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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 201 237 97 0.75 it is the complementary color RGBA 54 18 158 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 201 237 97 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 201 237 97 0.75 shade: RGBA 206 237 92 0.75, RGBA 223 255 111 0.75, RGBA 240 255 130 0.75, RGBA 255 255 149 0.75 and RGBA 255 255 168 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 201 237 97 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 201 237 97 0.75 shade: RGBA 201 237 97 0.75, RGBA 184 219 78 0.75, RGBA 167 201 59 0.75, RGBA 150 183 40 0.75 and RGBA 133 165 21 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 201 237 97 0.75 shade: RGB 200 237 94, RGB 237 235 94, RGB 237 197 94, RGB 237 158 94 and RGB 237 120 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 201 237 97 0.75 shade: RGB 200 237 94, RGB 162 237 94, RGB 123 237 94, RGB 94 237 104 and RGB 94 237 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 201 237 97 0.75 shade matches the following richer shades: RGB 200 237 94 and RGB 207 252 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 201 237 97 0.75 shade: RGB 200 237 94, RGB 193 223 109, RGB 186 208 123, RGB 179 194 138 and RGB 172 179 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 201 237 97 0.75 shade: RGB 237 197 94, RGB 237 235 94, RGB 201 237 94, RGB 163 237 94 and RGB 125 237 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 201 237 97 0.75 shade: RGB 173 224 25, RGB 188 233 57, RGB 200 237 94, RGB 213 241 131 and RGB 226 245 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 201 237 97 0.75 shade: RGB 201 237 97, RGB 94 237 159 and RGB 216 94 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 201 237 97 0.75 shade: RGB 201 237 97, RGB 94 201 237 and RGB 237 94 201

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 201 237 97 0.75 shade: RGB 201 237 97, RGB 94 237 159, RGB 130 94 237 and RGB 237 94 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 201 237 97 0.75 shade: RGB 201 237 97, RGB 94 237 201, RGB 130 94 237 and RGB 237 94 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 44 / 5

HEX #C9ED61BF

RGBA 201 237 97 0.75

HSLA 75.43, 0.8%, 0.65%, 0.75

LABA 88.85, -31.46, 62.39, 0.75

 

Complementary color

CMYK 49 / 66 / 0 / 29

HEX #36129EBF

RGBA 54 18 158 0.75

HSLA 255.43, 0.8%, 0.35%, 0.75

LABA 22.6, 51.9, -67.3, 0.75

 

CMYK 10 / 0 / 46 / 5

HEX #CEED5CBF

RGBA 206 237 92 0.75

HSLA 72.83, 0.8%, 0.65%, 0.75

LABA 89.14, -29.9, 64.89, 0.75

 

CMYK 9 / 0 / 42 / 0

HEX #DFFF6FBF

RGBA 223 255 111 0.75

HSLA 73.33, 1%, 0.72%, 0.75

LABA 95.31, -30.28, 64.05, 0.75

 

CMYK 4 / 0 / 37 / 0

HEX #F0FF82BF

RGBA 240 255 130 0.75

HSLA 67.2, 1%, 0.75%, 0.75

LABA 96.68, -22.17, 57.51, 0.75

 

CMYK 0 / 0 / 31 / 0

HEX #FFFF95BF

RGBA 255 255 149 0.75

HSLA 60, 1%, 0.79%, 0.75

LABA 98.01, -14.63, 50.51, 0.75

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFA8BF

RGBA 255 255 168 0.75

HSLA 60, 1%, 0.83%, 0.75

LABA 98.28, -12.61, 41.64, 0.75

 

CMYK 11 / 0 / 44 / 5

HEX #C9ED61BF

RGBA 201 237 97 0.75

HSLA 75.43, 0.8%, 0.65%, 0.75

LABA 88.85, -31.46, 62.39, 0.75

 

CMYK 12 / 0 / 48 / 11

HEX #B8DB4EBF

RGBA 184 219 78 0.75

HSLA 74.89, 0.66%, 0.58%, 0.75

LABA 82.6, -31.07, 63.13, 0.75

 

CMYK 13 / 0 / 53 / 16

HEX #A7C93BBF

RGBA 167 201 59 0.75

HSLA 74.37, 0.57%, 0.51%, 0.75

LABA 76.26, -30.57, 63.53, 0.75

 

