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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 6 / 21 / 30 it is the complementary color CMYK 33 / 24 / 0 / 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 6 / 21 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 6 / 21 / 30: CMYK 0 / 9 / 26 / 28, CMYK 0 / 7 / 23 / 21, CMYK 0 / 6 / 20 / 15, CMYK 0 / 6 / 18 / 8 and CMYK 0 / 5 / 16 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 6 / 21 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 6 / 21 / 30: CMYK 0 / 6 / 21 / 30, CMYK 0 / 7 / 25 / 36, CMYK 0 / 9 / 29 / 43, CMYK 0 / 11 / 34 / 50 and CMYK 0 / 14 / 41 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 21 / 30

HEX #B3A88D

RGB 179 168 141

HSL 42.63, 0.2%, 0.63%

LAB 69.12, -0.5, 15.39

 

Complementary color

CMYK 33 / 24 / 0 / 55

HEX #4C5772

RGB 76 87 114

HSL 222.63, 0.2%, 0.37%

LAB 37.06, 2.75, -16.79

 

CMYK 0 / 9 / 26 / 28

HEX #B8A888

RGB 184 168 136

HSL 40, 0.25%, 0.63%

LAB 69.45, 0.71, 18.66

 

CMYK 0 / 7 / 23 / 21

HEX #C9BA9B

RGB 201 186 155

HSL 40.43, 0.3%, 0.7%

LAB 76.01, 0.37, 17.66

 

CMYK 0 / 6 / 20 / 15

HEX #DACCAE

RGB 218 204 174

HSL 40.91, 0.37%, 0.77%

LAB 82.46, 0.07, 16.72

 

CMYK 0 / 6 / 18 / 8

HEX #EBDEC1

RGB 235 222 193

HSL 41.43, 0.51%, 0.84%

LAB 88.81, -0.2, 15.83

 

CMYK 0 / 5 / 16 / 1

HEX #FCF0D4

RGB 252 240 212

HSL 42, 0.87%, 0.91%

LAB 95.06, -0.45, 14.98

 

CMYK 0 / 6 / 21 / 30

HEX #B3A88D

RGB 179 168 141

HSL 42.63, 0.2%, 0.63%

LAB 69.12, -0.5, 15.39

 

CMYK 0 / 7 / 25 / 36

HEX #A2967A

RGB 162 150 122

HSL 42, 0.18%, 0.56%

LAB 62.42, -0.19, 16.39

 

CMYK 0 / 9 / 29 / 43

HEX #918467

RGB 145 132 103

HSL 41.43, 0.17%, 0.49%

LAB 55.59, 0.18, 17.47

 

CMYK 0 / 11 / 34 / 50

HEX #807254

RGB 128 114 84

HSL 40.91, 0.21%, 0.42%

LAB 48.59, 0.63, 18.64

 

CMYK 0 / 14 / 41 / 56

HEX #6F6041

RGB 111 96 65

HSL 40.43, 0.26%, 0.35%

LAB 41.42, 1.18, 19.94

 

CMYK 0 / 6 / 21 / 30

HEX #B3A88D

RGB 179 168 141

HSL 42.63, 0.2%, 0.63%

LAB 69.12, -0.5, 15.39

 

CMYK 0 / 3 / 21 / 30

HEX #B3AE8D

RGB 179 174 141

HSL 52.11, 0.2%, 0.63%

LAB 70.72, -3.73, 17.61

 

CMYK 1 / 0 / 21 / 30

HEX #B2B38D

RGB 178 179 141

HSL 61.58, 0.2%, 0.63%

LAB 71.98, -6.76, 19.34

 

CMYK 4 / 0 / 21 / 30

HEX #ABB38D

RGB 171 179 141

HSL 72.63, 0.2%, 0.63%

LAB 71.43, -9.43, 18.5

 

CMYK 8 / 0 / 21 / 30

HEX #A5B38D

RGB 165 179 141

HSL 82.11, 0.2%, 0.63%

LAB 70.98, -11.68, 17.81

 

