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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 218 47 148 0.9 it is the complementary color RGBA 37 208 107 0.9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 218 47 148 0.9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 218 47 148 0.9: RGBA 223 47 143 0.9, RGBA 240 65 162 0.9, RGBA 255 83 181 0.9, RGBA 255 101 200 0.9 and RGBA 255 119 219 0.9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 218 47 148 0.9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 218 47 148 0.9: RGBA 218 47 148 0.9, RGBA 201 29 129 0.9, RGBA 184 11 110 0.9, RGBA 167 0 91 0.9 and RGBA 150 0 72 0.9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 29 / 13

HEX #DA2F94E5

RGBA 218 47 148 0.9

HSLA 324.56, 0.7%, 0.52%, 0.9

LABA 50.78, 71.49, -14.78, 0.9

 

Complementary color

CMYK 74 / 0 / 44 / 17

HEX #25D06BE5

RGBA 37 208 107 0.9

HSLA 144.56, 0.7%, 0.48%, 0.9

LABA 73.91, -63.09, 38.5, 0.9

 

CMYK 0 / 71 / 32 / 11

HEX #DF2F8FE5

RGBA 223 47 143 0.9

HSLA 327.27, 0.73%, 0.53%, 0.9

LABA 51.5, 72.16, -10.61, 0.9

 

CMYK 0 / 66 / 29 / 5

HEX #F041A2E5

RGBA 240 65 162 0.9

HSLA 326.74, 0.85%, 0.6%, 0.9

LABA 56.99, 73.18, -13.28, 0.9

 

CMYK 0 / 61 / 26 / 0

HEX #FF53B5E5

RGBA 255 83 181 0.9

HSLA 325.81, 1%, 0.66%, 0.9

LABA 62.32, 73.09, -15.98, 0.9

 

CMYK 0 / 54 / 19 / 0

HEX #FF65C8E5

RGBA 255 101 200 0.9

HSLA 321.43, 1%, 0.7%, 0.9

LABA 65.54, 68.48, -21.89, 0.9

 

CMYK 0 / 48 / 13 / 0

HEX #FF77DBE5

RGBA 255 119 219 0.9

HSLA 315.88, 1%, 0.73%, 0.9

LABA 69.16, 63.32, -26.98, 0.9

 

CMYK 0 / 71 / 29 / 13

HEX #DA2F94E5

RGBA 218 47 148 0.9

HSLA 324.56, 0.7%, 0.52%, 0.9

LABA 50.78, 71.49, -14.78, 0.9

 

CMYK 0 / 77 / 32 / 19

HEX #C91D81E5

RGBA 201 29 129 0.9

HSLA 325.12, 0.75%, 0.45%, 0.9

LABA 45.47, 69.66, -11.62, 0.9

 

CMYK 0 / 85 / 36 / 25

HEX #B80B6EE5

RGBA 184 11 110 0.9

HSLA 325.66, 0.89%, 0.38%, 0.9

LABA 40.5, 66.69, -7.65, 0.9

 

CMYK 0 / 90 / 41 / 31

HEX #A7005BE5

RGBA 167 0 91 0.9

HSLA 327.31, 1%, 0.33%, 0.9

LABA 35.93, 62.37, -2.73, 0.9

 

CMYK 0 / 90 / 47 / 37

HEX #960048E5

RGBA 150 0 72 0.9

HSLA 331.2, 1%, 0.29%, 0.9

LABA 31.7, 56.87, 3.09, 0.9

 

CMYK 0 / 71 / 29 / 13

HEX #DA2F94E5

RGBA 218 47 148 0.9

HSLA 324.56, 0.7%, 0.52%, 0.9

LABA 50.78, 71.49, -14.78, 0.9

 

CMYK 0 / 71 / 40 / 13

HEX #DA2E79E5

RGBA 218 46 121 0.9

HSLA 333.84, 0.7%, 0.52%, 0.9

LABA 49.79, 69.07, 0.01, 0.9

 

CMYK 0 / 71 / 52 / 13

HEX #DA2E5CE5

RGBA 218 46 92 0.9

HSLA 343.95, 0.7%, 0.52%, 0.9

LABA 49.05, 66.82, 16.66, 0.9

 

CMYK 0 / 71 / 64 / 13

HEX #DA2E40E5

RGBA 218 46 64 0.9

HSLA 353.72, 0.7%, 0.52%, 0.9

LABA 48.55, 65.27, 32.92, 0.9

 

CMYK 0 / 66 / 71 / 13

HEX #DA3A2EE5

RGBA 218 58 46 0.9

HSLA 4.19, 0.7%, 0.52%, 0.9

LABA 49.65, 60.89, 44.28, 0.9

 