CMYK 14 / 0 / 59 / 21

HEX #96B728BF

RGBA 150 183 40 0.75

HSLA 73.85, 0.64%, 0.44%, 0.75

LABA 69.83, -29.91, 63.35, 0.75

 

CMYK 15 / 0 / 65 / 26

HEX #85A515BF

RGBA 133 165 21 0.75

HSLA 73.33, 0.77%, 0.36%, 0.75

LABA 63.3, -29.06, 62.13, 0.75

 

CMYK 16 / 0 / 60 / 7

HEX #C8ED5E

RGB 200 237 94

HSL 75.52, 0.8%, 0.65%

LAB 88.76, -32.07, 63.53

 

CMYK 0 / 1 / 60 / 7

HEX #EDEB5E

RGB 237 235 94

HSL 59.16, 0.8%, 0.65%

LAB 90.88, -16.49, 66.61

 

CMYK 0 / 17 / 60 / 7

HEX #EDC55E

RGB 237 197 94

HSL 43.22, 0.8%, 0.65%

LAB 81.15, 2.67, 55.88

 

CMYK 0 / 33 / 60 / 7

HEX #ED9E5E

RGB 237 158 94

HSL 26.85, 0.8%, 0.65%

LAB 71.74, 23.22, 44.97

 

CMYK 0 / 49 / 60 / 7

HEX #ED785E

RGB 237 120 94

HSL 10.91, 0.8%, 0.65%

LAB 63.55, 42.93, 34.98

 

CMYK 16 / 0 / 60 / 7

HEX #C8ED5E

RGB 200 237 94

HSL 75.52, 0.8%, 0.65%

LAB 88.76, -32.07, 63.53

 

CMYK 32 / 0 / 60 / 7

HEX #A2ED5E

RGB 162 237 94

HSL 91.47, 0.8%, 0.65%

LAB 86.53, -45.99, 60.44

 

CMYK 48 / 0 / 60 / 7

HEX #7BED5E

RGB 123 237 94

HSL 107.83, 0.8%, 0.65%

LAB 84.79, -58.26, 58

 

CMYK 60 / 0 / 56 / 7

HEX #5EED68

RGB 94 237 104

HSL 124.2, 0.8%, 0.65%

LAB 83.94, -64.38, 52.39

 

CMYK 60 / 0 / 40 / 7

HEX #5EED8E

RGB 94 237 142

HSL 140.14, 0.8%, 0.65%

LAB 84.43, -58.88, 34.84

 

CMYK 16 / 0 / 60 / 7

HEX #C8ED5E

RGB 200 237 94

HSL 75.52, 0.8%, 0.65%

LAB 88.76, -32.07, 63.53

 

CMYK 18 / 0 / 68 / 1

HEX #CFFC50

RGB 207 252 80

HSL 75.7, 0.97%, 0.65%

LAB 93.22, -37.16, 73.8

 

CMYK 16 / 0 / 60 / 7

HEX #C8ED5E

RGB 200 237 94

HSL 75.52, 0.8%, 0.65%

LAB 88.76, -32.07, 63.53

 

CMYK 13 / 0 / 51 / 13

HEX #C1DF6D

RGB 193 223 109

HSL 75.79, 0.64%, 0.65%

LAB 84.6, -26.93, 52.03

 

CMYK 11 / 0 / 41 / 18

HEX #BAD07B

RGB 186 208 123

HSL 75.53, 0.47%, 0.65%

LAB 80.17, -20.88, 39.71

 

CMYK 8 / 0 / 29 / 24

HEX #B3C28A

RGB 179 194 138

HSL 76.07, 0.31%, 0.65%

LAB 76.07, -14.6, 26.53

 

CMYK 4 / 0 / 15 / 30

HEX #ACB398

RGB 172 179 152

HSL 75.56, 0.15%, 0.65%

LAB 71.74, -7.29, 12.97

 

CMYK 0 / 17 / 60 / 7

HEX #EDC55E

RGB 237 197 94

HSL 43.22, 0.8%, 0.65%

LAB 81.15, 2.67, 55.88

 

CMYK 0 / 1 / 60 / 7

HEX #EDEB5E

RGB 237 235 94

HSL 59.16, 0.8%, 0.65%

LAB 90.88, -16.49, 66.61

 

CMYK 15 / 0 / 60 / 7

HEX #C9ED5E

RGB 201 237 94

HSL 75.1, 0.8%, 0.65%

LAB 88.83, -31.69, 63.62

 

