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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 218 18 134 0.84 it is the complementary color RGBA 37 237 121 0.84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 218 18 134 0.84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 218 18 134 0.84: RGBA 223 18 129 0.84, RGBA 240 36 148 0.84, RGBA 255 54 167 0.84, RGBA 255 72 186 0.84 and RGBA 255 90 205 0.84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 218 18 134 0.84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 218 18 134 0.84: RGBA 218 18 134 0.84, RGBA 201 0 115 0.84, RGBA 184 0 96 0.84, RGBA 167 0 77 0.84 and RGBA 150 0 58 0.84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 32 / 12

HEX #DA1286D6

RGBA 218 18 134 0.84

HSLA 325.2, 0.85%, 0.46%, 0.84

LABA 48.33, 75.65, -10.03, 0.84

 

Complementary color

CMYK 71 / 0 / 41 / 6

HEX #25ED79D6

RGBA 37 237 121 0.84

HSLA 145.2, 0.85%, 0.54%, 0.84

LABA 83.1, -70.47, 43.21, 0.84

 

CMYK 0 / 77 / 35 / 11

HEX #DF1281D6

RGBA 223 18 129 0.84

HSLA 327.51, 0.85%, 0.47%, 0.84

LABA 49.14, 76.28, -5.69, 0.84

 

CMYK 0 / 71 / 32 / 5

HEX #F02494D6

RGBA 240 36 148 0.84

HSLA 327.06, 0.87%, 0.54%, 0.84

LABA 53.95, 79.07, -9.6, 0.84

 

CMYK 0 / 66 / 29 / 0

HEX #FF36A7D6

RGBA 255 54 167 0.84

HSLA 326.27, 1%, 0.61%, 0.84

LABA 58.68, 80.45, -13.39, 0.84

 

CMYK 0 / 60 / 23 / 0

HEX #FF48BAD6

RGBA 255 72 186 0.84

HSLA 322.62, 1%, 0.64%, 0.84

LABA 61.17, 77.42, -20.61, 0.84

 

CMYK 0 / 54 / 16 / 0

HEX #FF5ACDD6

RGBA 255 90 205 0.84

HSLA 318.18, 1%, 0.68%, 0.84

LABA 64.14, 73.5, -26.85, 0.84

 

CMYK 0 / 77 / 32 / 12

HEX #DA1286D6

RGBA 218 18 134 0.84

HSLA 325.2, 0.85%, 0.46%, 0.84

LABA 48.33, 75.65, -10.03, 0.84

 

CMYK 0 / 84 / 36 / 18

HEX #C90073D6

RGBA 201 0 115 0.84

HSLA 325.67, 1%, 0.39%, 0.84

LABA 43.73, 71.94, -5.59, 0.84

 

CMYK 0 / 84 / 40 / 23

HEX #B80060D6

RGBA 184 0 96 0.84

HSLA 328.7, 1%, 0.36%, 0.84

LABA 39.64, 66.6, -0.07, 0.84

 

CMYK 0 / 84 / 45 / 29

HEX #A7004DD6

RGBA 167 0 77 0.84

HSLA 332.34, 1%, 0.33%, 0.84

LABA 35.5, 61.24, 5.73, 0.84

 

CMYK 0 / 84 / 52 / 35

HEX #96003AD6

RGBA 150 0 58 0.84

HSLA 336.8, 1%, 0.29%, 0.84

LABA 31.32, 55.87, 11.88, 0.84

 

CMYK 0 / 77 / 32 / 12

HEX #DA1286D6

RGBA 218 18 134 0.84

HSLA 325.2, 0.85%, 0.46%, 0.84

LABA 48.33, 75.65, -10.03, 0.84

 

CMYK 0 / 77 / 45 / 13

HEX #D91164D6

RGBA 217 17 100 0.84

HSLA 335.1, 0.85%, 0.46%, 0.84

LABA 47.07, 72.75, 8.97, 0.84

 

CMYK 0 / 77 / 58 / 13

HEX #D91143D6

RGBA 217 17 67 0.84

HSLA 345, 0.85%, 0.46%, 0.84

LABA 46.39, 70.87, 28.45, 0.84

 

CMYK 0 / 77 / 71 / 13

HEX #D91122D6

RGBA 217 17 34 0.84

HSLA 354.9, 0.85%, 0.46%, 0.84

LABA 46, 69.77, 46.99, 0.84

 

CMYK 0 / 71 / 77 / 13

HEX #D92211D6

RGBA 217 34 17 0.84

HSLA 5.1, 0.85%, 0.46%, 0.84

LABA 46.89, 66.64, 55.12, 0.84

 