CMYK 0 / 6 / 21 / 30

HEX #B3A88D

RGB 179 168 141

HSL 42.63, 0.2%, 0.63%

LAB 69.12, -0.5, 15.39

 

CMYK 0 / 6 / 21 / 10

HEX #E6D8B5

RGB 230 216 181

HSL 42.86, 0.49%, 0.81%

LAB 86.64, -0.7, 19.01

 

CMYK 0 / 8 / 23 / 90

HEX #1A1814

RGB 26 24 20

HSL 40, 0.13%, 0.09%

LAB 8.34, 0.05, 3.02

 

CMYK 0 / 6 / 21 / 70

HEX #4D483D

RGB 77 72 61

HSL 41.25, 0.12%, 0.27%

LAB 30.76, -0.05, 7.36

 

CMYK 0 / 6 / 21 / 50

HEX #807865

RGB 128 120 101

HSL 42.22, 0.12%, 0.45%

LAB 50.64, -0.29, 11.55

 

CMYK 0 / 6 / 21 / 30

HEX #B3A88D

RGB 179 168 141

HSL 42.63, 0.2%, 0.63%

LAB 69.12, -0.5, 15.39

 

CMYK 19 / 0 / 21 / 30

HEX #91B38D

RGB 145 179 141

HSL 113.68, 0.2%, 0.63%

LAB 69.6, -18.95, 15.68

 

CMYK 15 / 21 / 0 / 30

HEX #998DB3

RGB 153 141 179

HSL 258.95, 0.2%, 0.63%

LAB 60.85, 12.18, -18.26

 

CMYK 0 / 6 / 21 / 30

HEX #B3A88D

RGB 179 168 141

HSL 42.63, 0.2%, 0.63%

LAB 69.12, -0.5, 15.39

 

CMYK 21 / 0 / 6 / 30

HEX #8DB3A8

RGB 141 179 168

HSL 162.63, 0.2%, 0.63%

LAB 69.99, -15.1, 1.4

 

CMYK 6 / 21 / 0 / 30

HEX #A88DB3

RGB 168 141 179

HSL 282.63, 0.2%, 0.63%

LAB 62.19, 17.23, -16.1

 

CMYK 0 / 6 / 21 / 30

HEX #B3A88D

RGB 179 168 141

HSL 42.63, 0.2%, 0.63%

LAB 69.12, -0.5, 15.39

 

CMYK 19 / 0 / 21 / 30

HEX #91B38D

RGB 145 179 141

HSL 113.68, 0.2%, 0.63%

LAB 69.6, -18.95, 15.68

 

CMYK 21 / 15 / 0 / 30

HEX #8D99B3

RGB 141 153 179

HSL 221.05, 0.2%, 0.63%

LAB 63.09, 1.44, -14.95

 

CMYK 2 / 21 / 0 / 30

HEX #AF8DB3

RGB 175 141 179

HSL 293.68, 0.2%, 0.63%

LAB 62.86, 19.63, -15.02

 

CMYK 0 / 6 / 21 / 30

HEX #B3A88D

RGB 179 168 141

HSL 42.63, 0.2%, 0.63%

LAB 69.12, -0.5, 15.39

 

CMYK 21 / 0 / 17 / 30

HEX #8DB395

RGB 141 179 149

HSL 132.63, 0.2%, 0.63%

LAB 69.52, -18.88, 11.16

 

CMYK 21 / 15 / 0 / 30

HEX #8D99B3

RGB 141 153 179

HSL 221.05, 0.2%, 0.63%

LAB 63.09, 1.44, -14.95

 

CMYK 0 / 21 / 4 / 30

HEX #B38DAB

RGB 179 141 171

HSL 312.63, 0.2%, 0.63%

LAB 62.99, 19.5, -10.27

 

Description

Color code: CMYK 0 / 6 / 21 / 30 | qconv.com Color code: CMYK 0 / 6 / 21 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 168 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 168 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 21 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 21% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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