CMYK 31 / 0 / 60 / 7

HEX #A3ED5E

RGB 163 237 94

HSL 91.05, 0.8%, 0.65%

LAB 86.58, -45.64, 60.51

 

CMYK 47 / 0 / 60 / 7

HEX #7DED5E

RGB 125 237 94

HSL 106.99, 0.8%, 0.65%

LAB 84.86, -57.69, 58.11

 

CMYK 23 / 0 / 89 / 12

HEX #ADE019

RGB 173 224 25

HSL 75.38, 0.8%, 0.49%

LAB 83.05, -39.98, 78.73

 

CMYK 19 / 0 / 76 / 9

HEX #BCE939

RGB 188 233 57

HSL 75.34, 0.8%, 0.57%

LAB 86.63, -37.11, 74.65

 

CMYK 16 / 0 / 60 / 7

HEX #C8ED5E

RGB 200 237 94

HSL 75.52, 0.8%, 0.65%

LAB 88.76, -32.07, 63.53

 

CMYK 12 / 0 / 46 / 5

HEX #D5F183

RGB 213 241 131

HSL 75.27, 0.8%, 0.73%

LAB 91.1, -25.69, 49.84

 

CMYK 8 / 0 / 31 / 4

HEX #E2F5A9

RGB 226 245 169

HSL 75, 0.79%, 0.81%

LAB 93.6, -18.35, 34.6

 

CMYK 15 / 0 / 59 / 7

HEX #C9ED61

RGB 201 237 97

HSL 75.43, 0.8%, 0.65%

LAB 88.85, -31.46, 62.39

 

CMYK 60 / 0 / 33 / 7

HEX #5EED9F

RGB 94 237 159

HSL 147.27, 0.8%, 0.65%

LAB 84.72, -55.84, 26.61

 

CMYK 9 / 60 / 0 / 7

HEX #D85EED

RGB 216 94 237

HSL 291.19, 0.8%, 0.65%

LAB 60.53, 67.2, -50.86

 

CMYK 15 / 0 / 59 / 7

HEX #C9ED61

RGB 201 237 97

HSL 75.43, 0.8%, 0.65%

LAB 88.85, -31.46, 62.39

 

CMYK 60 / 15 / 0 / 7

HEX #5EC9ED

RGB 94 201 237

HSL 195.1, 0.8%, 0.65%

LAB 76.23, -20.42, -27.04

 

CMYK 0 / 60 / 15 / 7

HEX #ED5EC9

RGB 237 94 201

HSL 315.1, 0.8%, 0.65%

LAB 61.85, 66.64, -28.35

 

CMYK 15 / 0 / 59 / 7

HEX #C9ED61

RGB 201 237 97

HSL 75.43, 0.8%, 0.65%

LAB 88.85, -31.46, 62.39

 

CMYK 60 / 0 / 33 / 7

HEX #5EED9F

RGB 94 237 159

HSL 147.27, 0.8%, 0.65%

LAB 84.72, -55.84, 26.61

 

CMYK 45 / 60 / 0 / 7

HEX #825EED

RGB 130 94 237

HSL 255.1, 0.8%, 0.65%

LAB 50.53, 47.87, -67.45

 

CMYK 0 / 60 / 27 / 7

HEX #ED5EAD

RGB 237 94 173

HSL 326.85, 0.8%, 0.65%

LAB 60.81, 62.84, -13.96

 

CMYK 15 / 0 / 59 / 7

HEX #C9ED61

RGB 201 237 97

HSL 75.43, 0.8%, 0.65%

LAB 88.85, -31.46, 62.39

 

CMYK 60 / 0 / 15 / 7

HEX #5EEDC9

RGB 94 237 201

HSL 164.9, 0.8%, 0.65%

LAB 85.59, -46.9, 6.04

 

CMYK 45 / 60 / 0 / 7

HEX #825EED

RGB 130 94 237

HSL 255.1, 0.8%, 0.65%

LAB 50.53, 47.87, -67.45

 

CMYK 0 / 60 / 45 / 7

HEX #ED5E82

RGB 237 94 130

HSL 344.9, 0.8%, 0.65%

LAB 59.55, 58.08, 9.13

 

Description

Color code: RGBA 201 237 97 0.75 | qconv.com Color code: RGBA 201 237 97 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 237 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 237 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 44 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 44% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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