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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 79 / 47 / 0 / 15 it is the complementary color CMYK 0 / 33 / 82 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 79 / 47 / 0 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 79 / 47 / 0 / 15: CMYK 76 / 46 / 0 / 17, CMYK 71 / 42 / 0 / 9, CMYK 66 / 40 / 0 / 2, CMYK 60 / 34 / 0 / 0 and CMYK 53 / 27 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 79 / 47 / 0 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 79 / 47 / 0 / 15: CMYK 79 / 47 / 0 / 15, CMYK 85 / 51 / 0 / 22, CMYK 93 / 56 / 0 / 30, CMYK 100 / 62 / 0 / 37 and CMYK 100 / 70 / 0 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 47 / 0 / 15

HEX #2E73D9

RGB 46 115 217

HSL 215.79, 0.69%, 0.52%

LAB 49.32, 14.77, -58.38

 

Complementary color

CMYK 0 / 33 / 82 / 18

HEX #D18C26

RGB 209 140 38

HSL 35.79, 0.69%, 0.48%

LAB 63.71, 18.24, 60.5

 

CMYK 76 / 46 / 0 / 17

HEX #3373D4

RGB 51 115 212

HSL 216.15, 0.65%, 0.52%

LAB 49.15, 13.46, -55.8

 

CMYK 71 / 42 / 0 / 9

HEX #4485E7

RGB 68 133 231

HSL 216.07, 0.77%, 0.59%

LAB 55.86, 11.45, -55.71

 

CMYK 66 / 40 / 0 / 2

HEX #5597FA

RGB 85 151 250

HSL 216, 0.94%, 0.66%

LAB 62.48, 9.81, -55.62

 

CMYK 60 / 34 / 0 / 0

HEX #66A9FF

RGB 102 169 255

HSL 213.73, 1%, 0.7%

LAB 68.33, 3.94, -49.03

 

CMYK 53 / 27 / 0 / 0

HEX #77BBFF

RGB 119 187 255

HSL 210, 1%, 0.73%

LAB 73.99, -2.77, -40.12

 

CMYK 79 / 47 / 0 / 15

HEX #2E73D9

RGB 46 115 217

HSL 215.79, 0.69%, 0.52%

LAB 49.32, 14.77, -58.38

 

CMYK 85 / 51 / 0 / 22

HEX #1D61C6

RGB 29 97 198

HSL 215.86, 0.74%, 0.45%

LAB 42.59, 17.49, -58.38

 

CMYK 93 / 56 / 0 / 30

HEX #0C4FB3

RGB 12 79 179

HSL 215.93, 0.87%, 0.37%

LAB 35.84, 20.84, -58.25

 

CMYK 100 / 62 / 0 / 37

HEX #003DA0

RGB 0 61 160

HSL 217.13, 1%, 0.31%

LAB 29.1, 24.87, -57.89

 

CMYK 100 / 70 / 0 / 45

HEX #002B8D

RGB 0 43 141

HSL 221.7, 1%, 0.28%

LAB 22.48, 29.52, -57.1

 

CMYK 79 / 47 / 0 / 15

HEX #2E73D9

RGB 46 115 217

HSL 215.79, 0.69%, 0.52%

LAB 49.32, 14.77, -58.38

 

CMYK 78 / 59 / 0 / 15

HEX #305AD9

RGB 48 90 217

HSL 225.09, 0.69%, 0.52%

LAB 42.69, 30.93, -69.12

 

CMYK 78 / 71 / 0 / 15

HEX #303ED9

RGB 48 62 217

HSL 235.03, 0.69%, 0.52%

LAB 36.14, 48.21, -79.85

 

CMYK 71 / 78 / 0 / 15

HEX #3E30D9

RGB 62 48 217

HSL 244.97, 0.69%, 0.52%

LAB 34.29, 56.81, -82.9

 

CMYK 59 / 78 / 0 / 15

HEX #5A30D9

RGB 90 48 217

HSL 254.91, 0.69%, 0.52%

LAB 36.55, 59.54, -79.09

 

