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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 215 62 218 0.1 it is the complementary color RGBA 40 193 37 0.1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 215 62 218 0.1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 215 62 218 0.1: RGBA 220 62 213 0.1, RGBA 237 80 232 0.1, RGBA 254 98 251 0.1, RGBA 255 116 255 0.1 and RGBA 255 134 255 0.1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 215 62 218 0.1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 215 62 218 0.1: RGBA 215 62 218 0.1, RGBA 198 44 199 0.1, RGBA 181 26 180 0.1, RGBA 164 8 161 0.1 and RGBA 147 0 142 0.1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 0 / 1

HEX #D73EDA19

RGBA 215 62 218 0.1

HSLA 298.85, 0.68%, 0.55%, 0.1

LABA 55.03, 75.91, -48.94, 0.1

 

Complementary color

CMYK 8 / 0 / 8 / 2

HEX #28C12519

RGBA 40 193 37 0.1

HSLA 118.85, 0.68%, 0.45%, 0.1

LABA 68.55, -65.67, 61.47, 0.1

 

CMYK 0 / 7 / 0 / 1

HEX #DC3ED519

RGBA 220 62 213 0.1

HSLA 302.66, 0.69%, 0.55%, 0.1

LABA 55.55, 76.18, -45.22, 0.1

 

CMYK 0 / 7 / 0 / 1

HEX #ED50E819

RGBA 237 80 232 0.1

HSLA 301.91, 0.81%, 0.62%, 0.1

LABA 61.28, 76.78, -46.7, 0.1

 

CMYK 0 / 6 / 0 / 0

HEX #FE62FB19

RGBA 254 98 251 0.1

HSLA 301.15, 0.99%, 0.69%, 0.1

LABA 67.11, 76.94, -47.87, 0.1

 

CMYK 0 / 5 / 0 / 0

HEX #FF74FF19

RGBA 255 116 255 0.1

HSLA 300, 1%, 0.73%, 0.1

LABA 70.16, 70.36, -45.25, 0.1

 

CMYK 0 / 5 / 0 / 0

HEX #FF86FF19

RGBA 255 134 255 0.1

HSLA 300, 1%, 0.76%, 0.1

LABA 73.24, 62.13, -40.43, 0.1

 

CMYK 0 / 7 / 0 / 1

HEX #D73EDA19

RGBA 215 62 218 0.1

HSLA 298.85, 0.68%, 0.55%, 0.1

LABA 55.03, 75.91, -48.94, 0.1

 

CMYK 0 / 8 / 0 / 2

HEX #C62CC719

RGBA 198 44 199 0.1

HSLA 299.61, 0.64%, 0.48%, 0.1

LABA 49.41, 74.71, -47.15, 0.1

 

CMYK 0 / 9 / 0 / 3

HEX #B51AB419

RGBA 181 26 180 0.1

HSLA 300.39, 0.75%, 0.41%, 0.1

LABA 44.03, 72.61, -44.81, 0.1

 

CMYK 0 / 10 / 0 / 4

HEX #A408A119

RGBA 164 8 161 0.1

HSLA 301.15, 0.91%, 0.34%, 0.1

LABA 38.97, 69.28, -41.74, 0.1

 

CMYK 0 / 10 / 0 / 4

HEX #93008E19

RGBA 147 0 142 0.1

HSLA 302.04, 1%, 0.29%, 0.1

LABA 34.31, 64.41, -37.78, 0.1

 

CMYK 0 / 7 / 0 / 1

HEX #D73EDA19

RGBA 215 62 218 0.1

HSLA 298.85, 0.68%, 0.55%, 0.1

LABA 55.03, 75.91, -48.94, 0.1

 

CMYK 0 / 7 / 1 / 1

HEX #DA3EC519

RGBA 218 62 197 0.1

HSLA 308.08, 0.68%, 0.55%, 0.1

LABA 54.43, 73.33, -37.85, 0.1

 

CMYK 0 / 7 / 2 / 1

HEX #DA3EAB19

RGBA 218 62 171 0.1

HSLA 318.08, 0.68%, 0.55%, 0.1

LABA 53.27, 69.74, -24.57, 0.1

 

CMYK 0 / 7 / 3 / 1

HEX #DA3E9119

RGBA 218 62 145 0.1

HSLA 328.08, 0.68%, 0.55%, 0.1

LABA 52.28, 66.6, -10.72, 0.1

 

CMYK 0 / 7 / 5 / 1

HEX #DA3E7719

RGBA 218 62 119 0.1

HSLA 338.08, 0.68%, 0.55%, 0.1

LABA 51.48, 63.97, 3.68, 0.1

 

