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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 209 21 46 0.2 it is the complementary color RGBA 46 234 209 0.2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 209 21 46 0.2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 209 21 46 0.2: RGBA 214 21 41 0.2, RGBA 231 39 60 0.2, RGBA 248 57 79 0.2, RGBA 255 75 98 0.2 and RGBA 255 93 117 0.2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 209 21 46 0.2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 209 21 46 0.2: RGBA 209 21 46 0.2, RGBA 192 3 27 0.2, RGBA 175 0 8 0.2, RGBA 158 0 0 0.2 and RGBA 141 0 0 0.2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 16 / 4

HEX #D1152E33

RGBA 209 21 46 0.2

HSLA 352.02, 0.82%, 0.45%, 0.2

LABA 44.64, 67.51, 38.54, 0.2

 

Complementary color

CMYK 16 / 0 / 2 / 2

HEX #2EEAD133

RGBA 46 234 209 0.2

HSLA 172.02, 0.82%, 0.55%, 0.2

LABA 83.98, -49.94, -0.61, 0.2

 

CMYK 0 / 18 / 16 / 3

HEX #D6152933

RGBA 214 21 41 0.2

HSLA 353.78, 0.82%, 0.46%, 0.2

LABA 45.62, 68.65, 42.69, 0.2

 

CMYK 0 / 17 / 15 / 2

HEX #E7273C33

RGBA 231 39 60 0.2

HSLA 353.44, 0.8%, 0.53%, 0.2

LABA 50.41, 70.39, 38.06, 0.2

 

CMYK 0 / 15 / 14 / 1

HEX #F8394F33

RGBA 248 57 79 0.2

HSLA 353.09, 0.93%, 0.6%, 0.2

LABA 55.53, 71.26, 33.91, 0.2

 

CMYK 0 / 14 / 12 / 0

HEX #FF4B6233

RGBA 255 75 98 0.2

HSLA 352.33, 1%, 0.65%, 0.2

LABA 59.14, 68.59, 27.7, 0.2

 

CMYK 0 / 13 / 11 / 0

HEX #FF5D7533

RGBA 255 93 117 0.2

HSLA 351.11, 1%, 0.68%, 0.2

LABA 61.97, 63.08, 20.48, 0.2

 

CMYK 0 / 18 / 16 / 4

HEX #D1152E33

RGBA 209 21 46 0.2

HSLA 352.02, 0.82%, 0.45%, 0.2

LABA 44.64, 67.51, 38.54, 0.2

 

CMYK 0 / 20 / 17 / 5

HEX #C0031B33

RGBA 192 3 27 0.2

HSLA 352.38, 0.97%, 0.38%, 0.2

LABA 40.17, 64.76, 43.46, 0.2

 

CMYK 0 / 20 / 19 / 6

HEX #AF000833

RGBA 175 0 8 0.2

HSLA 357.26, 1%, 0.34%, 0.2

LABA 36.24, 60.5, 47.38, 0.2

 

CMYK 0 / 20 / 20 / 8

HEX #9E000033

RGBA 158 0 0 0.2

HSLA 0, 1%, 0.31%, 0.2

LABA 32.41, 56.02, 46.44, 0.2

 

CMYK 0 / 20 / 20 / 9

HEX #8D000033

RGBA 141 0 0 0.2

HSLA 0, 1%, 0.28%, 0.2

LABA 28.55, 51.54, 41.86, 0.2

 

CMYK 0 / 18 / 16 / 4

HEX #D1152E33

RGBA 209 21 46 0.2

HSLA 352.02, 0.82%, 0.45%, 0.2

LABA 44.64, 67.51, 38.54, 0.2

 

CMYK 0 / 18 / 18 / 4

HEX #D01A1433

RGBA 208 26 20 0.2

HSLA 1.91, 0.82%, 0.45%, 0.2

LABA 44.52, 65.83, 51.52, 0.2

 

CMYK 0 / 14 / 18 / 4

HEX #D03A1433

RGBA 208 58 20 0.2

HSLA 12.13, 0.82%, 0.45%, 0.2

LABA 47.61, 57.14, 53.69, 0.2

 

CMYK 0 / 11 / 18 / 4

HEX #D0591433

RGBA 208 89 20 0.2

HSLA 22.02, 0.82%, 0.45%, 0.2

LABA 52.51, 44.01, 57.24, 0.2

 

CMYK 0 / 8 / 18 / 4

HEX #D0791433

RGBA 208 121 20 0.2

HSLA 32.23, 0.82%, 0.45%, 0.2

LABA 59.1, 27.63, 62.11, 0.2

 