CMYK 79 / 47 / 0 / 15

HEX #2E73D9

RGB 46 115 217

HSL 215.79, 0.69%, 0.52%

LAB 49.32, 14.77, -58.38

 

CMYK 77 / 46 / 0 / 95

HEX #03070D

RGB 3 7 13

HSL 216, 0.63%, 0.03%

LAB 1.81, -0.18, -2.74

 

CMYK 78 / 47 / 0 / 75

HEX #0E2240

RGB 14 34 64

HSL 216, 0.64%, 0.15%

LAB 13.28, 4.02, -21.49

 

CMYK 79 / 47 / 0 / 55

HEX #183D73

RGB 24 61 115

HSL 215.6, 0.65%, 0.27%

LAB 26.07, 7.75, -34.89

 

CMYK 79 / 47 / 0 / 35

HEX #2358A6

RGB 35 88 166

HSL 215.73, 0.65%, 0.39%

LAB 38, 11.37, -47.01

 

CMYK 79 / 47 / 0 / 15

HEX #2E73D9

RGB 46 115 217

HSL 215.79, 0.69%, 0.52%

LAB 49.32, 14.77, -58.38

 

CMYK 17 / 78 / 0 / 15

HEX #B430D9

RGB 180 48 217

HSL 286.86, 0.69%, 0.52%

LAB 48.04, 73.25, -59.85

 

CMYK 14 / 0 / 78 / 15

HEX #BAD930

RGB 186 217 48

HSL 71.01, 0.69%, 0.52%

LAB 81.99, -30.96, 72.98

 

CMYK 79 / 47 / 0 / 15

HEX #2E73D9

RGB 46 115 217

HSL 215.79, 0.69%, 0.52%

LAB 49.32, 14.77, -58.38

 

CMYK 0 / 78 / 46 / 15

HEX #D93076

RGB 217 48 118

HSL 335.15, 0.69%, 0.52%

LAB 49.71, 68, 1.7

 

CMYK 46 / 0 / 78 / 15

HEX #76D930

RGB 118 217 48

HSL 95.15, 0.69%, 0.52%

LAB 78.28, -55.61, 68.21

 

CMYK 79 / 47 / 0 / 15

HEX #2E73D9

RGB 46 115 217

HSL 215.79, 0.69%, 0.52%

LAB 49.32, 14.77, -58.38

 

CMYK 17 / 78 / 0 / 15

HEX #B430D9

RGB 180 48 217

HSL 286.86, 0.69%, 0.52%

LAB 48.04, 73.25, -59.85

 

CMYK 0 / 33 / 78 / 15

HEX #D99230

RGB 217 146 48

HSL 34.79, 0.69%, 0.52%

LAB 66.15, 18.79, 59.39

 

CMYK 61 / 0 / 78 / 15

HEX #54D930

RGB 84 217 48

HSL 107.22, 0.69%, 0.52%

LAB 77.12, -64.74, 66.69

 

CMYK 79 / 47 / 0 / 15

HEX #2E73D9

RGB 46 115 217

HSL 215.79, 0.69%, 0.52%

LAB 49.32, 14.77, -58.38

 

CMYK 0 / 78 / 7 / 15

HEX #D930CA

RGB 217 48 202

HSL 305.33, 0.69%, 0.52%

LAB 53.09, 77.92, -42.84

 

CMYK 0 / 33 / 78 / 15

HEX #D99230

RGB 217 146 48

HSL 34.79, 0.69%, 0.52%

LAB 66.15, 18.79, 59.39

 

CMYK 78 / 0 / 71 / 15

HEX #30D93E

RGB 48 217 62

HSL 124.97, 0.69%, 0.52%

LAB 76.44, -70.15, 61.13

 

Description

Color code: CMYK 79 / 47 / 0 / 15 | qconv.com Color code: CMYK 79 / 47 / 0 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 115 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 115 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 47 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 47% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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