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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 215 120 211 0.672 it is the complementary color RGBA 40 135 44 0.672. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 215 120 211 0.672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 215 120 211 0.672: RGBA 220 120 206 0.672, RGBA 237 138 225 0.672, RGBA 254 156 244 0.672, RGBA 255 174 255 0.672 and RGBA 255 192 255 0.672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 215 120 211 0.672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 215 120 211 0.672: RGBA 215 120 211 0.672, RGBA 198 102 192 0.672, RGBA 181 84 173 0.672, RGBA 164 66 154 0.672 and RGBA 147 48 135 0.672

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 1 / 11

HEX #D778D3AB

RGBA 215 120 211 0.672

HSLA 302.53, 0.54%, 0.66%, 0.672

LABA 63.82, 49.92, -31.18, 0.672

 

Complementary color

CMYK 47 / 0 / 45 / 32

HEX #28872CAB

RGBA 40 135 44 0.672

HSLA 122.53, 0.54%, 0.34%, 0.672

LABA 49.45, -46.11, 39.71, 0.672

 

CMYK 0 / 31 / 4 / 9

HEX #DC78CEAB

RGBA 220 120 206 0.672

HSLA 308.4, 0.59%, 0.67%, 0.672

LABA 64.25, 50.54, -27.67, 0.672

 

CMYK 0 / 28 / 3 / 5

HEX #ED8AE1AB

RGBA 237 138 225 0.672

HSLA 307.27, 0.73%, 0.74%, 0.672

LABA 70.61, 49.83, -28.27, 0.672

 

CMYK 0 / 26 / 3 / 0

HEX #FE9CF4AB

RGBA 254 156 244 0.672

HSLA 306.12, 0.98%, 0.8%, 0.672

LABA 76.91, 49.1, -28.8, 0.672

 

CMYK 0 / 21 / 0 / 0

HEX #FFAEFFAB

RGBA 255 174 255 0.672

HSLA 300, 1%, 0.84%, 0.672

LABA 81.16, 42.08, -28.2, 0.672

 

CMYK 0 / 17 / 0 / 0

HEX #FFC0FFAB

RGBA 255 192 255 0.672

HSLA 300, 1%, 0.88%, 0.672

LABA 85.09, 32.67, -22.21, 0.672

 

CMYK 0 / 30 / 1 / 11

HEX #D778D3AB

RGBA 215 120 211 0.672

HSLA 302.53, 0.54%, 0.66%, 0.672

LABA 63.82, 49.92, -31.18, 0.672

 

CMYK 0 / 33 / 2 / 15

HEX #C666C0AB

RGBA 198 102 192 0.672

HSLA 303.75, 0.46%, 0.59%, 0.672

LABA 57.38, 50.6, -30.59, 0.672

 

CMYK 0 / 36 / 3 / 20

HEX #B554ADAB

RGBA 181 84 173 0.672

HSLA 304.95, 0.4%, 0.52%, 0.672

LABA 50.9, 51.2, -29.86, 0.672

 

CMYK 0 / 40 / 4 / 24

HEX #A4429AAB

RGBA 164 66 154 0.672

HSLA 306.12, 0.43%, 0.45%, 0.672

LABA 44.41, 51.61, -28.93, 0.672

 

CMYK 0 / 45 / 5 / 28

HEX #933087AB

RGBA 147 48 135 0.672

HSLA 307.27, 0.51%, 0.38%, 0.672

LABA 37.96, 51.66, -27.68, 0.672

 

CMYK 0 / 30 / 1 / 11

HEX #D778D3AB

RGBA 215 120 211 0.672

HSLA 302.53, 0.54%, 0.66%, 0.672

LABA 63.82, 49.92, -31.18, 0.672

 

CMYK 0 / 29 / 6 / 11

HEX #D779C4AB

RGBA 215 121 196 0.672

HSLA 312.13, 0.54%, 0.66%, 0.672

LABA 63.43, 46.82, -23.35, 0.672

 

CMYK 0 / 29 / 11 / 11

HEX #D779B4AB

RGBA 215 121 180 0.672

HSLA 322.34, 0.54%, 0.66%, 0.672

LABA 62.86, 44.23, -15.16, 0.672

 

CMYK 0 / 29 / 16 / 11

HEX #D779A5AB

RGBA 215 121 165 0.672

HSLA 331.91, 0.54%, 0.66%, 0.672

LABA 62.37, 41.98, -7.34, 0.672

 

CMYK 0 / 29 / 21 / 11

HEX #D77995AB

RGBA 215 121 149 0.672

HSLA 342.13, 0.54%, 0.66%, 0.672

LABA 61.91, 39.79, 1.13, 0.672

 