CMYK 0 / 71 / 29 / 13

HEX #DA2F94E5

RGBA 218 47 148 0.9

HSLA 324.56, 0.7%, 0.52%, 0.9

LABA 50.78, 71.49, -14.78, 0.9

 

CMYK 0 / 71 / 26 / 85

HEX #0E030AE5

RGBA 14 3 10 0.9

HSLA 321.82, 0.65%, 0.03%, 0.9

LABA 1.63, 3.97, -1.59, 0.9

 

CMYK 0 / 71 / 29 / 67

HEX #410E2CE5

RGBA 65 14 44 0.9

HSLA 324.71, 0.65%, 0.15%, 0.9

LABA 13.35, 27.76, -6.61, 0.9

 

CMYK 0 / 71 / 29 / 49

HEX #74194FE5

RGBA 116 25 79 0.9

HSLA 324.4, 0.65%, 0.28%, 0.9

LABA 26.66, 43.7, -9.82, 0.9

 

CMYK 0 / 71 / 29 / 31

HEX #A72471E5

RGBA 167 36 113 0.9

HSLA 324.73, 0.65%, 0.4%, 0.9

LABA 39.02, 57.99, -12.1, 0.9

 

CMYK 0 / 71 / 29 / 13

HEX #DA2F94E5

RGBA 218 47 148 0.9

HSLA 324.56, 0.7%, 0.52%, 0.9

LABA 50.78, 71.49, -14.78, 0.9

 

CMYK 0 / 28 / 71 / 13

HEX #DA952EE5

RGBA 218 149 46 0.9

HSLA 35.93, 0.7%, 0.52%, 0.9

LABA 66.97, 17.53, 60.96, 0.9

 

CMYK 71 / 0 / 0 / 13

HEX #2EDADAE5

RGBA 46 218 218 0.9

HSLA 180, 0.7%, 0.52%, 0.9

LABA 79.49, -40.52, -12.03, 0.9

 

CMYK 0 / 71 / 29 / 13

HEX #DA2F94E5

RGBA 218 47 148 0.9

HSLA 324.56, 0.7%, 0.52%, 0.9

LABA 50.78, 71.49, -14.78, 0.9

 

CMYK 28 / 0 / 71 / 13

HEX #95DA2EE5

RGBA 149 218 46 0.9

HSLA 84.07, 0.7%, 0.52%, 0.9

LABA 80.03, -45.7, 70.93, 0.9

 

CMYK 71 / 28 / 0 / 13

HEX #2E95DAE5

RGBA 46 149 218 0.9

HSLA 204.07, 0.7%, 0.52%, 0.9

LABA 59.1, -5.38, -43.35, 0.9

 

CMYK 0 / 71 / 29 / 13

HEX #DA2F94E5

RGBA 218 47 148 0.9

HSLA 324.56, 0.7%, 0.52%, 0.9

LABA 50.78, 71.49, -14.78, 0.9

 

CMYK 0 / 28 / 71 / 13

HEX #DA952EE5

RGBA 218 149 46 0.9

HSLA 35.93, 0.7%, 0.52%, 0.9

LABA 66.97, 17.53, 60.96, 0.9

 

CMYK 71 / 0 / 43 / 13

HEX #2EDA73E5

RGBA 46 218 115 0.9

HSLA 144.07, 0.7%, 0.52%, 0.9

LABA 77.26, -64.24, 38.8, 0.9

 

CMYK 71 / 43 / 0 / 13

HEX #2E73DAE5

RGBA 46 115 218 0.9

HSLA 215.93, 0.7%, 0.52%, 0.9

LABA 49.38, 15.15, -58.84, 0.9

 

CMYK 0 / 71 / 29 / 13

HEX #DA2F94E5

RGBA 218 47 148 0.9

HSLA 324.56, 0.7%, 0.52%, 0.9

LABA 50.78, 71.49, -14.78, 0.9

 

CMYK 0 / 7 / 71 / 13

HEX #DAC92EE5

RGBA 218 201 46 0.9

HSLA 54.07, 0.7%, 0.52%, 0.9

LABA 80.11, -9.85, 72.81, 0.9

 

CMYK 71 / 0 / 43 / 13

HEX #2EDA73E5

RGBA 46 218 115 0.9

HSLA 144.07, 0.7%, 0.52%, 0.9

LABA 77.26, -64.24, 38.8, 0.9

 

CMYK 71 / 64 / 0 / 13

HEX #2E40DAE5

RGBA 46 64 218 0.9

HSLA 233.72, 0.7%, 0.52%, 0.9

LABA 36.57, 47.23, -79.72, 0.9

 

Description

Color code: RGBA 218 47 148 0.9 | qconv.com Color code: RGBA 218 47 148 0.9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 47 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 47 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 29 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 29% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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