 225 150 96

HSL 25.12, 0.68%, 0.63%

LAB 68.51, 22.73, 39.71

 

CMYK 0 / 18 / 57 / 12

HEX #E1B860

RGB 225 184 96

HSL 40.93, 0.68%, 0.63%

LAB 76.76, 4.62, 49.59

 

CMYK 0 / 3 / 57 / 12

HEX #E1DA60

RGB 225 218 96

HSL 56.74, 0.68%, 0.63%

LAB 85.5, -12.84, 59.58

 

CMYK 12 / 0 / 57 / 12

HEX #C5E160

RGB 197 225 96

HSL 73.02, 0.68%, 0.63%

LAB 85.28, -27.47, 58.76

 

CMYK 0 / 25 / 81 / 21

HEX #C99626

RGB 201 150 38

HSL 41.23, 0.68%, 0.47%

LAB 65.26, 9.31, 61.51

 

CMYK 0 / 22 / 72 / 15

HEX #DAA93E

RGB 218 169 62

HSL 41.15, 0.68%, 0.55%

LAB 71.98, 7.48, 59.51

 

CMYK 0 / 18 / 57 / 12

HEX #E1B960

RGB 225 185 96

HSL 41.4, 0.68%, 0.63%

LAB 77.01, 4.09, 49.88

 

CMYK 0 / 13 / 43 / 9

HEX #E7C883

RGB 231 200 131

HSL 41.4, 0.68%, 0.71%

LAB 81.8, 1.81, 38.48

 

CMYK 0 / 10 / 30 / 7

HEX #EED7A6

RGB 238 215 166

HSL 40.83, 0.68%, 0.79%

LAB 86.77, 0.79, 27.12

 

CMYK 0 / 18 / 57 / 12

HEX #E1B961

RGB 225 185 97

HSL 41.25, 0.68%, 0.63%

LAB 77.02, 4.17, 49.41

 

CMYK 51 / 0 / 57 / 12

HEX #6FE160

RGB 111 225 96

HSL 113.02, 0.68%, 0.63%

LAB 80.78, -56.76, 52.42

 

CMYK 41 / 57 / 0 / 12

HEX #8560E1

RGB 133 96 225

HSL 257.21, 0.68%, 0.63%

LAB 50.44, 44.11, -60.83

 

CMYK 0 / 18 / 57 / 12

HEX #E1B961

RGB 225 185 97

HSL 41.25, 0.68%, 0.63%

LAB 77.02, 4.17, 49.41

 

CMYK 57 / 0 / 18 / 12

HEX #60E1B8

RGB 96 225 184

HSL 160.93, 0.68%, 0.63%

LAB 81.73, -45.3, 9.45

 

CMYK 18 / 57 / 0 / 12

HEX #B860E1

RGB 184 96 225

HSL 280.93, 0.68%, 0.63%

LAB 56.08, 56.16, -51.48

 

CMYK 0 / 18 / 57 / 12

HEX #E1B961

RGB 225 185 97

HSL 41.25, 0.68%, 0.63%

LAB 77.02, 4.17, 49.41

 

CMYK 51 / 0 / 57 / 12

HEX #6FE160

RGB 111 225 96

HSL 113.02, 0.68%, 0.63%

LAB 80.78, -56.76, 52.42

 

CMYK 57 / 39 / 0 / 12

HEX #6089E1

RGB 96 137 225

HSL 220.93, 0.68%, 0.63%

LAB 57.86, 11.77, -49.11

 

CMYK 7 / 57 / 0 / 12

HEX #D260E1

RGB 210 96 225

HSL 293.02, 0.68%, 0.63%

LAB 59.44, 62.66, -45.94

 

CMYK 0 / 18 / 57 / 12

HEX #E1B961

RGB 225 185 97

HSL 41.25, 0.68%, 0.63%

LAB 77.02, 4.17, 49.41

 

CMYK 57 / 0 / 47 / 12

HEX #60E178

RGB 96 225 120

HSL 131.16, 0.68%, 0.63%

LAB 80.57, -57.38, 40.76

 

CMYK 57 / 39 / 0 / 12

HEX #6089E1

RGB 96 137 225

HSL 220.93, 0.68%, 0.63%

LAB 57.86, 11.77, -49.11

 

CMYK 0 / 57 / 11 / 12

HEX #E160C9

RGB 225 96 201

HSL 311.16, 0.68%, 0.63%

LAB 60.42, 62.54, -30.71

 

Description

Color code: RGBA 225 185 97 0.75 | qconv.com Color code: RGBA 225 185 97 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 185 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 185 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 43 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 43% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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