CMYK 0 / 30 / 1 / 11

HEX #D778D3AB

RGBA 215 120 211 0.672

HSLA 302.53, 0.54%, 0.66%, 0.672

LABA 63.82, 49.92, -31.18, 0.672

 

CMYK 0 / 31 / 0 / 64

HEX #0B060BAB

RGBA 11 6 11 0.672

HSLA 300, 0.29%, 0.03%, 0.672

LABA 2.04, 2.01, -1.44, 0.672

 

CMYK 0 / 29 / 1 / 51

HEX #3E233DAB

RGBA 62 35 61 0.672

HSLA 302.22, 0.28%, 0.19%, 0.672

LABA 18.2, 17.81, -11.33, 0.672

 

CMYK 0 / 30 / 1 / 37

HEX #713F6FAB

RGBA 113 63 111 0.672

HSLA 302.4, 0.28%, 0.35%, 0.672

LABA 34.42, 29.65, -18.65, 0.672

 

CMYK 0 / 30 / 1 / 24

HEX #A45CA1AB

RGBA 164 92 161 0.672

HSLA 302.5, 0.28%, 0.5%, 0.672

LABA 49.64, 39.84, -24.95, 0.672

 

CMYK 0 / 30 / 1 / 11

HEX #D778D3AB

RGBA 215 120 211 0.672

HSLA 302.53, 0.54%, 0.66%, 0.672

LABA 63.82, 49.92, -31.18, 0.672

 

CMYK 0 / 23 / 29 / 11

HEX #D78F79AB

RGBA 215 143 121 0.672

HSLA 14.04, 0.54%, 0.66%, 0.672

LABA 66.11, 24.76, 22.88, 0.672

 

CMYK 29 / 0 / 11 / 11

HEX #79D7B4AB

RGBA 121 215 180 0.672

HSLA 157.66, 0.54%, 0.66%, 0.672

LABA 79.59, -36.02, 8.63, 0.672

 

CMYK 0 / 30 / 1 / 11

HEX #D778D3AB

RGBA 215 120 211 0.672

HSLA 302.53, 0.54%, 0.66%, 0.672

LABA 63.82, 49.92, -31.18, 0.672

 

CMYK 1 / 0 / 29 / 11

HEX #D3D779AB

RGBA 211 215 121 0.672

HSLA 62.55, 0.54%, 0.66%, 0.672

LABA 83.88, -14.82, 45.73, 0.672

 

CMYK 29 / 1 / 0 / 11

HEX #79D3D7AB

RGBA 121 211 215 0.672

HSLA 182.55, 0.54%, 0.66%, 0.672

LABA 79.36, -25.89, -10.41, 0.672

 

CMYK 0 / 30 / 1 / 11

HEX #D778D3AB

RGBA 215 120 211 0.672

HSLA 302.53, 0.54%, 0.66%, 0.672

LABA 63.82, 49.92, -31.18, 0.672

 

CMYK 0 / 23 / 29 / 11

HEX #D78F79AB

RGBA 215 143 121 0.672

HSLA 14.04, 0.54%, 0.66%, 0.672

LABA 66.11, 24.76, 22.88, 0.672

 

CMYK 29 / 0 / 28 / 11

HEX #79D77CAB

RGBA 121 215 124 0.672

HSLA 121.91, 0.54%, 0.66%, 0.672

LABA 78.53, -46.29, 36.37, 0.672

 

CMYK 29 / 7 / 0 / 11

HEX #79C1D7AB

RGBA 121 193 215 0.672

HSLA 194.04, 0.54%, 0.66%, 0.672

LABA 74.26, -16.81, -18.07, 0.672

 

CMYK 0 / 30 / 1 / 11

HEX #D778D3AB

RGBA 215 120 211 0.672

HSLA 302.53, 0.54%, 0.66%, 0.672

LABA 63.82, 49.92, -31.18, 0.672

 

CMYK 0 / 14 / 29 / 11

HEX #D7AB79AB

RGBA 215 171 121 0.672

HSLA 31.91, 0.54%, 0.66%, 0.672

LABA 72.86, 9.65, 31.83, 0.672

 

CMYK 29 / 0 / 28 / 11

HEX #79D77CAB

RGBA 121 215 124 0.672

HSLA 121.91, 0.54%, 0.66%, 0.672

LABA 78.53, -46.29, 36.37, 0.672

 

CMYK 29 / 16 / 0 / 11

HEX #79A5D7AB

RGBA 121 165 215 0.672

HSLA 211.91, 0.54%, 0.66%, 0.672

LABA 66.43, -1.74, -30.04, 0.672

 

Description

Color code: RGBA 215 120 211 0.672 | qconv.com Color code: RGBA 215 120 211 0.672 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 120 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 120 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 1 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 1% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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