CMYK 0 / 18 / 16 / 4

HEX #D1152E33

RGBA 209 21 46 0.2

HSLA 352.02, 0.82%, 0.45%, 0.2

LABA 44.64, 67.51, 38.54, 0.2

 

CMYK 0 / 16 / 16 / 20

HEX #05010133

RGBA 5 1 1 0.2

HSLA 0, 0.67%, 0.01%, 0.2

LABA 0.51, 1.05, 0.37, 0.2

 

CMYK 0 / 18 / 16 / 16

HEX #38060C33

RGBA 56 6 12 0.2

HSLA 352.8, 0.81%, 0.12%, 0.2

LABA 8.97, 24.71, 9.07, 0.2

 

CMYK 0 / 18 / 16 / 12

HEX #6B0B1833

RGBA 107 11 24 0.2

HSLA 351.88, 0.81%, 0.23%, 0.2

LABA 21.69, 40.39, 20.58, 0.2

 

CMYK 0 / 18 / 16 / 8

HEX #9E102333

RGBA 158 16 35 0.2

HSLA 351.97, 0.82%, 0.34%, 0.2

LABA 33.48, 54.44, 29.87, 0.2

 

CMYK 0 / 18 / 16 / 4

HEX #D1152E33

RGBA 209 21 46 0.2

HSLA 352.02, 0.82%, 0.45%, 0.2

LABA 44.64, 67.51, 38.54, 0.2

 

CMYK 1 / 0 / 18 / 4

HEX #C4D01433

RGBA 196 208 20 0.2

HSLA 63.83, 0.82%, 0.45%, 0.2

LABA 80.12, -23.34, 77.81, 0.2

 

CMYK 18 / 8 / 0 / 4

HEX #1479D033

RGBA 20 121 208 0.2

HSLA 207.77, 0.82%, 0.45%, 0.2

LABA 49.95, 5.55, -52.28, 0.2

 

CMYK 0 / 18 / 16 / 4

HEX #D1152E33

RGBA 209 21 46 0.2

HSLA 352.02, 0.82%, 0.45%, 0.2

LABA 44.64, 67.51, 38.54, 0.2

 

CMYK 16 / 0 / 18 / 4

HEX #2DD01433

RGBA 45 208 20 0.2

HSLA 112.02, 0.82%, 0.45%, 0.2

LABA 73.36, -70.2, 69.5, 0.2

 

CMYK 18 / 16 / 0 / 4

HEX #142DD033

RGBA 20 45 208 0.2

HSLA 232.02, 0.82%, 0.45%, 0.2

LABA 30.83, 53.17, -83.48, 0.2

 

CMYK 0 / 18 / 16 / 4

HEX #D1152E33

RGBA 209 21 46 0.2

HSLA 352.02, 0.82%, 0.45%, 0.2

LABA 44.64, 67.51, 38.54, 0.2

 

CMYK 1 / 0 / 18 / 4

HEX #C4D01433

RGBA 196 208 20 0.2

HSLA 63.83, 0.82%, 0.45%, 0.2

LABA 80.12, -23.34, 77.81, 0.2

 

CMYK 18 / 0 / 2 / 4

HEX #14D0B733

RGBA 20 208 183 0.2

HSLA 172.02, 0.82%, 0.45%, 0.2

LABA 75.25, -47.71, 0.46, 0.2

 

CMYK 17 / 18 / 0 / 4

HEX #2114D033

RGBA 33 20 208 0.2

HSLA 244.15, 0.82%, 0.45%, 0.2

LABA 27.78, 63.92, -88.54, 0.2

 

CMYK 0 / 18 / 16 / 4

HEX #D1152E33

RGBA 209 21 46 0.2

HSLA 352.02, 0.82%, 0.45%, 0.2

LABA 44.64, 67.51, 38.54, 0.2

 

CMYK 7 / 0 / 18 / 4

HEX #8BD01433

RGBA 139 208 20 0.2

HSLA 82.02, 0.82%, 0.45%, 0.2

LABA 76.47, -45.98, 73.34, 0.2

 

CMYK 18 / 0 / 2 / 4

HEX #14D0B733

RGBA 20 208 183 0.2

HSLA 172.02, 0.82%, 0.45%, 0.2

LABA 75.25, -47.71, 0.46, 0.2

 

CMYK 11 / 18 / 0 / 4

HEX #5914D033

RGBA 89 20 208 0.2

HSLA 262.02, 0.82%, 0.45%, 0.2

LABA 32.21, 66.86, -81.06, 0.2

 

Description

Color code: RGBA 209 21 46 0.2 | qconv.com Color code: RGBA 209 21 46 0.2 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 21 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 21 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 16 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 16% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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