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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 213 22 16 0.8 it is the complementary color RGBA 42 233 239 0.8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 213 22 16 0.8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 213 22 16 0.8: RGBA 218 22 11 0.8, RGBA 235 40 30 0.8, RGBA 252 58 49 0.8, RGBA 255 76 68 0.8 and RGBA 255 94 87 0.8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 213 22 16 0.8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 213 22 16 0.8: RGBA 213 22 16 0.8, RGBA 196 4 0 0.8, RGBA 179 0 0 0.8, RGBA 162 0 0 0.8 and RGBA 145 0 0 0.8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 74 / 13

HEX #D51610CC

RGBA 213 22 16 0.8

HSLA 1.83, 0.86%, 0.45%, 0.8

LABA 45.3, 67.76, 54.07, 0.8

 

Complementary color

CMYK 66 / 2 / 0 / 5

HEX #2AE9EFCC

RGBA 42 233 239 0.8

HSLA 181.83, 0.86%, 0.55%, 0.8

LABA 84.48, -41.49, -15.69, 0.8

 

CMYK 0 / 72 / 76 / 12

HEX #DA160BCC

RGBA 218 22 11 0.8

HSLA 3.19, 0.9%, 0.45%, 0.8

LABA 46.32, 69.01, 56.81, 0.8

 

CMYK 0 / 66 / 70 / 6

HEX #EB281ECC

RGBA 235 40 30 0.8

HSLA 2.93, 0.84%, 0.52%, 0.8

LABA 51.01, 70.43, 54.52, 0.8

 

CMYK 0 / 62 / 64 / 1

HEX #FC3A31CC

RGBA 252 58 49 0.8

HSLA 2.66, 0.97%, 0.59%, 0.8

LABA 56.03, 71, 51.16, 0.8

 

CMYK 0 / 56 / 59 / 0

HEX #FF4C44CC

RGBA 255 76 68 0.8

HSLA 2.57, 1%, 0.63%, 0.8

LABA 58.83, 66.77, 44.27, 0.8

 

CMYK 0 / 51 / 53 / 0

HEX #FF5E57CC

RGBA 255 94 87 0.8

HSLA 2.5, 1%, 0.67%, 0.8

LABA 61.61, 60.74, 37.07, 0.8

 

CMYK 0 / 72 / 74 / 13

HEX #D51610CC

RGBA 213 22 16 0.8

HSLA 1.83, 0.86%, 0.45%, 0.8

LABA 45.3, 67.76, 54.07, 0.8

 

CMYK 0 / 78 / 80 / 19

HEX #C40400CC

RGBA 196 4 0 0.8

HSLA 1.22, 1%, 0.38%, 0.8

LABA 40.93, 65.31, 55.19, 0.8

 

CMYK 0 / 80 / 80 / 24

HEX #B30000CC

RGBA 179 0 0 0.8

HSLA 0, 1%, 0.35%, 0.8

LABA 37.08, 61.42, 51.49, 0.8

 

CMYK 0 / 80 / 80 / 29

HEX #A20000CC

RGBA 162 0 0 0.8

HSLA 0, 1%, 0.32%, 0.8

LABA 33.31, 57.06, 47.46, 0.8

 

CMYK 0 / 80 / 80 / 35

HEX #910000CC

RGBA 145 0 0 0.8

HSLA 0, 1%, 0.28%, 0.8

LABA 29.46, 52.6, 42.98, 0.8

 

CMYK 0 / 72 / 74 / 13

HEX #D51610CC

RGBA 213 22 16 0.8

HSLA 1.83, 0.86%, 0.45%, 0.8

LABA 45.3, 67.76, 54.07, 0.8

 

CMYK 0 / 60 / 74 / 13

HEX #D53410CC

RGBA 213 52 16 0.8

HSLA 10.96, 0.86%, 0.45%, 0.8

LABA 47.8, 60.67, 55.65, 0.8

 

CMYK 0 / 48 / 74 / 13

HEX #D55510CC

RGBA 213 85 16 0.8

HSLA 21.02, 0.86%, 0.45%, 0.8

LABA 52.6, 47.69, 58.82, 0.8

 

CMYK 0 / 36 / 74 / 13

HEX #D57610CC

RGBA 213 118 16 0.8

HSLA 31.07, 0.86%, 0.45%, 0.8

LABA 59.1, 31.26, 63.36, 0.8

 

CMYK 0 / 24 / 74 / 13

HEX #D59610CC

RGBA 213 150 16 0.8

HSLA 40.81, 0.86%, 0.45%, 0.8

LABA 66.52, 14.08, 68.73, 0.8

 