CMYK 0 / 7 / 0 / 1

HEX #D73EDA19

RGBA 215 62 218 0.1

HSLA 298.85, 0.68%, 0.55%, 0.1

LABA 55.03, 75.91, -48.94, 0.1

 

CMYK 0 / 7 / 0 / 9

HEX #0E040E19

RGBA 14 4 14 0.1

HSLA 300, 0.56%, 0.04%, 0.1

LABA 1.91, 4.19, -3, 0.1

 

CMYK 0 / 7 / 0 / 7

HEX #40124119

RGBA 64 18 65 0.1

HSLA 298.72, 0.57%, 0.16%, 0.1

LABA 14.98, 29.34, -19.13, 0.1

 

CMYK 0 / 7 / 0 / 5

HEX #72217419

RGBA 114 33 116 0.1

HSLA 298.55, 0.56%, 0.29%, 0.1

LABA 29.23, 46.01, -29.94, 0.1

 

CMYK 0 / 7 / 0 / 3

HEX #A52FA719

RGBA 165 47 167 0.1

HSLA 299, 0.56%, 0.42%, 0.1

LABA 42.49, 61.73, -39.71, 0.1

 

CMYK 0 / 7 / 0 / 1

HEX #D73EDA19

RGBA 215 62 218 0.1

HSLA 298.85, 0.68%, 0.55%, 0.1

LABA 55.03, 75.91, -48.94, 0.1

 

CMYK 0 / 6 / 7 / 1

HEX #DA583E19

RGBA 218 88 62 0.1

HSLA 10, 0.68%, 0.55%, 0.1

LABA 54.27, 49.49, 40.68, 0.1

 

CMYK 7 / 0 / 3 / 1

HEX #3EDA9619

RGBA 62 218 150 0.1

HSLA 153.85, 0.68%, 0.55%, 0.1

LABA 78.09, -55.71, 22.11, 0.1

 

CMYK 0 / 7 / 0 / 1

HEX #D73EDA19

RGBA 215 62 218 0.1

HSLA 298.85, 0.68%, 0.55%, 0.1

LABA 55.03, 75.91, -48.94, 0.1

 

CMYK 0 / 0 / 7 / 1

HEX #DAD53E19

RGBA 218 213 62 0.1

HSLA 58.08, 0.68%, 0.55%, 0.1

LABA 83.36, -15.24, 70.69, 0.1

 

CMYK 7 / 0 / 0 / 1

HEX #3EDAD519

RGBA 62 218 213 0.1

HSLA 178.08, 0.68%, 0.55%, 0.1

LABA 79.6, -40.3, -9.17, 0.1

 

CMYK 0 / 7 / 0 / 1

HEX #D73EDA19

RGBA 215 62 218 0.1

HSLA 298.85, 0.68%, 0.55%, 0.1

LABA 55.03, 75.91, -48.94, 0.1

 

CMYK 0 / 6 / 7 / 1

HEX #DA583E19

RGBA 218 88 62 0.1

HSLA 10, 0.68%, 0.55%, 0.1

LABA 54.27, 49.49, 40.68, 0.1

 

CMYK 7 / 0 / 7 / 1

HEX #43DA3E19

RGBA 67 218 62 0.1

HSLA 118.08, 0.68%, 0.55%, 0.1

LABA 77.09, -67.55, 61.91, 0.1

 

CMYK 7 / 1 / 0 / 1

HEX #3EC0DA19

RGBA 62 192 218 0.1

HSLA 190, 0.68%, 0.55%, 0.1

LABA 72.08, -26.52, -23.19, 0.1

 

CMYK 0 / 7 / 0 / 1

HEX #D73EDA19

RGBA 215 62 218 0.1

HSLA 298.85, 0.68%, 0.55%, 0.1

LABA 55.03, 75.91, -48.94, 0.1

 

CMYK 0 / 4 / 7 / 1

HEX #DA873E19

RGBA 218 135 62 0.1

HSLA 28.08, 0.68%, 0.55%, 0.1

LABA 63.82, 25.73, 51.09, 0.1

 

CMYK 7 / 0 / 7 / 1

HEX #43DA3E19

RGBA 67 218 62 0.1

HSLA 118.08, 0.68%, 0.55%, 0.1

LABA 77.09, -67.55, 61.91, 0.1

 

CMYK 7 / 3 / 0 / 1

HEX #3E91DA19

RGBA 62 145 218 0.1

HSLA 208.08, 0.68%, 0.55%, 0.1

LABA 58.36, -1.14, -44.5, 0.1

 

Description

Color code: RGBA 215 62 218 0.1 | qconv.com Color code: RGBA 215 62 218 0.1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 62 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 62 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to Sherwin Williams®

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NCS® to HKS®

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NCS® to PANTONE®

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