CMYK 0 / 77 / 32 / 12

HEX #DA1286D6

RGBA 218 18 134 0.84

HSLA 325.2, 0.85%, 0.46%, 0.84

LABA 48.33, 75.65, -10.03, 0.84

 

CMYK 0 / 78 / 30 / 79

HEX #0E0109D6

RGBA 14 1 9 0.84

HSLA 323.08, 0.87%, 0.03%, 0.84

LABA 1.22, 4.63, -1.79, 0.84

 

CMYK 0 / 78 / 32 / 63

HEX #410528D6

RGBA 65 5 40 0.84

HSLA 325, 0.86%, 0.14%, 0.84

LABA 11.86, 30.9, -5.91, 0.84

 

CMYK 0 / 77 / 33 / 46

HEX #740A47D6

RGBA 116 10 71 0.84

HSLA 325.47, 0.84%, 0.25%, 0.84

LABA 24.91, 46.82, -7.08, 0.84

 

CMYK 0 / 77 / 32 / 29

HEX #A70E67D6

RGBA 167 14 103 0.84

HSLA 325.1, 0.85%, 0.35%, 0.84

LABA 36.95, 61.77, -8.91, 0.84

 

CMYK 0 / 77 / 32 / 12

HEX #DA1286D6

RGBA 218 18 134 0.84

HSLA 325.2, 0.85%, 0.46%, 0.84

LABA 48.33, 75.65, -10.03, 0.84

 

CMYK 0 / 30 / 77 / 13

HEX #D98C11D6

RGBA 217 140 17 0.84

HSLA 36.9, 0.85%, 0.46%, 0.84

LABA 64.6, 21.22, 67.36, 0.84

 

CMYK 77 / 2 / 0 / 13

HEX #11D5D9D6

RGBA 17 213 217 0.84

HSLA 181.2, 0.85%, 0.46%, 0.84

LABA 77.71, -40.32, -14.19, 0.84

 

CMYK 0 / 77 / 32 / 12

HEX #DA1286D6

RGBA 218 18 134 0.84

HSLA 325.2, 0.85%, 0.46%, 0.84

LABA 48.33, 75.65, -10.03, 0.84

 

CMYK 33 / 0 / 77 / 13

HEX #85D911D6

RGBA 133 217 17 0.84

HSLA 85.2, 0.85%, 0.46%, 0.84

LABA 78.84, -51.83, 75.58, 0.84

 

CMYK 77 / 33 / 0 / 13

HEX #1185D9D6

RGBA 17 133 217 0.84

HSLA 205.2, 0.85%, 0.46%, 0.84

LABA 53.92, 1.56, -51.03, 0.84

 

CMYK 0 / 77 / 32 / 12

HEX #DA1286D6

RGBA 218 18 134 0.84

HSLA 325.2, 0.85%, 0.46%, 0.84

LABA 48.33, 75.65, -10.03, 0.84

 

CMYK 0 / 30 / 77 / 13

HEX #D98C11D6

RGBA 217 140 17 0.84

HSLA 36.9, 0.85%, 0.46%, 0.84

LABA 64.6, 21.22, 67.36, 0.84

 

CMYK 77 / 0 / 45 / 13

HEX #11D964D6

RGBA 17 217 100 0.84

HSLA 144.9, 0.85%, 0.46%, 0.84

LABA 76.48, -68.53, 45.01, 0.84

 

CMYK 77 / 48 / 0 / 13

HEX #115ED9D6

RGBA 17 94 217 0.84

HSLA 216.9, 0.85%, 0.46%, 0.84

LABA 42.96, 26.21, -68.7, 0.84

 

CMYK 0 / 77 / 32 / 12

HEX #DA1286D6

RGBA 218 18 134 0.84

HSLA 325.2, 0.85%, 0.46%, 0.84

LABA 48.33, 75.65, -10.03, 0.84

 

CMYK 0 / 7 / 77 / 13

HEX #D9C811D6

RGBA 217 200 17 0.84

HSLA 54.9, 0.85%, 0.46%, 0.84

LABA 79.67, -10.45, 78.62, 0.84

 

CMYK 77 / 0 / 45 / 13

HEX #11D964D6

RGBA 17 217 100 0.84

HSLA 144.9, 0.85%, 0.46%, 0.84

LABA 76.48, -68.53, 45.01, 0.84

 

CMYK 77 / 71 / 0 / 13

HEX #1122D9D6

RGBA 17 34 217 0.84

HSLA 234.9, 0.85%, 0.46%, 0.84

LABA 30.09, 61.09, -89.93, 0.84

 

Description

Color code: RGBA 218 18 134 0.84 | qconv.com Color code: RGBA 218 18 134 0.84 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 18 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 18 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 32 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 32% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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