CMYK 0 / 72 / 74 / 13

HEX #D51610CC

RGBA 213 22 16 0.8

HSLA 1.83, 0.86%, 0.45%, 0.8

LABA 45.3, 67.76, 54.07, 0.8

 

CMYK 0 / 71 / 71 / 77

HEX #090101CC

RGBA 9 1 1 0.8

HSLA 0, 0.8%, 0.02%, 0.8

LABA 0.74, 2.09, 0.74, 0.8

 

CMYK 0 / 72 / 73 / 61

HEX #3C0605CC

RGBA 60 6 5 0.8

HSLA 1.09, 0.85%, 0.13%, 0.8

LABA 9.81, 25.76, 13.3, 0.8

 

CMYK 0 / 72 / 74 / 45

HEX #6F0B08CC

RGBA 111 11 8 0.8

HSLA 1.75, 0.87%, 0.23%, 0.8

LABA 22.43, 41.09, 30.41, 0.8

 

CMYK 0 / 72 / 74 / 29

HEX #A2110CCC

RGBA 162 17 12 0.8

HSLA 2, 0.86%, 0.34%, 0.8

LABA 34.21, 54.79, 43.15, 0.8

 

CMYK 0 / 72 / 74 / 13

HEX #D51610CC

RGBA 213 22 16 0.8

HSLA 1.83, 0.86%, 0.45%, 0.8

LABA 45.3, 67.76, 54.07, 0.8

 

CMYK 16 / 0 / 74 / 13

HEX #AAD510CC

RGBA 170 213 16 0.8

HSLA 73.1, 0.86%, 0.45%, 0.8

LABA 79.71, -36.41, 77.26, 0.8

 

CMYK 74 / 46 / 0 / 13

HEX #105BD5CC

RGBA 16 91 213 0.8

HSLA 217.16, 0.86%, 0.45%, 0.8

LABA 41.84, 26.57, -68.25, 0.8

 

CMYK 0 / 72 / 74 / 13

HEX #D51610CC

RGBA 213 22 16 0.8

HSLA 1.83, 0.86%, 0.45%, 0.8

LABA 45.3, 67.76, 54.07, 0.8

 

CMYK 74 / 0 / 73 / 13

HEX #10D513CC

RGBA 16 213 19 0.8

HSLA 120.91, 0.86%, 0.45%, 0.8

LABA 74.66, -74.21, 70.64, 0.8

 

CMYK 73 / 74 / 0 / 13

HEX #1310D5CC

RGBA 19 16 213 0.8

HSLA 240.91, 0.86%, 0.45%, 0.8

LABA 27.61, 66.06, -91.75, 0.8

 

CMYK 0 / 72 / 74 / 13

HEX #D51610CC

RGBA 213 22 16 0.8

HSLA 1.83, 0.86%, 0.45%, 0.8

LABA 45.3, 67.76, 54.07, 0.8

 

CMYK 16 / 0 / 74 / 13

HEX #AAD510CC

RGBA 170 213 16 0.8

HSLA 73.1, 0.86%, 0.45%, 0.8

LABA 79.71, -36.41, 77.26, 0.8

 

CMYK 74 / 1 / 0 / 13

HEX #10D2D5CC

RGBA 16 210 213 0.8

HSLA 180.91, 0.86%, 0.45%, 0.8

LABA 76.68, -40.19, -13.58, 0.8

 

CMYK 58 / 74 / 0 / 13

HEX #3A10D5CC

RGBA 58 16 213 0.8

HSLA 252.79, 0.86%, 0.45%, 0.8

LABA 29.6, 67.14, -88.38, 0.8

 

CMYK 0 / 72 / 74 / 13

HEX #D51610CC

RGBA 213 22 16 0.8

HSLA 1.83, 0.86%, 0.45%, 0.8

LABA 45.3, 67.76, 54.07, 0.8

 

CMYK 38 / 0 / 74 / 13

HEX #6FD510CC

RGBA 111 213 16 0.8

HSLA 91.07, 0.86%, 0.45%, 0.8

LABA 76.68, -57.39, 73.55, 0.8

 

CMYK 74 / 1 / 0 / 13

HEX #10D2D5CC

RGBA 16 210 213 0.8

HSLA 180.91, 0.86%, 0.45%, 0.8

LABA 76.68, -40.19, -13.58, 0.8

 

CMYK 36 / 74 / 0 / 13

HEX #7610D5CC

RGBA 118 16 213 0.8

HSLA 271.07, 0.86%, 0.45%, 0.8

LABA 36.03, 71.45, -77.52, 0.8

 

Description

Color code: RGBA 213 22 16 0.8 | qconv.com Color code: RGBA 213 22 16 0.8 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 22 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 22 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 74 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 74% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to Sherwin Williams®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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